What About Men? The Marginalization of Men Who Engage in Domestic Violence

2021 ◽  
pp. 088626052199746
Author(s):  
Ella Kuskoff ◽  
Andrew Clarke ◽  
Cameron Parsell

In an international policy context that is increasingly recognizing the gendered nature of domestic violence, governments are becoming more attuned to the importance of improving policy responses for women who have domestic violence enacted against them. This has not, in general, been accompanied by a similar focus on improving policy responses to men who engage in domestic violence, despite a burgeoning body of scholarship suggesting that improved responses to such men are required to more effectively prevent domestic violence from occurring. Importantly, current scholarship also highlights the significant and complex tensions that may arise when policy informed by gendered understandings of domestic violence increases its focus on the men who enact it. Drawing on a critical discourse analysis methodology, we analyze how these tensions are negotiated in domestic violence policy in the Australian state of Queensland. Findings from this analysis demonstrate that the way government policy discursively constructs men who engage in domestic violence has important implications for how such policy targets and engages with members of this group. The article demonstrates that when such men are constructed as outsiders to the community, they may be viewed as undeserving of inclusion and support. This can result in governments failing to prioritize interventions targeted at men who engage in domestic violence, and prevent the active inclusion of such men in the development of policy and interventions. These findings provide important lessons for international governments seeking to implement or strengthen policy responses to end domestic violence against women.

Affilia ◽  
2017 ◽  
Vol 32 (3) ◽  
pp. 292-307 ◽  
Author(s):  
Heather L. Storer

Teen dating violence (TDV) is a significant social justice issue. The prevention of TDV requires interventions across ecological systems levels including the macro-level. The media has been implicated as influencing societal-level narratives about TDV. Using critical discourse analysis methodology, the purpose of this study is to unpack the dominant cultural narratives about TDV in young adult (YA) literature, a media genre that is marketed to adolescents. Data include YA novels with a central focus on TDV ( n = 8). Through these novels, the language of gender inequality was supplanted by a postfeminist rhetoric of choice, personal responsibility, and self-help.


2021 ◽  
Author(s):  
Carmen Chui

<div>This study seeks to explore how nature-based therapies are understood in Western “mental health” practices. Specifically, horticultural and equine-assisted therapeutic models are examined for discursive themes tied to mind-body connections, attachment and healing. Additionally, texts used to teach specific therapeutic modalities are examined to further explore common concepts such as mindfulness and coping. In conducting a review of relevant literature, similar themes were revealed which contributed to a base knowledge for understanding the discourse around nature-based therapies. Engaging in an anti-colonial theoretical framework and a modified critical discourse analysis methodology, this qualitative study explores the research question: “What are the discourses which inform Western nature-based therapies?” Ultimately, this study aims to develop a more thorough understanding of how these therapies are linked to Indigenous approaches, how practices may be appropriated and used by Western practitioners, and the shift in social work towards more wholistic therapeutic practices. </div>


2021 ◽  
Author(s):  
Carmen Chui

<div>This study seeks to explore how nature-based therapies are understood in Western “mental health” practices. Specifically, horticultural and equine-assisted therapeutic models are examined for discursive themes tied to mind-body connections, attachment and healing. Additionally, texts used to teach specific therapeutic modalities are examined to further explore common concepts such as mindfulness and coping. In conducting a review of relevant literature, similar themes were revealed which contributed to a base knowledge for understanding the discourse around nature-based therapies. Engaging in an anti-colonial theoretical framework and a modified critical discourse analysis methodology, this qualitative study explores the research question: “What are the discourses which inform Western nature-based therapies?” Ultimately, this study aims to develop a more thorough understanding of how these therapies are linked to Indigenous approaches, how practices may be appropriated and used by Western practitioners, and the shift in social work towards more wholistic therapeutic practices. </div>


Actor network theory (ANT) or the “sociology of translation,” is introduced, being a systematic way to explain the mechanics and dynamics of relational interactions, within networks. The unique ontology of ANT equates human and non-human systems thereby conferring the MOU social partnership agreement with the status of an actor. The text within the MOU Agreement as an intermediary becomes the inscription, enabling the agreement to obtain having a discourse of its own and the capacity to attain a “black box” status within the network of relations that it creates for itself. ANT's strengths and weaknesses, critiques and value are highlighted as well as its suitability to be used to analyse network relations partnering with critical discourse analysis methodology.


2020 ◽  
Vol 20 (5) ◽  
pp. 590-603
Author(s):  
Curtis Redd ◽  
Emma K Russell

In recent years, we have witnessed a tide of government apologies for historic laws criminalising homosexuality. Complicating a conventional view of state apologies as a progressive effort to come to terms with past mistakes, queer theoretical frameworks help to elucidate the power effects and self-serving nature of the new politics of regret. We argue that through the discourse of gay apology, the state extolls pride in its present identity by expressing shame for its ‘homophobic past’. In doing so, it discounts the possibility that systemic homophobia persists in the present. Through a critical discourse analysis of the ‘world first’ gay apology from the parliament of the Australian state of Victoria in 2016, we identify five key themes: the inexplicability of the past, the individualisation of homophobia, the construction of a ‘post-homophobic’ society, the transformation of shame into state pride and subsuming the ‘unhappy queer’ through the expectation of forgiveness.


2019 ◽  
Vol 21 (6) ◽  
pp. 636-659
Author(s):  
Jennifer Andrus

This article analyzes narratives about encounters between police officers and domestic violence victim/survivors in the context of domestic violence calls. Narratives are sites in which individuals create relationships between themselves and others, oriented around a set of unfolding events. Narrative is a motivated, engaged retelling of prior or anticipated events produced in interaction with others, in a particular context stocked with constraints and affordances. In the process of telling stories, identities emerge. In order to understand the relationship between narrative and identity, I analyze stories told about police interactions with domestic violence victim/survivors from the perspectives of both the police and the victim/survivors. Working empirically with a data set of 48 interviews, I use critical discourse analysis and discourse analysis to analyze the ways both groups narrate domestic violence and confrontations with police officers, the ways they create story worlds stocked with characters, the ways story characters are formed and deployed, and the ways those characters are positioned against/with/by the storyteller, allowing the storyteller’s identity to emerge. This article is an analysis of the relationship between the storyteller and the story world and the storyteller’s process of constructing an/other in order to position in relation to that other. Ultimately, I argue that identity emerges for the storyteller in the way she or he constructs characters in a story and then positions in relation to those characters.


2012 ◽  
Vol 19 (5) ◽  
pp. 619-628 ◽  
Author(s):  
Cayetano Fernández-Sola ◽  
José Granero-Molina ◽  
Gabriel Aguilera Manrique ◽  
Adelaida María Castro-Sánchez ◽  
José Manuel Hernández-Padilla ◽  
...  

Preserving dignity during the dying process requires reviewing the roles of those involved in the treatment, care methods and decision-making. This article examines the participation and responsibility assigned to nurses regarding decision-making in the final stages of life, as laid out in the Rights to and Guarantee of Dignity for the Individual During the Process of Death Act. This text has been analysed on the levels of socio-cultural practice and discourse practice, using the critical discourse analysis methodology. The results show that, although the law is another result of the social trend of patient empowerment, the responsibility of the nurses is not recognised, and they are left out of the decision-making process in the final stages of life.


2018 ◽  
Vol 25 (4) ◽  
pp. 441-462 ◽  
Author(s):  
Patricia Easteal ◽  
Kate Holland ◽  
Michelle Dunne Breen ◽  
Cathy Vaughan ◽  
Georgina Sutherland

This study uses critical discourse analysis to examine news reporting of two cases of intimate partner violence in Australia. The fine-grained analysis of newswriting and news-editing practices focuses particularly on the lexical features and referential strategies used to represent the perpetrator and the victim, the crime, and the location of the crime. Findings show that reporting often omits social context, sensationalizes, and acts to shift blame in ways that do not increase public understanding of the nature of domestic violence. These results build on international findings and add to the evidence base about media reporting of violence against women.


Author(s):  
Norbert Leonhardmair ◽  
Paul Herbinger ◽  
Marion Neunkirchner

This chapter describes the international policy framework and efforts made on the international and European level to further the fight against violence against women and domestic violence. The respectivenational legal frameworks and organisational context of front-line responder services are discussed in-depth in the following chapters. The IMPRODOVA project followed a bottom-up approach in itsinvestigation of ground-level practices of cooperation of frontline responder services, which are, however, only meaningfully understood when interpreted in the governing national legal and policy framework.While numerous international policy documents relate to domestic violence, the ratification of the Convention on Preventing and Combating Violence against Women and Domestic Violence in 2011represents perhaps the most significant attempt to institute a comprehensive policy framework in this field. The "Istanbul Convention" includes the first legally binding, international, and wide-reaching set ofnorms to combat violence against women in general and domestic violence specifically.


2020 ◽  
Vol 4 (2) ◽  
pp. 51-60
Author(s):  
Verónica Andrea Escobar Mejía

The feminist movement in Mexico has recently gained attention due to the diverse manifestations along with the country. The song Canción sin miedo (2020) portrays elements that keep a relationship with the feminist ideology, as well as recent events that are depicted in the lyrics. Critical discourse analysis (CDA) is presented as an approach to examining the song, using Halliday’s systemic functional linguistics (SFL) model and parallelism analysis. The outcomes of this study suggest that the song was produced as a claim for social justice, but it involves elements that generate a sense of identity for some women because their roles and struggles are depicted in the lyrics, principally femicide. Additionally, the parallelism analysis shows three syntactical structures that compose the body of the text. This examination is also a call for noticing the emergence of violence against women in Mexico.


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