Southampton’s sixteenth-century illicit trade: An examination of the 1565 Port Survey

2015 ◽  
Vol 27 (2) ◽  
pp. 268-284 ◽  
Author(s):  
Leanna T Parker
Author(s):  
Jesse Cromwell

This chapter asks what the implicit understandings were between empire and colony for almost two hundred years before the change to Bourbon governance and an eighteenth-century period of commercial conflict. It discusses briefly how the Spanish Empire addressed smuggling in the immediate decades after Caracas’s mid-sixteenth-century founding, then moves to the seventeenth-century transition to an almost monocrop, cacao-based economy and the rise of interimperial contact that accompanied it. The chapter ends shortly before the establishment of the Caracas Company in 1728. It also includes a basic primer to the Spanish commercial system meant to give the reader a sense of exactly how illicit trade deviated from imperial guidelines. Chapter one functions as an examination of the Habsburg status quo of benign neglect that governed Venezuela from its inception until the rise of the Caracas Company. It argues that this was a colony that received little commercial support but also little outside intervention where extralegal interimperial trade was concerned.


Itinerario ◽  
2000 ◽  
Vol 24 (2) ◽  
pp. 62-79
Author(s):  
W.J. Boot

In the pre-modern period, Japanese identity was articulated in contrast with China. It was, however, articulated in reference to criteria that were commonly accepted in the whole East-Asian cultural sphere; criteria, therefore, that were Chinese in origin.One of the fields in which Japan's conception of a Japanese identity was enacted was that of foreign relations, i.e. of Japan's relations with China, the various kingdoms in Korea, and from the second half of the sixteenth century onwards, with the Portuguese, Spaniards, Dutchmen, and the Kingdom of the Ryūkū.


2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.


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