Revisiting Lukács’ theory of realism

Thesis Eleven ◽  
2020 ◽  
Vol 159 (1) ◽  
pp. 57-63
Author(s):  
Galin Tihanov

This paper focuses on Georg Lukács, for it is in his work, and the attendant debates and disagreements, that an entire constellation of questions around Realism is first compellingly formulated. The purpose of the paper is to revisit Lukács’ theory of realism as a response to a host of mainstream currents shaping the landscape of Continental philosophy in the first three decades of the 20th century. Particular attention is paid to the problem of form and truth at the core of Lukács’ theory of realism.

2021 ◽  
Vol 32 (1) ◽  
Author(s):  
Bettina Szabados ◽  
Aleksandr Sautkin

The Hungarian philosopher, Georg Lukács, recognized the crisis-consciousness of his generation at the turn of the 20th century and began to search for solutions in the art. However, his theory about art proved to be illusory, being unable to reshape society. After many philosophical attempts to realize his theory in praxis, in 1918 Lukács turned to Marxism and later became one of the most influential Marxist thinkers of his time. In 1919, when the Hungarian Soviet Republic fell, Lukács, like many other intellectuals, had to flee abroad. In emigration, he started to summarize the experiences of the fallen revolution and referred to Lenin’s ideas in his early Marxist works, in ‘History and Class Consciousness’ (1923) and ‘Lenin: A Study on the Unity of his Thought’ (1924). This paper aims to follow Lukács’ path, how he became a Marxist from an Essayist, and what solutions he found for the social crises of his era.


Author(s):  
Andrew Logie

In current day South Korea pseudohistory pertaining to early Korea and northern East Asia has reached epidemic proportions. Its advocates argue the early state of Chosŏn to have been an expansive empire centered on mainland geographical Manchuria. Through rationalizing interpretations of the traditional Hwan’ung- Tan’gun myth, they project back the supposed antiquity and pristine nature of this charter empire to the archaeological Hongshan Culture of the Neolithic straddling Inner Mongolia and Liaoning provinces of China. Despite these blatant spatial and temporal exaggerations, all but specialists of early Korea typically remain hesitant to explicitly label this conceptualization as “pseudohistory.” This is because advocates of ancient empire cast themselves as rationalist scholars and claim to have evidential arguments drawn from multiple textual sources and archaeology. They further wield an emotive polemic defaming the domestic academic establishment as being composed of national traitors bent only on maintaining a “colonial view of history.” The canon of counterevidence relied on by empire advocates is the accumulated product of 20th century revisionist and pseudo historiography, but to willing believers and non-experts, it can easily appear convincing and overwhelming. Combined with a postcolonial nationalist framing and situated against the ongoing historiography dispute with China, their conceptualization of a grand antiquity has gained bipartisan political influence with concrete ramifications for professional scholarship. This paper seeks to introduce and debunk the core, seemingly evidential, canon of arguments put forward by purveyors of Korean pseudohistory and to expose their polemics, situating the phenomenon in a broader diagnostic context of global pseudohistory and archaeology.


1971 ◽  
Vol 20 (1) ◽  
pp. 13-36 ◽  
Author(s):  
Nicolas Tertulian
Keyword(s):  

Author(s):  
Allan Hepburn

Miracles rarely appear in novels, yet Graham Greene includes several of them in The End of the Affair. Sarah Miles heals a boy suffering from appendicitis and a man with a disfigured cheek. Like a saint, she seems to heal or revive through her compassionate touch, as when she raises her lover, who may or may not have died in a bomb blast, by touching his hand. This chapter locates Sarah’s interventions amidst debates about miracles, beginning with David Hume’s sceptical rejection of inexplicable phenomena, through such mid-century books as C. S. Lewis’s Miracles and Dorothy Sayers’ The Mind of the Maker. The inherent godlessness of novels, as Georg Lukacs puts the matter in Theory of the Novel, would seem to ban mystical content altogether from novelistic discourse. Yet this chapter argues for the revaluation of mystical content—the ordeals of the whisky priest in The Power and the Glory, for example—within the generic precincts of the novel.


Tempo Social ◽  
2018 ◽  
Vol 30 (3) ◽  
pp. 5-24
Author(s):  
Ricardo Musse
Keyword(s):  

História e consciência de classe é considerado, consensualmente, como um dos marcos de fundação do marxismo ocidental. Sua contribuição para a gênese da teoria crítica tampouco pode ser desprezada. O presente artigo procura mostrar como alguns conceitos decisivos do arcabouço teórico da Escola de Frankfurt foram desenvolvidos em 1923 por Georg Lukács. Destaca, sobretudo, os conceitos de reificação e racionalismo. História e consciência de classe considera a reificação, seguindo uma trilha aberta por Karl Marx, o fenômeno central da sociedade capitalista. O racionalismo é exposto em duas dimensões articuladas, na esfera do pensamento – em especial na ciência e na filosofia –, e no âmbito da vida material, como racionalidade econômica.


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