scholarly journals Spatial property of the effect of density-adaptation on perceived distances.

2019 ◽  
Vol 19 (8) ◽  
pp. 55
Author(s):  
Rumi Hisakata ◽  
Hirohiko Kaneko
Keyword(s):  
Spatial Property

Matching spatial property rights fisheries with scales of fish dispersal

2011 ◽  
Vol 21 (2) ◽  
pp. 350-362 ◽  
Author(s):  
Crow White ◽  
Christopher Costello
Keyword(s):  
Property Rights ◽  
Spatial Property ◽  
Fish Dispersal

Ship detection using online update of clutter map based on fuzzy statistics and spatial property

2018 ◽  
Vol 12 (5) ◽  
pp. 499-505 ◽  
Author(s):  
Xueli Pan ◽  
Guisheng Liao ◽  
Zhiwei Yang ◽  
Hongxing Dang
Keyword(s):  
Spatial Property ◽  
Ship Detection ◽  
Fuzzy Statistics

scholarly journals Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s "La Goutte d’or"

Text Matters ◽  
2012 ◽  
pp. 250-263
Author(s):  
Richard J. II Gray
Keyword(s):  
Identity Construction ◽  
Visual Representation ◽  
The Other ◽  
Visual Images ◽  
The Novel ◽  
Spatial Property ◽  
Object A ◽  
Postcolonial Identity ◽  
Identity Based ◽  
The City

In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or (1986), the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” At the beginning of the novel, a French tourist takes a photograph of Idriss during her visit to the Sahara. The boy’s quest to reclaim his stolen image leads him from the Sahara to Marseille, and finally to the Rue de la Goutte d’or in Paris. The Rue de la Goutte d’or remains one the most cosmopolitan neighbourhoods of the city. In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self (the “Other”) through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions.

G020011 Effects of Micropattern on Spatial Property of Focal Adhesion

2012 ◽  
Vol 2012 (0) ◽  
pp. _G020011-1-_G020011-3
Author(s):  
Heonuk JEONG ◽  
Chang Ho SEO ◽  
Katsuko FURUKAWA ◽  
Takashi USHIDA
Keyword(s):  
Focal Adhesion ◽  
Spatial Property

Multistage Spatial Property Based Segmentation for Quantification of Fluorescence Distribution in Cells

2010 ◽  
Author(s):  
Guangyun Zhang ◽  
Xiuping Jia ◽  
Tuan D. Pham ◽  
Denis I. Crane ◽  
Tuan Pham ◽  
...  
Keyword(s):  
Spatial Property ◽  
In Cells

Spatial Property of Formed Patterns Depending on Focus Condition in a Two-Dimensional Optoelectronic Feedback System

2001 ◽  
Vol 40 (Part 1, No. 1) ◽  
pp. 165-169 ◽  
Author(s):  
Yoshio Hayasaki ◽  
Yuuki Tamura ◽  
Hirotsugu Yamamoto ◽  
Nobuo Nishida
Keyword(s):  
Feedback System ◽  
Two Dimensional ◽  
Spatial Property ◽  
Focus Condition
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