scholarly journals Book Review: Milan Scholz, České a polské hledání identity. Myšlení Tomáše Garrigua Masaryka a Romana Dmowského v komparativní perspektivě

2021 ◽  
Author(s):  
Tomáš Masař
Keyword(s):  
National Identity ◽  
The Relationship

Book Review: Milan Scholz, České a polské hledání identity. Myšlení Tomáše Garrigua Masaryka a Romana Dmowského v komparativní perspektivěThe paper is a presentation of the latest book by Milan Scholz. The author focuses on the relationship between the thought of Masaryk and that of Dmowski in the context of their activity and respective Czech and Polish debates on national identity. Recenze knihy: Milan Scholz, České a polské hledání identity. Myšlení Tomáše Garrigua Masaryka a Romana Dmowského v komparativní perspektivěPříspěvek je prezentací nejnovější knihy Milana Scholze. Autor se zaměřuje na vztah mezi myšlením Masaryka a Dmowského v kontextu jejich činnosti, respektive českých a polských debat o národní identitě. Recenzja książki: Milan Scholz, České a polské hledání identity. Myšlení Tomáše Garrigua Masaryka a Romana Dmowského v komparativní perspektivěArtykuł jest prezentacją najnowszej książki Milana Scholza. Autor skupia się na relacji między myślą Tomaša G. Masaryka i Romana Dmowskiego w kontekście ich działalności, przede wszystkim polskiej i czeskiej debaty o tożsamości narodowej.

scholarly journals Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 71
Author(s):  
Marianna Charitonidou
Keyword(s):  
National Identity ◽  
Urban Studies ◽  
Italian Cinema ◽  
Main Argument ◽  
Narrative Strategies ◽  
National Narratives ◽  
The Status ◽  
And Gender ◽  
Post War ◽  
The Relationship

The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.

Palestinian Refugees between the City and the Camp

2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah
Keyword(s):  
National Identity ◽  
Daily Life ◽  
National Belonging ◽  
Palestinian Refugees ◽  
Social Distinction ◽  
Urban Refugees ◽  
Old City ◽  
Refugee Experience ◽  
The Relationship ◽  
The City

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.

State contestations in constructions of 1Malaysia

2017 ◽  
Vol 41 (1) ◽  
pp. 46-65
Author(s):  
Mary Varghese ◽  
Kamila Ghazali
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
Prime Minister ◽  
Status Quo ◽  
The Public ◽  
Malaysian Population ◽  
Body Of Knowledge ◽  
The Status ◽  
The Public Sphere ◽  
The Relationship

Abstract This article seeks to contribute to the existing body of knowledge about the relationship between political discourse and national identity. 1Malaysia, introduced in 2009 by Malaysia’s then newly appointed 6th Prime Minister Najib Razak, was greeted with expectation and concern by various segments of the Malaysian population. For some, it signalled a new inclusiveness that was to change the discourse on belonging. For others, it raised concerns about changes to the status quo of ethnic issues. Given the varying responses of society to the concept of 1Malaysia, an examination of different texts through the critical paradigm of CDA provide useful insights into how the public sphere has attempted to construct this notion. Therefore, this paper critically examines the Prime Minister’s early speeches as well as relevant chapters of the socioeconomic agenda, the 10th Malaysia Plan, to identify the referential and predicational strategies employed in characterising 1Malaysia. The findings suggest a notion of unity that appears to address varying issues.

scholarly journals The Invention of New Zealand: Art and National Identity, 1930-1970 [Book Review]

2010 ◽  
Author(s):  
John Newton
Keyword(s):  
National Identity ◽  
New Zealand

Review(s) of: The Invention of New Zealand: Art and National Identity, 1930-1970, by Francis Pound, Auckland University Press, Auckland, 2009, xxi, 425 pp., [80] pp. of plates. ISBN 9781869404147

scholarly journals El otro lado de la modernidad boliviana. "Vuelve Sebastiana" y la reconfiguración de las coordenadas espacio temporales para pensar la Nación

2018 ◽  
Vol 23 ◽  
pp. 46-66
Author(s):  
Jaime Omar Salinas Zabalaga
Keyword(s):  
National Identity ◽  
20Th Century ◽  
Nation Building ◽  
Indigenous Communities ◽  
Cultural Transformation ◽  
National Imaginary ◽  
Central Argument ◽  
Temporal And Spatial ◽  
Building Project ◽  
The Relationship

This article discusses the film Vuelve Sebastiana (1953) by Jorge Ruiz, focusing on its ideological and aesthetic aspects. The analysis establishes connections between the idea of “nation” in the context of cultural transformation prompted by the economic and social policies of the National Revolution of 1952 and the way the Chipaya community is represented. The central argument is that "Vuelve Sebastiana" can be read not only in relation to the new national identity but as an expression of a new national imaginary regarding the indigenous communities of the Altiplano. The author proposes that "Vuelve Sebastiana" represents the nation through the temporal and spatial cartographies of a modern nation-building project, making visible some of its tensions and contradictions and allowing us to explore the imaginary that has redefined the relationship between the State and the indigenous communities of the Altiplano throughout the  second half of the 20th century.

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