scholarly journals Ethics of the Sea – Experience of the Vis Archipelago Fishermen

2015 ◽  
pp. 137-146
Author(s):  
Josko Bozanic

Ethics of the Sea – Experience of the Vis Archipelago FishermenThis paper is based on the author's years-long research of the experience of fishermen of the island of Vis, their ethics and mutual relationships in the extreme conditions of fishing at distant open sea islands of the Adriatic where they were continously exposed to pirate attacks, open sea elements, with boats powered by wind or man, in small living quarters of a boat and fiercely competing with each other for survival. In such extreme conditions the only answer to the challenge of survival was mutual solidarity, willingness to help another, the principle of egalitarianism and mutual respect. The author also speaks about the transethnic culture of people living at sea, the phenomenon of the sea as the liquid element which does not divide but rather connects different shores, cultures and languages. He speaks about the insular world whose most important social principle is - work, manufacture as the basis of survival, sacrificing for another and high value of an individual  who  deserves to be held in esteem through his work and sacrifice as the corrective of selfish interests. Etyka morza – doświadczenie rybaków z wyspy VisArtykuł opiera się na wieloletnich badaniach autora nad doświadczeniem rybaków z wyspy Vis (Chorwacja), ich etyką i wzajemnymi relacjami w trudnych warunkach na odległych wyspach adriatyckich, gdzie nieustannie byli narażeni na ataki piratów, kaprysy otwartego morza; posługiwali się łodziami żaglowymi i wiosłowymi, żyjąc na małej przestrzeni i rywalizując między sobą o przetrwanie. W tak skrajnych warunkach jedynym wyjściem, by przetrwać, była wzajemna solidarność, troska o innego, zasada równości i wzajemny szacunek. Autor mówi też o transetnicznej kulturze ludów żyjących na morzu, zjawisku morza jako płynnego elementu, który nie dzieli, lecz raczej łączy różne brzegi, kultury i języki. Opisuje wyspiarski świat, gdzie najważniejszą zasadą społeczną jest praca, poświęcenie dla innego oraz wysoka wartość jednostki, która zasługuje na szacunek dzięki pracy i ofiarności, łagodzącym indywidualne interesy.

2013 ◽  
Vol 44 (4) ◽  
pp. 271-277 ◽  
Author(s):  
Simona Sacchi ◽  
Paolo Riva ◽  
Marco Brambilla

Anthropomorphization is the tendency to ascribe humanlike features and mental states, such as free will and consciousness, to nonhuman beings or inanimate agents. Two studies investigated the consequences of the anthropomorphization of nature on people’s willingness to help victims of natural disasters. Study 1 (N = 96) showed that the humanization of nature correlated negatively with willingness to help natural disaster victims. Study 2 (N = 52) tested for causality, showing that the anthropomorphization of nature reduced participants’ intentions to help the victims. Overall, our findings suggest that humanizing nature undermines the tendency to support victims of natural disasters.


2002 ◽  
Author(s):  
E. Toppila ◽  
J. Starck ◽  
I. Pyykkö

2018 ◽  
Vol 2 (1) ◽  
pp. 32
Author(s):  
Itmam Aulia Rakhman

Ath-Thusi uses Aristotle's understanding of the practical reason of the theory of surgery. According to Ath-Thusi, the cause of deviation is anything excessive. Thus, the unbalanced state of the soul is caused by the advantages, disadvantages, or morbidity of the mind. Diversity in a society is a necessity, a household, as the smallest community of a complex society and full of differences, it is certainly necessary to be based on the building of togetherness and mutual respect between one another. This article will describe the creative ideas of Khawajah Nashiruddin Ath-Thusi related to the philosophy of the household in order to answer the present-day problematic of the family.


2007 ◽  
Vol 48 (1-2) ◽  
pp. 215-223 ◽  
Author(s):  
Emőke Tari Solymosi

Abstract Bartók's influence on his outstanding Hungarian contemporary, László Lajtha (1892–1963) remains as yet largely unresearched. Lajtha studied with Bartók at the Royal Hungarian Academy of Music and went on to become a composer, folk music researcher, versatile teacher, international cultural ambassador, and member of the French Academy. The two men's friendship and mutual respect lasted throughout Bartók's life. Among the leading musicians of the time, it was Bartók who first expressed his high opinion of the younger composer's talent. Bartók's influence can be observed in almost every field of Lajtha's work. For example, it was Bartók who recommended that Lajtha choose Paris as the place to complete his studies, which fostered in turn Lajtha's orientation toward Latin culture. Following in Bartók's footsteps, Lajtha became one of the greatest folk music collectors and researchers in Hungary, and this music also exerted a significant effect on his compositional style. Bartók recommended that the director Georg Hoellering commission Lajtha to write film music, which became an important new genre for the latter. A large number of documents — especially the unpublished letters from László Lajtha to John S. Weissmann, one of his former students — offer proof that Bartók's inspiration and practical assistance were of paramount importance to the development of Lajtha's career, oeuvre, and aesthetics.


Author(s):  
J. Manning
Keyword(s):  

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