‘I don’t think that’s very funny’
Vincent picks up on these themes in considering offence-taking and mobilisation in the context of comedic performances. While all of the cases covered in this book consider offence-taking to some degree, comedy-based forms of entertainment are unique in the sense that they are typically seeking to transgress or at least unsettle moral boundaries. Here, too, scrutiny and denunciation can transcend the boundary between fiction and real life, and, in so doing, reach a broader audience who is not acquainted with the original context of the comedic work.
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2006 ◽
Vol 5
(1)
◽
pp. 119-119
2014 ◽
Vol 25
(4)
◽
pp. 233-238
◽
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