Plato’s Seventh Letter: Composition and Incongruences

Méthexis ◽  
2021 ◽  
Vol 33 (1) ◽  
pp. 102-116
Author(s):  
Paulo Butti de Lima
Keyword(s):  

Abstract The discussion on the authenticity of Plato’s Seventh Letter should consider its distinct parts, some incongruences between them and the editorial process of Plato’s later works. The number of times Plato has given advice and the number of travels to Sicily are differently indicated in the letter. These incongruences could be a sign of different Platonic texts being assembled by an ‘editor,’ becoming a relevant matter for the analysis of the text and its authorship.

2016 ◽  
Vol 33 (4) ◽  
pp. 522-568
Author(s):  
Cory M. Gavito

Among the roughly 150 Italian songbooks published between 1610 and 1665 with the guitar tablature known as alfabeto, about thirteen are anthologies. These anthologies often advertise the role of a compiler who has gathered together music by diverse authors. The extent to which compilers also functioned as authors and editors is not well understood. This essay considers the case of Giovanni Stefani, a compiler who, in the preface to his Scherzi amorosi of 1622, describes the anthology as a collection of his choosing that contains “varie compositioni de Virtuosi della prima classe” (various compositions of first-class virtuosos). Intriguingly, none of the settings Stefani prints (in both this alfabeto anthology and two others) include attributions. Since the 1880s, scholars have been preoccupied with matters of transmission and attribution, unearthing a network of textual and musical concordances. This article expands the nexus of Stefani’s songs and their concordant sources, revealing an array of examples that range from identical copies to “partial” concordances that take over motives, phrases, refrains, or harmonic schemes. These examples indicate that in preparing his anthologies, Stefani mined a corpus of existing prints and manuscripts while also relying heavily on oral transmission. The complex nature of Stefani’s approach, taken together with his complete avoidance of composer attributions, points toward an editorial process shaped by a fluid exchange between oral and written musical practices.


Relay Journal ◽  
2020 ◽  
pp. 100-109
Author(s):  
Phillip A. Bennett ◽  
Maria Giovanna Tassinari ◽  
Ena Hollinshead ◽  
Fergal Bradley

This paper is a reflection on our experiences as managing editors and layout editors of volume 2, issue 2 of Relay Journal. In accordance with the developmental aims of Relay Journal, via this reflective practice, our motivations are not only to foster each others’ learner autonomy and grow our professional development, but additionally to encourage others to also share reflections of their editing responsibilities, practices, and realisations. We also believe this will provide insight into the process for those who do not have the experience in such roles, yet wish to pursue them. With that in mind, we will briefly detail the journal-editing process and our roles in such; then follow with our individual reflections upon our experiences. Our reflections will focus on our responsibilities and roles, our feelings, and what we learned through the experience.


Logistics ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 2
Author(s):  

The editorial team greatly appreciates the reviewers who have dedicated their considerable time and expertise to the journal’s rigorous editorial process over the past 12 months, regardless of whether the papers are finally published or not [...]


Photonics ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 15
Author(s):  

The editorial team greatly appreciates the reviewers who have dedicated their considerable time andexpertise to the journal’s rigorous editorial process over the past 12 months, regardless of whetherthe papers are finally published or not [...]


Data ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 12
Author(s):  

The editorial team greatly appreciates the reviewers who have dedicated their considerable time and expertise to the journal’s rigorous editorial process over the past 12 months, regardless of whether the papers are finally published or not [...]


2009 ◽  
Vol 22 (2) ◽  
pp. 56-57
Author(s):  
Richard Salcido
Keyword(s):  

2021 ◽  
Vol 133 (3) ◽  
pp. 299-311
Author(s):  
Itamar Kislev

Abstract To date, scholarly examination of the developed legal section in Numbers 28–29 has taken place in the context of its relationship to the Lev 23 festival calendar and other pentateuchal calendars (Exod 23:14–19; 34:18–26; Deut 16:1–17) and its place in the formation of the Pentateuch. Independent analysis of this unit has the ability to illuminate this unit’s formation, probably the product of a long editorial process, enables isolation of the stage at which it was integrated in its current context, and reveals the purpose underlying its integration.


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