scholarly journals Travel writing and humanistic culture: A blunted impact?

2006 ◽  
Vol 10 (1) ◽  
pp. 131-168 ◽  
Author(s):  
Joan-Pau Rubiés

AbstractAn influential historiographical tradition has opposed the accounts of extra-European worlds produced by sixteenth-century travel writers to the concerns of humanists and other European men of learning, even detecting a 'blunted impact' up until the eighteenth century, when the figure of the philosophical traveller was proclaimed by Rousseau and others. It is my argument that this approach is misleading and that we need to take account of the full influence of travel writing upon humanistic culture in order to understand how the Renaissance eventually led to the Enlightenment. A first step consists in analysing the collective impact of accounts of America, Africa and Asia, rather than opposing the 'New World' to other areas. Moreover, whilst quantitative estimates offer a route for the assessment of 'impact', it is the qualitative aspect which is most clearly central to the cultural history of the period. Even 'popular' observers were often subtly influenced by concepts and strategies formulated by the intellectual elites. Under close scrutiny, it appears that humanists—and here I adopt a broad definition—had a crucial role in the production and consumption of travel accounts, as editors and travel collectors, as historians and cosmographers, and eventually—from the turn of the seventeenth century—as 'philosophical travellers'. The article seeks to illustrate these roles with reference to some examples from the first phase of the encounter. In particular, the early accounts of the Columbian expeditions by Nicolaus Scyllacus and Peter Martyr of Anghiera can be shown to have elaborated Columbian material more faithfully than is usually understood to be the case. Similarly, the historiography of conquest published after the middle of the sixteenth century reveals the widespread application of humanist standards to the literature of encounter produced in the previous sixty years.

2020 ◽  
pp. 147-160
Author(s):  
Yarí Pérez Marín

This section reflects on the cross-fertilisation between science, medicine, literature and art in the consolidation of New World identity and discourse, beyond the sixteenth century. It invites readers to consider towering figures in the cultural history of colonial Latin America, such as writer Inca Garcilaso de la Vega, polymath Sor Juana Inés de la Cruz and painter Miguel Cabrera, discussing some of their connections to earlier texts on anatomy and physiology. The epilogue makes a case for redefining the medical texts studied in Marvels of Medicine as early matrixes of colonial rhetoric, scientific and literary objects that charted a course for future colonial subjects’ sense of identity in relation to the larger context of global knowledge production.


Author(s):  
Christopher J. Berry

This term refers to the intellectual movement in Scotland in roughly the second half of the eighteenth century. As a movement it included many theorists – the best known of whom are David Hume, Adam Smith and Thomas Reid – who maintained both institutional and personal links with each other. It was not narrowly philosophical, although in the Common Sense School it did develop its own distinctive body of argument. Its most characteristic feature was the development of a wide-ranging social theory that included pioneering ‘sociological’ works by Adam Ferguson and John Millar, socio-cultural history by Henry Home (Lord Kames) and William Robertson as well as Hume’s Essays (1777) and Smith’s classic ‘economics’ text The Wealth of Nations (1776). All these works shared a commitment to ‘scientific’ causal explanation and sought, from the premise of the uniformity of human nature, to establish a history of social institutions in which the notion of a mode of subsistence played a key organising role. Typically of the Enlightenment as a whole this explanatory endeavour was not divorced from explicit evaluation. Though not uncritical of their own commercial society, the Scots were in no doubt as to the superiority of their own age compared to what had gone before.


Author(s):  
Manuel G. Avilés-Santiago

Developments in contemporary Latina/os media are the result not only of an exponentially growing Latina/o population in the United States but also of the synergy between transformations in the global political economy and the emergence of new media platforms for production, distribution, and consumption. To reflect upon the emergence of the industry is to consider the politics of the labeling of the Latina/o community and the eventual configuration of a market audience. It also requires a confrontation with the cultural history of representations and stereotypes of Latina/os, particularly in radio, TV, film, and the internet, and the transnational aesthetics and dynamics of media produced by and/or for Latina/os in the United States. If the notion of media revolves around a technological means of communication, it also encompasses the practices and institutions from within which the Latina/o communities are imagined, produced, and consumed. At the start of the 21st century, the idea of Latina/os in media revolved around a handful of Latina/o stars in Hollywood who often performed stereotypical representations, a racialized and marginal Spanish-language radio industry, and two Spanish television networks, Univision and Telemundo. A more complex constellation of representations has evolved in both mainstream and Spanish-language media, among them new platforms for production and resistance, including social media (e.g., Facebook, Instagram, Snapchat), radio podcasts and streaming services (e.g., Hulu and Netflix), and a more active and engaged audience that consumes media in Spanish, English, and even Spanglish.


1980 ◽  
Vol 37 (2) ◽  
pp. 179-192
Author(s):  
John F. Wilhite

José Celestino Mutis, physician, naturalist and educator, and a native of the port of Cádiz in Spain, arrived at the Spanish viceroyalty of New Granada in the year 1760 as personal physician to Viceroy Messía de la Zerda. His arrival coincided with the beginning of a period of change in the cultural history of that reino or “kingdom”. Progressive reform in the colonial universities, stimulus to scientific study, new directions in philosophic and political thought and the formation of an enlightened society were the contributions don José made to the cultural partrimony of New Granada. The results of his activity in this viceroyalty were manifestations of that period in history which is termed the Enlightenment.


Res Mobilis ◽  
2020 ◽  
Vol 9 (11) ◽  
pp. 3-18
Author(s):  
Carsten Kullmann

This article examines the cultural history of chairs to understand the many meanings the Monobloc can acquire. The history of chairs is traced from post nomadic culture through the Middle Ages to the Enlightenment period and the French Revolution. Subsequently, I will examine the Monobloc from a Cultural Studies perspective and demonstrate how its unique characteristics allow multiple meanings, which are always dependent on context and discourse. Thus, the Monobloc becomes an utterly democratic symbol of popular culture that can be appropriated for any use.


Author(s):  
Wendy S Mercer

This is the first critical biography of Xavier Marmier. The celebrity of Marmier was such that his death made headline news in most major newspapers in France. Marmier earned his reputation by being a traveller, travel writer, translator, literary critic, comparatist, journalist, novelist, poet, lecturer, linguist, ethnologist, social historian, and latterly as an outspoken member of the Académie Française. His work had a great deal of influence, both direct and indirect, on literary and intellectual developments in France, and also had a significant impact in a number of the countries he visited. Although his name still figures in studies of comparative literature or the history of travel writing, Marmier's innovations have gradually been eclipsed by his successors in various fields, resulting in the neglect of his overall achievements. Marmier's numerous and diverse achievements are assessed in their intellectual and historical context, and within the framework of his colourful and somewhat controversial private life. This book will be of interest to scholars and students of the history of nineteenth-century French literature and intellectual life, the history of literary criticism, travel writing, the introduction of foreign literature to France, and those with an interest in the intellectual, social, and cultural history of the regions Marmier visited.


Costume ◽  
2007 ◽  
Vol 41 (1) ◽  
pp. 99-104 ◽  
Author(s):  
Nigel Arch

As a concept, the idea of product branding offers insights into the history of uniform in Britain. The creation of a brand, by which a product is understood and recognised by its name, fits the cultural history of the red coat, that part of his uniform by which the British infantryman was known for over three hundred years. While the earliest references to the redcoat in this context occur in the sixteenth century, it is really from the eighteenth century onwards that the term becomes widely employed to denote the soldier. However, a review of royal portraiture in Britain from the late seventeenth century onwards also reveals that monarchs used the red coat as a way of uniting the ideals of patriotism with the monarch — a device that was particularly important for the Hanoverian dynasty. Both literature and the visual arts helped identify the red coat as a synonym for the soldier. Numerous references may be adduced, from Jane Austen writing of polite society, to Rudyard Kipling's Tommy. Lady Elizabeth Butler was perhaps the most famous artist to depict red-coated heroes in battles, which marked the defence or development of the Empire.


2021 ◽  

A Cultural History of Objects in the Age of Enlightenment covers the period 1600 to 1760, a time marked by the movement of people, ideas and goods. The objects explored in this volume from scientific instrumentation and Baroque paintings to slave ships and shackles encapsulate the contradictory impulses of the age. The entwined forces of capitalism and colonialism created new patterns of consumption, facilitated by innovations in maritime transport, new forms of exchange relations, and the exploitation of non-Western peoples and lands. The world of objects in the Enlightenment reveal a Western material culture profoundly shaped by global encounters. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds.


2021 ◽  

During the period of the Enlightenment, the word ‘home’ could refer to a specific and defined physical living space, the location of domestic life, and a concept related to ideas of roots, origins, and retreat. The transformations that the Enlightenment encouraged created the circumstances for the concept of home to change and develop in the following three ways. First to influence homemaking were the literary and cultural manifestations that included issues around attitudes to education, social order and disorder, sensibility, and sexuality. Secondly, were the roles of visual and material culture of the home that demonstrated themselves through print, portraiture, literature, objects and products, and dress and fashion. Thirdly, were the industrial and sociological aspects that included concepts of luxury, progress, trade and technology, consumption, domesticity, and the notions of public and private spaces within a home. The chapters in this volume therefore discuss and reflect upon issues relating to the home through a range of approaches. Enlightenment homes are examined in terms of signification and meaning; the persons who inhabited them; the physical buildings and their furniture and furnishings; the work undertaken within them; the differing roles of men and women; the nature of hospitality, and the important role of religion in the home. Taken together they give a valuable overview of the manners, customs, and operation of the Enlightenment home.


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