Graphical Data Sets as Compositional Structure: Sonification of Colour Graphs in RGB for Clarinet and Piano
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This article will follow the methodology behind the composition of the author's piece, RGB (2019), for clarinet and piano; a sonification of four colour graphs generated from Pollock's Out of the Web (1949). It will demonstrate the process of ‘mapping’ data to sound whilst creating allowances for compositional intuition. In this way, the author hopes to demonstrate the usefulness and flexibility of composing with this approach, as well as its future implications and improvements, whilst acknowledging that this is a specific example of such an approach, rather than an all-encompassing taxonomy for any visual input.
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2018 ◽
pp. 1638-1664
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2013 ◽
Vol 5
(2)
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pp. 365-373
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2020 ◽
Vol 20
(3)
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pp. 1507
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