Abstract of “Cognitive Innovation: A View from the Bridge”

Leonardo ◽  
2017 ◽  
Vol 50 (2) ◽  
pp. 184-185
Author(s):  
Susan L. Denham ◽  
Michael Punt

The paper abstracted here is about creativity. It proceeds from an understanding of the promise of the concept of cognitive innovation as a focus for collaboration between the sciences, arts and humanities. The value of the concept in this context lies in its approach to creativity as a boot-strapping cognitive process in which the energies that shape the poem are necessarily indistinguishable from those that shape the poet.

1984 ◽  
Vol 29 (1) ◽  
pp. 13-14
Author(s):  
John J. Geyer

Author(s):  
Salvatore P. Schipani ◽  
◽  
Richard S. Bruno ◽  
Michael A. Lattin ◽  
Bobby M. King ◽  
...  

2008 ◽  
Vol 26 (2) ◽  
pp. 244-257 ◽  
Author(s):  
SARAH WHATLEY

In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be available within the archive and what benefits the archive should bring to the research community, the company itself and to dance in general.


2020 ◽  
Vol 26 (2) ◽  
pp. 278-282
Author(s):  
Maria-Miruna Ciocoi-Pop

AbstractIn an ever-increasing competitive academic setting, university students are striving for proficiency in their skills of foreign languages. This paper aims to highlight the significance of reading comprehension for students of English as a second language. Reading comprehension is a cognitive process, in other words, reading a text means processing and decoding it. Reading proficiency is linked to numerous aspects, such as age, cognitive processes, abilities, knowledge of the foreign language, etc. It goes without saying that the experience of reading a text, be it literary or non-literary, is more enjoyable without the need to constantly look up unknown words. This brief study also tries to show whether there is a direct connection between finding contentment in reading and comprehending the texts itself. Since reading is a key-skill verified in all major language exams, it is crucial for the ESL class, and not only, to include reading comprehension processes. Like any other skill, reading comprehension can be trained, as long as it is perceived as a procedure which requires the student’s commitment. Reading comprehension is a mechanism of phrase and concept identification, as well as of decoding meanings. Thus, this paper tries to emphasize the implications of reading comprehension and of teaching reading comprehension methods in the overall linguistic knowledge of ESL learners.


Fachsprache ◽  
2019 ◽  
Vol 41 (S1) ◽  
pp. 4-22
Author(s):  
Larisa M. Alekseeva ◽  
Svetlana L. Mishlanova

Abstract The article focuses on the derivational perspective of metaphor studies. Derivation is regarded as a complex cognitive process, represented within speech activities. In this sense, derivation is viewed as a universal process of language units’ production according to the rules of text-formation. The basic feature of the derivational approach to the mechanism of metaphor is determined by the inner syntax, especially by the principle of contamination of two sentences – introductive and basic, which fulfill different functions. In this paper we shall present a theoretical account of metaphorisation as a universal derivational process controlled by means of such laws, as incorporation, contamination and compression. We take as basic the premise that metaphor is a more complicated process than it is described in traditional theories, since it is dependent on cognition and knowledge communication. In contrast to the traditional approaches, metaphor is regarded here as the result of combination of two pictures of the reality, referential and imaginative. We believe that derivatology generates a new knowledge about metaphor mechanism and metaphor modeling. Comparing to linear models of metaphor, the derivational model is considered to be a network model. The latest derivatological ideas about metaphor enrich the concept of metaphor taking into consideration that it has to be studied not in isolation, but within a broad frame of text, discourse, cognition and communication.


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