Music and Naturoids: The Third Reality

Leonardo ◽  
2012 ◽  
Vol 45 (3) ◽  
pp. 269-273 ◽  
Author(s):  
Massimo Negrotti
Keyword(s):  
Communication And The Arts ◽  
Musical Composition ◽  
Natural Phenomena ◽  
Musical Work ◽  
Natural Object ◽  
Human Communication ◽  
Observation Level ◽  
The Arts ◽  
Technological Field ◽  
High Level

At a high level of abstraction, it can be shown by analogy that attempts to reproduce natural phenomena occur not only in technological endeavors but also in human communication and the arts, including music. This paper presents the parallel development of artificial devices—or “naturoids”—in the fields of technology, message communication and musical composition, highlighting the transfiguration that unavoidably affects the resulting device, message or musical work. In the technological field and, to an extent, in the communications field, the transfiguration of the natural object is taken as a more or less unsatisfying outcome. By contrast, in the arts, and mainly in music, the transfiguration effect is exactly what the artist pursues through placing him- or herself at a nonordinary observation level.

Music Material Development Techniques (Lectures in «Principles of Music Analysis») 

2020 ◽  
pp. 53-69
Author(s):  
Р.Х. Лаул
Keyword(s):  
Final Section ◽  
High Efficiency ◽  
Music Analysis ◽  
Detailed Examination ◽  
Musical Composition ◽  
Musical Form ◽  
Musical Work ◽  
Saint Petersburg ◽  
Material Development ◽  
Development Processes

Настоящий материал продолжает серию публикаций лекций Рейна Лаула по анализу музыки в Санкт-Петербургской (Ленинградской) консерватории. Шестая лекция завершает обзор приемов разработочного развития музыкального материала. В нее вошли шесть из двадцати пяти приемов в авторской классификации (эпизодическая тема, производная тема, варьирование, полифонические варианты, приемы подвижного контрапункта, полифонические структуры), способствующей систематизации разработочных процессов. В поле зрения автора включены неспецифически сонатные способы преобразования музыкального материала, благодаря чему сонатность предстает в гибком и взаимодополняющем взаимодействии с иными принципами формообразования. Особое внимание уделено специфике применения полифонических средств развития музыкального материала в контексте сонатного формообразования. В ходе детального рассмотрения финала симфонии В. А. Моцарта Юпитер оказываются тесно связанными технологический, композиционно-драматургический и стилевой аспекты становления музыкальной формы. Заключительный раздел, обобщающий содержание лекции в целом, содержит пример практического применения предлагаемой автором методологии. Тем самым доказывается ее целесообразность и высокая эффективность как в аспекте анализа интонационной драматургии музыкального произведения, так и в достижении главной аналитической цели в формировании объективного представления о содержательной сути каждого этапа в развёртывании музыкальной композиции. This material continues the series of publications of R. H. Lauls lectures on music analysis at the Leningrad (Saint Petersburg) Rimsky-Korsakov State Conservatory. The sixth lecture concludes the review of techniques for developing musical material. It discusses six of the twenty-five techniques in the authors classification (episodic theme, derived theme, variation, polyphonic variants, mobile counterpoint techniques, polyphonic structures), which contributes to systematization of the development processes. The authors field of view includes non-specific Sonata methods of transforming the musical material, so that sonateness appears in a flexible and complementary interaction with other principles of formation. Special attention is paid to the specifics of using polyphonic means of developing musical material in the context of Sonata formation. The detailed examination of the finale of Mozarts Symphony Jupiter, shows that technological, compositional, dramatic, and stylistic aspects of the formation of a musical form appear to be closely related. The final section summarizing the content of the lecture as a whole contains an example of practical application of the methodology proposed by the author, proving its expediency and high efficiency not only in the aspect of analyzing the intonation drama of a musical work, but also of achieving the main analytical goal to form a reasoned judgment about the content of each stage in the deployment of a musical composition.

ASSOCIATIVITY AS A FORMATION SOURCE OF A MUSICAL COMPOSITION EDITING FORM OF THE SECOND HALF OF THE 20TH CENTURY

2021 ◽  
pp. 22-31
Author(s):  
ZARINA DENISOVA
Keyword(s):  
Characteristic Feature ◽  
20Th Century ◽  
Musical Composition ◽  
Musical Work ◽  
The Status ◽  
Associative Connection ◽  
New Type ◽  
General Scientific ◽  
A Chain ◽  
Russian Composers

The object of the research in this article is associativity as a characteristic feature of 20th century art. The nature, the role of the association in the work of artistic thinking, the principles of its functioning are considered. The subject of the research is the editing form of a musical work of the second half of the 20th century. Particular attention in the article is paid to the consideration of such an important factor influencing the formation of a stable associative connection as repetition. At the same time, it is specified that repetition is caused by a specific life situation. This repetition forms a chain of associations that create an integral content space of a musical work. The work uses general scientific research methods in the framework of comparative and logical analysis, including generalizations and comparisons. The work is based on the analytical method and has a systemic interdisciplinary nature as well. In revealing the specifics of the installation form, the author of the article turns to the theory of compositional ellipsis V. Bobrovsky. The main conclusion of the study is that the importance of associativity in the work of Russian composers in the second half of the 20th century is increasing, reaching the status of a characteristic feature of artistic thinking. The process of expanding associativity manifested itself, in particular, in the emergence in musical creativity of a new type of form creation - editing. The analysis revealed the features inherent in the montage type of construction of a work of art. This is the dismemberment of thematic material, the syntactic isolation of thematic structures, the organization of the form «from the end», the internal unity of the mosaic structure, and others. The novelty of this research lies in the fact that for the first time associativity is considered as a source of montage shaping, in the choice of research methodology, as well as in the identification of special features of the composition, manifested in the conditions of montage drama.

scholarly journals PENGARUH APLIKASI SISTEM INFORMASI SIGILIB TERHADAP PENINGKATAN KINERJA PUSTAKAWAN DI PERPUSTAKAAN ISI SURAKARTA

2021 ◽  
Vol 3 (2) ◽  
Author(s):  
Mustofa Mustofa
Keyword(s):  
Information System ◽  
System Application ◽  
Strong Relationship ◽  
Research Subjects ◽  
System Variable ◽  
The Arts ◽  
Scale Range ◽  
High Level ◽  
The Relationship ◽  
Level 2

The purpose of this study was to determine the extent of the influence of the application of the information system "SIGILIB" on the improvement of librarian performance at the UPT Library of ISI Surakarta. This research is descriptive quantitative in nature with research subjects are all librarians of the ISI Surakarta library, totaling 12 people. The object of this research is the SIGILIB Information System Application. Based on the results of data analysis from research that: 1) the main average of the SIGILIB Information System Application variable is 3,818. This value is on a scale range of 3.40 - 4.20 which indicates that it is at a high level. 2) The Grand Mean of the Performance variable carried out by the librarian is 4.175. This value is in the scale range from 3.40 to 4.20 which indicates that the performance of librarians at the ISI Surakarta library is at a high level. Relationship between SIGILIB Information System and Librarian Performance has a very strong relationship, the nature of the relationship between SIGILIB Information System and Librarian Performance. Because the value found the influence of the SIGILIB Information System on Librarian Performance is 0.898, the value is between 0.80 - 1,000. The data processing results show that the SIGILIB Information System variable t-count is greater than the t-table (6,456> 2,228) with a probability (0,000) less than the significant level of 0.05, thus Ho is rejected and Ha is accepted, meaning that there is a significant effect. between the SIGILIB Information System veriabel on the performance of librarians at the Indonesian Institute of the Arts, Surakarta.

scholarly journals INDIA'S DEVELOPMENTAL EXPERIENCE, STRENGTHS AND SUSTAINABILITY CHALLENGES

2021 ◽  
Vol 03 (03) ◽  
pp. 163-174
Author(s):  
Nadia Fadil Abbas FADLE
Keyword(s):  
Indian Society ◽  
The Political ◽  
Advanced Country ◽  
Major Powers ◽  
External Threats ◽  
Technological Field ◽  
Developmental Experience ◽  
Sustainability Challenges ◽  
High Level ◽  
Political Economic

The political leadership in India has realized since independence in the year 1947 that it needs to create distinct political, economic and social conditions to move on the path of development based on the human and natural capabilities of India that qualify it to reach the ranks of major powers, the most important characteristic of public policies in India is the comprehensiveness of its results And its outputs for large segments of Indian society, which necessitated attention to developing high-level strategies in various sectors and paying attention to internal challenges and external threats. India pursued the path of development and became an economically advanced country that competes with major powers in the scientific and technological field and became advanced in the field of emerging energy and entered the nuclear club.

AIDS as a Metaphor

2021 ◽  
Vol 31 (1) ◽  
pp. 35-52
Keyword(s):  
Natural Phenomena ◽  
African Countries ◽  
Social Morality ◽  
Post Colonial ◽  
New Realism ◽  
Sexually Transmitted ◽  
Aids Epidemic ◽  
Susan Sontag ◽  
The Arts ◽  
First World

In this excerpt from the essay AIDS and Its Metaphors Susan Sontag considers how the AIDS epidemic has affected lifestyles and morality. When epidemics persist for many years, the precautions that had started out as briefly enforced precautions become a part of social morality. Until 1981 the successes of medicine in treating sexually transmitted diseases encouraged emancipation from sexual morals. Sontag uses economic metaphors to designate those decades as a period of sexual spending, speculation and inflation, after which the early stages of a sexual depression set in. AIDS caused fear of sexuality to return. If cancer has taught us to fear environmental pollution, AIDS triggered a fear of pollution through people. The AIDS epidemic led to the disappearance of many secular ideals, which Sontag regards as closely linked to freedom. AIDS provided an incentive for a resurgence of conservatism in many areas. Its effect on the arts in particular was to force a rejection of modernist discoveries and a return to tonality, melody, plot, character, etc. AIDS then becomes a new realism. Sontag also addresses post-colonial issues related to the AIDS epidemic. If AIDS had been a purely African disease, notwithstanding the scale of the epidemic, it would have been considered a “natural” cataclysm similar to famine. But once the epidemic affected the West, it was no longer perceived as a natural disaster. In First World countries, disasters are understood as historical events which bring about important social change, while in Asian and African countries they are viewed as one part of a general cycle of nature and as something closer to natural phenomena. The new disease has changed very little in the operation of that logic.

Music in Video Games

2016 ◽  
pp. 160-182
Author(s):  
Dimitrios Margounakis ◽  
Ioanna Lappa
Keyword(s):  
Video Games ◽  
Research Field ◽  
Musical Composition ◽  
Science Field ◽  
Algorithmic Music ◽  
Player Game ◽  
Art Research ◽  
High Level ◽  
Algorithmic Music Composition

The industry of video games has rapidly grown during the last decade, while “gaming” has been promoted into an interdisciplinary stand-alone science field. As a result, music in video games, as well as its production, has been yet a state-of-the-art research field in computer science. Since the production of games has reached a very high level in terms of complication and cost (the production of a 3-d multi-player game can cost up to millions of dollars), the role of sound engineer / composer / programmer is very crucial. This chapter describes the types of sound that exist in today's games and the various issues that arise during the musical composition. Moreover, the existing systems and techniques for algorithmic music composition are analyzed.

Implementation of Programming Languages Syntax and Semantics

2011 ◽  
pp. 1863-1869
Author(s):  
Xiaoqing Wu ◽  
Marjan Mernik ◽  
Barrett R. Bryant ◽  
Jeff Gray
Keyword(s):  
Programming Languages ◽  
Semantic Analysis ◽  
Implementation Process ◽  
Future Trends ◽  
Human Communication ◽  
Natural Languages ◽  
Existing Problems ◽  
Front End ◽  
High Level ◽  
Machine Readable

Unlike natural languages, programming languages are strictly stylized entities created to facilitate human communication with computers. In order to make programming languages recognizable by computers, one of the key challenges is to describe and implement language syntax and semantics such that the program can be translated into machine-readable code. This process is normally considered as the front-end of a compiler, which is mainly related to the programming language, but not the target machine. This article will address the most important aspects in building a compiler front-end; that is, syntax and semantic analysis, including related theories, technologies and tools, as well as existing problems and future trends. As the main focus, formal syntax and semantic specifications will be discussed in detail. The article provides the reader with a high-level overview of the language implementation process, as well as some commonly used terms and development practices.

The New in Music

Tempo ◽  
1954 ◽  
pp. 8-13
Author(s):  
Jürgen Balzer
Keyword(s):  
New Music ◽  
Musical Composition ◽  
Musical Work ◽  
Modern Times ◽  
Greek Drama ◽  
Current Controversy ◽  
The One ◽  
A Current ◽  
Principal Task

In the year 1601 there appeared in Florence a musical work entitled Le Nuove Musiche (The New Music). The composer was Giulio Caccini, one of the leading members of the circle associated with the noble dilettanti who in attempting to revive the Greek drama laid the foundations of a new branch of music—opera. Le Nuove Musiche contains a collection of songs for solo voice to harp or lute accompaniment, of the kind that Caccini, who was singer to the Tuscan Court, had been singing for many years. The work—called not New Music, but The New Music—was a contribution to a current controversy in which the opposing side supported the “old” manner of musical composition, the one in which two or more melodies are woven together to form an elaborate pattern. (This manner of composition is known as polyphony, and in modern times the style has been called after one of its greatest masters, Palestrina). Consequently, Le Nuove Musiche has a long preface in which Caccini expounds the meaning of his songs, declaring, among other things, that the new style considers its principal task to be to interpret the poetry, to give rightful scope to the words by careful enunciation, and to let the tune bring out the phrasing of the poem, an aspect which, in the modernists' view, had been singularly neglected in polyphonic compositions.

JOSEPH SCHILLINGER – A DISCIPLE'S REMINISCENCES OF THE MAN AND HIS THEORIES: AN INTERVIEW WITH PROF. ZVI KEREN

Tempo ◽  
2010 ◽  
Vol 64 (251) ◽  
pp. 17-27
Author(s):  
Alona Keren-Sagee
Keyword(s):  
New York ◽  
Social Research ◽  
The United States ◽  
Musical Composition ◽  
Columbia University ◽  
New York University ◽  
Mathematical Basis ◽  
Teachers College ◽  
New School ◽  
The Arts

Joseph Schillinger (1895–1943), the eminent Russian-American music theorist, teacher and composer, emigrated to the United States in 1928, after having served in high positions in some of the major music institutions in the Ukraine, Khar'kov, Moscow, and Leningrad. He settled in New York, where he taught music, mathematics, art history, and his theory of rhythmic design at the New School for Social Research, New York University, and the Teachers College of Columbia University. He formulated a philosophical and practical system of music theory based on mathematics, and became a celebrated teacher of prominent composers and radio musicians. Schillinger's writings include: Kaleidophone: New Resources of Melody and Harmony (New York: M. Witmark, 1940; New York: Charles Colin, 1976); Schillinger System of Musical Composition, 2 vols. (New York: Carl Fischer, 1946; New York: Da Capo Press, 1977); Mathematical Basis of the Arts (New York: Philosophical Library, 1948; New York: Da Capo Press, 1976); Encyclopedia of Rhythms (New York: Charles Colin, 1966; New York: Da Capo Press, 1976).

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