From Inner Worlds to Outer Space. By Dan Kwong. Ann Arbor: University of Michigan Press, 2004; 280 pp.; 6 black-and-white illustrations. $55.00 cloth; $22.95 paper;Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s. By Krystyn Moon. New Brunswick: Rutgers University Press, 2005; 224 pp.; 25 illustrations. $23.95 paper.

TDR/The Drama Review ◽

10.1162/dram.2006.50.4.187 ◽

2006 ◽

Vol 50 (4) ◽

pp. 187-189

Author(s):

Sean Metzger

Keyword(s):

New Brunswick ◽

Popular Music ◽

Outer Space ◽

University Of Michigan ◽

Black And White ◽

Rutgers University ◽

Ann Arbor ◽

American Popular Music ◽

And Performance

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Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s. By Krystyn R. Moon. New Brunswick, N.J.: Rutgers University Press, 2005.

Journal of the Society for American Music ◽

10.1017/s1752196307071234 ◽

2007 ◽

Vol 1 (4) ◽

pp. 516-519

Author(s):

Jeffrey A. Keith

Keyword(s):

New Brunswick ◽

Popular Music ◽

Rutgers University ◽

American Popular Music ◽

And Performance

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Modern Motherhood: An American History. By Jodi Vandenberg-Daves. New Brunswick, NJ: Rutgers University Press, 2014.The Political Consequences of Motherhood. By Jill S. Greenlee. Ann Arbor: University of Michigan Press, 2014.

Signs ◽

10.1086/682925 ◽

2016 ◽

Vol 41 (2) ◽

pp. 457-460

Author(s):

Mary K. Trigg

Keyword(s):

New Brunswick ◽

American History ◽

The Political ◽

University Of Michigan ◽

Political Consequences ◽

Rutgers University ◽

Ann Arbor

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Going Stealth: Transgender Politics and U.S. Surveillance Practices. By Toby Beauchamp. Durham, NC: Duke University Press, 2019; 208 pp.; illustrations. $94.95 cloth, $24.95 paper, e-book available. Performance, Transparency, and the Cultures of Surveillance. By James M. Harding. Ann Arbor: University of Michigan Press, 2018; 326 pp.; illustrations. $80.00 cloth, $34.95 paper, e-book available. Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror. By Saher Selod. New Brunswick, NJ: Rutgers University Press, 2018; 174 pp. $120.00 cloth, $31.95 paper, e-book available.

TDR/The Drama Review ◽

10.1162/dram_r_00934 ◽

2020 ◽

Vol 64 (3) ◽

pp. 184-188

Author(s):

Elise Morrison

Keyword(s):

New Brunswick ◽

War On Terror ◽

University Of Michigan ◽

Muslim Americans ◽

Rutgers University ◽

Ann Arbor ◽

Duke University

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Writing Dancing in the Age of Postmodernism. By Sally Banes. Wesleyan/University Press of New England, 1994; pp. 412. Illustrated. $45.00 hardcover, $19.95 paper. - Done Into Dance: Isadora Duncan in America. By Ann Daly. Bloomington: Indiana University Press, 1995; pp. 277. Illustrated. $39.95 hardcover; $18.95 paper. - Gendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture. By Amy Koritz. Ann Arbor: University of Michigan Press, 1995; pp. 218. Illustrated. $37.50 hardcover. - Moving Words: Re-writing Dance. Edited by Gay Morris. New York: Routledge, 1996; pp. 343. Illustrated. $65.00 hardcover, $19.95 paper. - Bodies of the Text: Dance as Theory, Literature as Dance. Edited by Ellen W. Goellner and Jacqueline Shea Murphy. New Brunswick: Rutgers University Press, 1995; pp. 263. Illustrated. $48.00 hardcover, $20.00 paper.

Theatre Survey ◽

10.1017/s0040557400002313 ◽

1997 ◽

Vol 38 (2) ◽

pp. 222-229

Author(s):

Beth Cleary

Keyword(s):

New York ◽

Twentieth Century ◽

New Brunswick ◽

New England ◽

University Of Michigan ◽

Indiana University ◽

Rutgers University ◽

Ann Arbor ◽

Performing Art ◽

British Culture

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Latin America. By J. Fred Rippy. (Ann Arbor: The University of Michigan Press. 1958. Pp. xiii, 578, xx. $12.50.) - Political Change in Latin America. By John J. Johnson. (Stanford: Stanford University Press. 1958. Pp. x, 272. $5.00.) - The Bolivian National Revolution. By Robert J. Alexander. (New Brunswick: Rutgers University Press. 1958. Pp. x, 302. $7.50.)

American Political Science Review ◽

10.1017/s0003055400234837 ◽

1959 ◽

Vol 53 (4) ◽

pp. 1173-1175

Author(s):

Leo B. Lott

Keyword(s):

Latin America ◽

New Brunswick ◽

Political Change ◽

Stanford University ◽

University Of Michigan ◽

Rutgers University ◽

Ann Arbor ◽

The University

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Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age. By John Fletcher. Ann Arbor: University of Michigan, 2013; pp. x + 399, 4 illustrations. $70 cloth, $60 e-book. - Sensational Devotion: Evangelical Performance in Twenty-First-Century America. By Jill Stevenson. Ann Arbor: University of Michigan, 2013; pp. viii + 317, 18 illustrations. $60 cloth, $50 e-book.

Theatre Survey ◽

10.1017/s004055741500040x ◽

2015 ◽

Vol 56 (3) ◽

pp. 443-446

Author(s):

Deborah A. Dougherty

Keyword(s):

First Century ◽

John Fletcher ◽

University Of Michigan ◽

Ann Arbor ◽

Secular Age ◽

Twenty First Century ◽

And Performance ◽

Performance Activism

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Rudi Paul Lindner, Explorations in Ottoman Prehistory. Ann Arbor, Mich.: University of Michigan Press, 2007. Pp. x, 142; 5 black-and-white figures. $70.

Speculum ◽

10.1017/s0038713410002368 ◽

2010 ◽

Vol 85 (4) ◽

pp. 990-993

Author(s):

Colin Heywood

Keyword(s):

University Of Michigan ◽

Black And White ◽

Ann Arbor

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Yellowface: Creating the Chinese in American Popular Music and Performance, 1850-1920s, and: Cold War Orientalism: Asia in the Middlebrow Imagination, 1945-1961 (review)

Theatre Journal ◽

10.1353/tj.2005.0122 ◽

2005 ◽

Vol 57 (3) ◽

pp. 529-531

Author(s):

Shannon Steen

Keyword(s):

Cold War ◽

Popular Music ◽

American Popular Music ◽

And Performance

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Staging Consciousness: Theater and the Materialization of Mind. By William W. Demastes. Ann Arbor: University of Michigan Press, 2002; pp. 193. $47.50 cloth.

Theatre Survey ◽

10.1017/s0040557404280267 ◽

2004 ◽

Vol 45 (2) ◽

pp. 294-296

Author(s):

Mark Pizzato

Keyword(s):

Fuzzy Logic ◽

Cognitive Science ◽

Complexity Theory ◽

University Of Michigan ◽

Art Form ◽

Ann Arbor ◽

Life Itself ◽

And Performance

William W. Demastes's new book is a rare find. It shows a new direction for interdisciplinary theatre scholarship, combining drama and performance with cognitive science, fuzzy logic, and complexity theory. With this challenging combination, Demastes extends the significance of theatre beyond its conventional place in the humanities and proposes specific ties between an ancient art form and recent scientific discoveries. He demonstrates a post-postmodern or “neostructuralist” approach that dares to discuss “the emergent essence of life itself,” through a materialist, yet “nonpositivist” science of the drama. He thus offers a glimpse “of ’universal' consciousness” in theatre's “spiritual something more” (7–9).

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The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. By James M. Harding. Ann Arbor: University of Michigan Press, 2013; 234 pp. $60.00 cloth, $32.50 paper

TDR/The Drama Review ◽

10.1162/dram_r_00440 ◽

2015 ◽

Vol 59 (1) ◽

pp. 187-188

Author(s):

Kate Bredeson

Keyword(s):

University Of Michigan ◽

Experimental Theater ◽

Avant Garde ◽

Ann Arbor ◽

And Performance

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