scholarly journals Digitizing the Txalaparta: Computer-Based Study of a Traditional Practice

2020 ◽  
Vol 43 (2-3) ◽  
pp. 125-141
Author(s):  
Enrique Hurtado ◽  
Thor Magnusson ◽  
Josu Rekalde
Keyword(s):  
Performance Practice ◽  
Unusual Case ◽  
Traditional Practice ◽  
Cultural Aspects ◽  
Musical Tradition ◽  
The Social ◽  
Computer Based ◽  
Musical Patterns ◽  
New Perspective ◽  
Human Player

This article describes a software implementation dealing with the ancient Basque musical tradition of the txalaparta. The research is different from earlier studies of the txalaparta in that, by digitizing the instrument and its performance rules, we have had to formalize and make explicit conventions that hitherto have been tacit knowledge of improvisational practice. Analysis through software development is an unusual case of musicological analysis as it demands clarity and precision, and often requires multidisciplinary approaches to understand the studied subject. We have developed software in order to analyze and understand a practice that has received little musicological analysis. By expounding musical patterns and performers' behaviors that have hitherto been difficult to analyze, we reveal the social and cultural aspects of performance practice. The txalaparta is a two-performer instrument and the software produces txalaparta rhythms and plays along with a human player, while learning and adapting to the player's style. The system helps novices to explore the rules of the txalaparta and more-experienced performers to approach the instrument from a new perspective. In this research we have applied a user-centered approach, where feedback from players using the digital txalaparta was collected. This feedback allowed us to approach the reflective vision of txalaparta players and their thoughts on the results of our research.

Promoting Mass Movements- A New Perspective On Japanese Wartime Imperialism In Korea

2015 ◽  
pp. 1-22
Author(s):  
Shinyoung Kim
Keyword(s):  
Extended Family ◽  
Direct Access ◽  
Mass Movements ◽  
Japanese Imperialism ◽  
Local Practices ◽  
The Social ◽  
Japanese Colonial ◽  
New Perspective ◽  
Economic Bloc ◽  
Colonial Government

This article aims to explore the Japanese colonial government’s efforts to promote mass movements in Korea which rose suddenly and showed remarkable growth throughout the 1930s. It focuses on two Governor-Generals and the directors of the Education Bureau who created the Social Indoctrination movements under Governor-General Ugaki Kazushige in the early 1930s and the National Spiritual Mobilization Movement of Governor-General Minami Jirō in the late 1930s. The analysis covers their respective political motivations, ideological orientation, and organizational structure. It demonstrates that Ugaki, under the drive to integrate Korea with an economic bloc centered on Japan, adapted the traditional local practices of the colonized based on the claim of “Particularities of Korea,” whereas the second Sino-Japanese War led Minami to emphasize assimilation, utilizing the ideology of the extended-family to give colonial power more direct access to individuals as well as obscuring the unequal nature of the colonial relationship. It argues that the colonial government-led campaigns constituted a core ruling mechanism of Japanese imperialism in the 1930s.

Lorenzo at ‘The Theatre’ Meeting actors and audience

2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella
Keyword(s):  
Social Structure ◽  
Social Situation ◽  
The Other ◽  
Detailed Account ◽  
The Social ◽  
New Perspective ◽  
The One

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

“Een stille, ongemanierde volksjongen”. Jos Verdegem (1897-1957), Wies Moens en “Ter Waarheid”

2007 ◽  
Vol 66 (2) ◽  
pp. 146-162
Author(s):  
Stefan Van den Bossche
Keyword(s):  
Working Class ◽  
Close Contact ◽  
Cultural Aspects ◽  
The Social ◽  
Human Failure

Het menselijke tekort in het algemeen, het rampzalige van de oorlog, de sociale en  culturele aspecten van de Vlaamse beweging, het Vlaams kunstleven aan de IJzer, het activisme, het frontisme: al die geladen thema’s komen rechtstreeks of onrechtstreeks aan bod in de bijdrage van Stefan Van den Bossche over Jos Verdegem (1897-1957). Deze minder bekende Gentse schilder uit het interbellum kwam eerst in nauwe betrekking met de expressionistische dichter en journalist Wies Moens en met andere vooraanstaande Vlaamsgezinde kunstenaars. Verdegems (tijdelijk) verblijf in Parijs en zijn huwelijk met een Française leidde er uiteindelijk toe dat hij vervreemde van het Vlaamsgezinde milieu. Daarenboven droegen zijn hoekige karaktereigenschappen er toe bij dat hij “eerder berucht dan beroemd” werd.________"A quiet, ill-mannered working-class lad". Jos Verdegem (1897-1957), Wies Moens and "Ter Waarheid"This contribution by Stefan Van den Bossche about Jos Verdegem (1897-1957) deals directly or indirectly with a variety of very meaningful topics such as human failure in general, the calamity of war, the social and cultural aspects of the Flemish movement, Flemish art life on the IJzer, activism, and frontism.This lesser-known painter from Ghent from the Interbellum period first came in close contact with the expressionist poet and journalist Wies Moens and with other prominent Flemish nationalist artists. Verdegem's (temporary) stay in Paris and his marriage to a Frenchwoman caused his ultimate estrangement from the Flemish nationalist environment. Moreover, his awkward characteristics contributed to his becoming "infamous rather than famous".

Characters Before Copyright

2019 ◽  
Author(s):  
Matthew H. Birkhold
Keyword(s):  
Eighteenth Century ◽  
Moral Rights ◽  
Fan Fiction ◽  
Unique Type ◽  
Collaborative Authorship ◽  
The Social ◽  
History Of ◽  
New Perspective ◽  
Consumer Habits ◽  
Archival Work

How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author’s character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fiction—literary works written by readers who appropriate preexisting characters invented by other authors—and reconstructs the contemporaneous debate about the literary phenomenon. Like fan fiction today, these texts took the form of sequels, prequels, and spinoffs. Analyzing the evolving reading, writing, and consumer habits of late-eighteenth-century Germany, Characters before Copyright identifies the social, economic, and aesthetic changes that fostered the rapid rise of fan fiction after 1750. Based on archival work and an ethnographic approach borrowed from legal anthropology, this book then uncovers the unwritten customary norms that governed the production of these works. Characters before Copyright thus reinterprets the eighteenth-century “literary commons,” arguing that what may appear to have been the free circulation of characters was actually circumscribed by an exacting set of rules and conditions. These norms translated into a unique type of literature that gave rise to remarkable forms of collaborative authorship and originality. Characters before Copyright provides a new perspective on the eighteenth-century book trade and the rise of intellectual property, reevaluating the concept of literary property, the history of moral rights, and the tradition of free culture.

scholarly journals Integrative and Complementary Health Practices Building a New Health Paradigm

2020 ◽  
Vol 30 (Supplement_5) ◽  
Author(s):  
T Gemeli ◽  
H Silva ◽  
M Kato
Keyword(s):  
Cognitive Abilities ◽  
Universal Access ◽  
Well Being ◽  
The Elderly ◽  
Professional Service ◽  
Health It ◽  
Self Confidence ◽  
The Social ◽  
The Subject ◽  
New Perspective

Abstract This work arose from the need to broaden the therapeutic approach and offer a differentiated health intervention proposal based on the understanding that the illness process has repercussions on all integrated systems of Being. Since 2019, the Health Center for the Elderly in Blumenau (SC-Brasil), specialized multi-professional service, offering support for biopsychoenergetic transformation with the practice of Yoga and Meditation, through a holistic and comprehensive view of health. It begins with the Multidimensional Assessment of the Elderly, with a guideline in welcoming and qualified listening, which considers the subject and all subjectivity. From there, the expanded diagnosis and the Singular Therapeutic Project are built and the consultations with the team and the 'Re-Conhecer group' begin. The activity is weekly, aimed at the elderly and their family, takes place in an appropriate place and lasts two hours. Welcoming, pranayama, mantras, kriyas and meditation are made, as well as reflections on free themes. The professionals who conduct the practice are the dentist, trained in yoga, and the social worker, the welcoming process continues individually after the activity. Due to subjectivity, results are routinely collected in a qualitative way from the participants' report. There is a perception on the part of the participants, therapists and members of the multidisciplinary team that this work provides improvement in cognitive abilities, self-care, well-being, self-confidence, creativity, improved sleep, autonomy, balance, strengthening bonds, joy, vitality. Key messages This initiative builds new models of health care, transcending the traditional biomedical model, according to the operational guideline for comprehensiveness, universal access and equity. Provokes reflections and builds a new perspective of life with quality and participation of the elderly as subjects of their health.

The Younghusband-Waddell Collection and Its People: the Social Life of Tibetan Books Gathered in a Late-colonial Enterprise

Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger
Keyword(s):  
Digital Technology ◽  
Social Life ◽  
First Century ◽  
The Political ◽  
Academic Institutions ◽  
Cultural Biography ◽  
The Social ◽  
Twenty First Century ◽  
New Perspective ◽  
Insight Into

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.

scholarly journals Poetry as a Social Document: The Social Position of the Arab Woman as Reflected in the Poetry of Nizâr Qabbânî

1975 ◽  
Vol 6 (4) ◽  
pp. 481-494
Author(s):  
Arieh Loya
Keyword(s):  
Social Structure ◽  
Social Life ◽  
Political Organization ◽  
Harsh Environment ◽  
Arab Woman ◽  
Cultural Aspects ◽  
The Social ◽  
The World ◽  
Nomadic Life ◽  
Social Document

No other people in the world, perhaps, have given more information in their poetry on their cultural and social life than have the Arabs over the centuries. Many years before the advent of Islam and long before they had any national political organization, the Arabs had developed a highly articulate poetic art, strict in its syntax and metrical schemes and fantastically rich in its vocabulary and observation of detail. The merciless desert, the harsh environment in which the Arabs lived, their ever shifting nomadic life, left almost no traces of their social structure and the cultural aspects of their life. It is only in their poetry – these monuments built of words – that we find such evidence, and it speaks more eloquently than cuneiform on marble statues ever could.

Which way records management research?

2020 ◽  
Vol 39 (1) ◽  
pp. 29-45
Author(s):  
Omwoyo Bosire Onyancha
Keyword(s):  
Information Management ◽  
Health Sector ◽  
Records Management ◽  
Medical Computing ◽  
Research Areas ◽  
The Social ◽  
Computer Based ◽  
Scopus Database ◽  
Broad Subject

This paper evaluates the keywords and subject areas in records management (RM) publications, as indexed in the Scopus database, with a view to mapping RM research from 1971 to 2018 so as to determine the direction of research in the field. A total of 4 762 documents were obtained from the Scopus database using the term records management and searching within the title, abstract and keywords fields. The data was analysed using VOSviewer software. The findings reveal that interest in RM research has grown as the volume of publications has continued to increase. Whereas there was no dominant area of research in the 1980s, as far as RM research is concerned, the main focus in the 2010s was the management of electronic health records, thereby signalling a shift in RM research from being just an information management exercise to being used for the management of records in the medical and health sector. Other popular research areas in the 2010s were health care, electronic medical record/s, information management, medical computing, information systems, and electronic document exchange. A classification of the RM publications according to Scopus’s broad subject fields revealed that RM research is mainly conducted in computer science, engineering, medicine, and the social sciences. The study predicts a slow growth in the number of RM publications in the next ten years (2019-2028), greater focus on RM in the health sector, and continued dominance of computer-based systems and electronic records as topics of RM research.

The Art of Bread Production in Sardinia: Cultural Aspects and Issues of Classification

2020 ◽  
pp. 169-179
Author(s):  
Армандо Мажиа
Keyword(s):  
Field Research ◽  
Classification Systems ◽  
Traditional Practice ◽  
Cultural Aspects ◽  
History Of ◽  
Bread Production ◽  
Ethnographic Analysis ◽  
Technology Of Production ◽  
Term Field

В настоящей статье автор, преимущественно на материалах собственных многолетних полевых исследований, рассматривает в контексте современности малоизученную традиционную практику хлебопроизводства в Сардинии. Анализ особенностей этого древнейшего сектора локальной культуры он предваряет освещением специфики истории региона и принципов расселения в нем, значительно повлиявших на множественность разнообразных «типажей» хлеба, как повседневных, так и праздничных, показывает специфику их иконографии и декорирования, отличия их рецептуры и технологии производства, их «привязок» к конкретным поводам, событиям, верованиям и ритуалам. Помимо этнографической части, в исследовании присутствуют теоретико-методологические аспекты: автор задается вопросом о несовершенстве существующих систем классификации сардинских хлебов, о нерешенности вопроса их таксономирования и, апеллируя к примеру эмпирического материала Сардинии, предлагает иные пути и подходы к систематизации в антропологическом исследовании в целом, а в частности, переход от «монотетической» классификации к ретикулярной, ризоматической систематизации Based mainly on the author’s long-term field research, this article examines the littlestudied traditional practice of bread production in Sardinia in the context of modernity. The analysis of this, the oldest sector of local culture, is preceded by a history of the region and the nature of its settlement which influenced the multiplicity of various types of bread, both everyday and festive. The article explains the specifics of bread’s iconography and decoration, differences in recipes and technology of production, and its links to specific occasions, events, beliefs and rituals. In addition to ethnographic analysis, the study examines theoretical and methodological issues. The author considers problems with existing classification systems of Sardinian bread, discusses the unresolved issue of their taxonomy, and questions the general approach to systematization in anthropological research, and in particular, the transition from “monotheistic” classification to reticular, rhizomatic systematization. Key words: Sardinia, Mediterranean, bread, cooking technologies, species diversity.

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