Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework

2010 ◽  
Vol 34 (2) ◽  
pp. 66-83 ◽  
Author(s):  
Chrisoula Alexandraki ◽  
Demosthenes Akoumianakis
Keyword(s):  
Music Performance ◽  
Network Music

scholarly journals Performance de Música em Rede: Colaboração e prática musical à distância

2018 ◽  
Author(s):  
Glayson Brendown Santos Silva ◽  
Romero Coelho Alves ◽  
Valdecir Becker
Keyword(s):  
Experimental Work ◽  
Music Performance ◽  
Network Music ◽  
The Universe

This theoretical and experimental work provides an introductory view about the universe of network music performance (NMP). Through collaboration between musicians and researchers from the Universidade Federal da Paraíba and the Universidade Federal de Campina Grande, we performed an NMP experiment and from it we verified and analyzed the advantages, disadvantages and artistic and creative possibilities inherent in the use of the NMP ReaNINJAM tool.

Multimodal Assessment of Network Music Performance

2021 ◽  
Author(s):  
Konstantinos Tsioutas ◽  
Konstantinos Ratzos ◽  
George Xylomenos ◽  
Ioannis Doumanis
Keyword(s):  
Music Performance ◽  
Multimodal Assessment ◽  
Network Music

Syneme: Live

2012 ◽  
Vol 17 (1) ◽  
pp. 86-95 ◽  
Author(s):  
Kenneth Fields
Keyword(s):  
Social Networks ◽  
High Speed ◽  
Music Performance ◽  
Electroacoustic Music ◽  
Research Network ◽  
The Internet ◽  
Speed Of Light ◽  
Music Practice ◽  
Network Music ◽  
Canada Research Chair

Network music foregrounds the materials and processes of communication and in so doing repositions the acousmatic and other strata of electroacoustic music practice. The type of network music considered in this paper, at base defines a member of its category as music which undergoes an electrical-optical conversion, referring to its transport over fibre-optic research network backbones. A more compelling motivation for us is the realisation that network music entails the exploration of disjunct chronotopic frames (stated less poetically as ‘latency in the network’) using probes of sonic material travelling near the speed of light. This article is an overview of a three-year project investigating music performance over high-speed research networks, a project funded by the Canada Research Chair programme (Syneme). The aim of the project was fourfold: to investigate aspects of physical and social networks in the production of network music (The Network); to investigate a branch of study continuing but critically distinct from Internet music as marked by ingenious strategies mounted to overcome the conditions of slow networks (Liveness); to embed ourselves in new practices (Telemusic Studio) and technologies (Artsmesh); and to compose network music pieces (Net Works). Our narrative picks up from where high-speed P2P networking crosses a threshold producing a successor to the Internet akin to the methodological shift that occurred in electroacoustics when CPUs achieved rendering speeds that allowed for real-time audio.

Music Performance and Theories of Memory

2000 ◽  
Author(s):  
Steven A. Finney ◽  
Caroline Palmer
Keyword(s):  
Music Performance

Shared intentions in joint music performance

2009 ◽  
Author(s):  
Janeen D. Loehr ◽  
Rowena Pillay ◽  
Caroline Palmer
Keyword(s):  
Music Performance
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