scholarly journals Method of Camera Calibration Using Concentric Circles and Lines through Their Centres

2018 ◽  
Vol 2018 ◽  
pp. 1-8
Author(s):  
Yue Zhao ◽  
Xuechun Wang ◽  
Fengli Yang

A novel method for camera calibration is proposed based on an analysis of lens distortion in camera imaging. In the method, a line through the centre of concentric circles is used as a template in which orthogonal directions can be determined from an angle of circumference that corresponds to a diameter. By using three lines through the centre of concentric circles, based on the invariance of the cross-ratio, an image at the centre of the concentric circles can be used to obtain the vanishing point. The intrinsic parameters of the camera can be computed based on the constraints of the orthogonal vanishing points and the imaged absolute conic. The lens distortion causes points in the template to have a position offset. In the proposed method, we optimize the positions of the distortion points such that they gradually approach those of the ideal points. The simulated and real-world experiments demonstrate that the proposed method is efficient and feasible.

2014 ◽  
Vol 41 (2) ◽  
pp. 0208001 ◽  
Author(s):  
卢津 Lu Jin ◽  
孙惠斌 Sun Huibin ◽  
常智勇 Chang Zhiyong

2003 ◽  
Author(s):  
Guo-Qing Wei ◽  
Zhenya He ◽  
Song De Ma

2014 ◽  
Vol 513-517 ◽  
pp. 3719-3722
Author(s):  
Wen Guo Li ◽  
Shao Jun Duan

We present a camera calibration method based on vanishing point, that is, the vanishing points of two groups of parallel lines on the target plane are used to achieve camera calibration. A series of known positions points on target plane are used as the feature points, and the target images are recorded, the image coordinates of feature points are used to calculate the coordinates of vanishing point, then the matrix between feature points and camera is used to obtain internal parameters of camera. Experimental results show that the proposed calibration algorithm is correct, simple and convenient.


Sensors ◽  
2021 ◽  
Vol 21 (4) ◽  
pp. 1091
Author(s):  
Izaak Van Crombrugge ◽  
Rudi Penne ◽  
Steve Vanlanduit

Knowledge of precise camera poses is vital for multi-camera setups. Camera intrinsics can be obtained for each camera separately in lab conditions. For fixed multi-camera setups, the extrinsic calibration can only be done in situ. Usually, some markers are used, like checkerboards, requiring some level of overlap between cameras. In this work, we propose a method for cases with little or no overlap. Laser lines are projected on a plane (e.g., floor or wall) using a laser line projector. The pose of the plane and cameras is then optimized using bundle adjustment to match the lines seen by the cameras. To find the extrinsic calibration, only a partial overlap between the laser lines and the field of view of the cameras is needed. Real-world experiments were conducted both with and without overlapping fields of view, resulting in rotation errors below 0.5°. We show that the accuracy is comparable to other state-of-the-art methods while offering a more practical procedure. The method can also be used in large-scale applications and can be fully automated.


2013 ◽  
Vol 475-476 ◽  
pp. 184-187
Author(s):  
Wen Guo Li ◽  
Shao Jun Duan

We present a camera calibration method based on circle plane board. The centres of circles on plane are regarded as the characteristic points, which are used to implement camera calibration. The proposed calibration is more accurate than many previous calibration algorithm because of the merit of the coordinate of circle centre being obtained from thousand of of edge pionts of ellipse, which is very reliable to image noise caused by edge extraction algorithm. Experiments shows the proposed algorithm can obtain high precise inner parameters, and lens distortion parameters.


Leonardo ◽  
2008 ◽  
Vol 41 (4) ◽  
pp. 418-419 ◽  
Author(s):  
Caitlin Jones ◽  
Lizzie Muller

This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, conceptual existence of the work, and its actual manifestation through different iterations and exhibitions in the real world. The paper describes how the approach was developed collaboratively during the production of a documentary collection for the artwork Giver of Names, by David Rokeby. It outlines the key features of the approach including artist's interview, audience interviews and data structure.


2021 ◽  
pp. 1-12
Author(s):  
Lauro Reyes-Cocoletzi ◽  
Ivan Olmos-Pineda ◽  
J. Arturo Olvera-Lopez

The cornerstone to achieve the development of autonomous ground driving with the lowest possible risk of collision in real traffic environments is the movement estimation obstacle. Predicting trajectories of multiple obstacles in dynamic traffic scenarios is a major challenge, especially when different types of obstacles such as vehicles and pedestrians are involved. According to the issues mentioned, in this work a novel method based on Bayesian dynamic networks is proposed to infer the paths of interest objects (IO). Environmental information is obtained through stereo video, the direction vectors of multiple obstacles are computed and the trajectories with the highest probability of occurrence and the possibility of collision are highlighted. The proposed approach was evaluated using test environments considering different road layouts and multiple obstacles in real-world traffic scenarios. A comparison of the results obtained against the ground truth of the paths taken by each detected IO is performed. According to experimental results, the proposed method obtains a prediction rate of 75% for the change of direction taking into consideration the risk of collision. The importance of the proposal is that it does not obviate the risk of collision in contrast with related work.


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