scholarly journals An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples

2018 ◽  
Vol 2018 ◽  
pp. 1-8 ◽  
Author(s):  
D. Fico ◽  
E. Margapoti ◽  
A. Pennetta ◽  
G. E. De Benedetto

The chemical characterization of materials used in works of art is extremely useful for gaining a better knowledge of the artistic heritage and to guarantee its preservation. A derivatization GC/MS procedure for the identification of proteins in a microsample from painted works of art has been optimized. The amino acid fraction is derivatized using anhydrous dimethylformamide (DMF) as solvent instead of pyridine (Py), commonly used to facilitate the reaction. Although pyridine is often considered a silylation catalyst, there are many instances in which silylation reactions actually are slower in pyridine than other solvents. In addition, pyridine also may have other undesirable effects such as the promotion of secondary products and other chromatographic anomalies. Using DMF, the formation of artifacts is limited and the derivatization yield of hydrophilic amino acids such as proline and hydroxyproline has improved, thus making the identification of organic paint media more straightforward. The method has been validated and successfully applied to identify the binder of the sample taken from the pictorial cycle of the 12th century monastery of Santa Maria delle Cerrate (Lecce, Italy), thus highlighting the use of eggs as a binding medium.

2013 ◽  
Vol 44 (6) ◽  
pp. 899-904 ◽  
Author(s):  
Giuseppe E. De Benedetto ◽  
Daniela Fico ◽  
Eleonora Margapoti ◽  
Antonio Pennetta ◽  
Antonio Cassiano ◽  
...  

2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Yuxuan Gong ◽  
Chengquan Qiao ◽  
Bochao Zhong ◽  
Jiarang Zhong ◽  
Decai Gong

2013 ◽  
Vol 1 (1) ◽  
pp. 12 ◽  
Author(s):  
Giuseppe E. De Benedetto ◽  
Amedeo Savino ◽  
Daniela Fico ◽  
Daniela Rizzo ◽  
Antonio Pennetta ◽  
...  

A multidisciplinary research, currently in progress at the University of Salento in collaboration with the Lecce Provincial Museum, interests different artistic expressions widespread in the Salento peninsula (South Italy). In the present study, the characterisation of organic and inorganic materials used in the oldest pictorial cycle found in the 12th century monastery Santa Maria delle Cerrate was carried out thanks to a multi-analytical approach. Previous investigations have focused on the problem of dating the frescoes mainly on the basis of the stylistic aspects and the material characterisation has been definitely underinvestigated. Chromatographic and spectrometric techniques were used: micro-Raman spectroscopy was used for recognising pigments and gas chromatography with mass spectrometric detection for analysing organic binders. These techniques enabled us to characterise pigments and binders. The presence of both true fresco and tempera bound pigments was assessed. Among the different pigments detected, the results relevant to the blue paints were interesting: two different blue pigments were, indeed, identified, lapis lazuli and smalt (cobalt blue glass) both unexpected. As a result, Santa Maria delle Cerrate appears to be the first known example of their use in South Italy. From a conservation point of view, moreover, the knowledge of the palette permitted to highlight the reason of observed decay of some paints: for instance, lead white was used in some panels, explaining their blackening.


Author(s):  
Chavis A. Stackhouse ◽  
Shan Yan ◽  
Lei Wang ◽  
Kim Kisslinger ◽  
Ryan Tappero ◽  
...  

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