Mathematics: Its Historical Aspects, Wonders and Beyond

10.1142/12594 ◽  
2022 ◽  
Author(s):  
Alfred S Posamentier ◽  
Arthur D Kramer
Keyword(s):  
Historical Aspects

What is a Process of Individuation?

2018 ◽  
Author(s):  
Didier Debaise
Keyword(s):  
Contemporary Philosophy ◽  
Historical Aspects ◽  
The Real ◽  
Contemporary Science ◽  
The Status

This chapter poses the question of “reality”. In opposition to a substantialist vision that has notably characterized modernity, Whitehead develops a processual conception of the real which is made of becomings and individuations. This vision of the real is envisaged starting from three distinct questions: First of all, how to exactly define a process of individuation? This question is treated in its historical aspects (Aristotle and Leibniz) and with respect to contemporary philosophy (Simondon and Deleuze). Secondly, where do the forms, the puissances, the virtualities derive from which accompany any individuation? Starting from this question it is most notably the relation with Platonism and its heritage that is elaborated. And third, which vision of time is implied in a theory of individuation? Even though close to Bergson, Whitehead’s philosophy profoundly differs from it with respect to the status of time and builds up new links with contemporary science.

Menapak Jejak Seni Gambuh dalam Naskah-Naskah Panji Melayu

2020 ◽  
Vol 11 (2) ◽  
pp. 139
Author(s):  
Priyo Joko Purnomo ◽  
Wahyudhi Wahyudhi
Keyword(s):  
Performance Art ◽  
Oral Tradition ◽  
Close Relation ◽  
Cultural Transformation ◽  
Historical Aspects ◽  
Historical Approach ◽  
University Library ◽  
Critical Method ◽  
History Of ◽  
Performing Art

Gambuh as the performing art in Malay area became one of the cultural transformation evidences of the close relation between Java and Malay. The history of gambuh performance in Malay area recorded in the archipelago’s manuscripts, one of them is a manuscript entitled Surat Gambuh which is being the collection of Leiden University Library. This paper attempts to examine the contents of the manuscript in order to reconstruct the gambuh performance art in Malay and also trace the historical aspects. As far as the research had been done, there have been no studies of this manuscript so it is necessary to first transliterate it using a critical method. Furthermore, the historical aspects are explored using a historical approach by adding data from other texts of Panji. The analysis result of the reflection of Malay gambuh performance rules and historical aspects show that there is a transformation of work from oral tradition to written tradition, the cultural acculturation between Java and Malay, and the Islamic influence behind Malay gambuh.

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