Description Process of City Space in Newspaper Article

1999 ◽  
Vol 34 (0) ◽  
pp. 397-402
Author(s):  
Kiyoe Takagi ◽  
Naoji Matsumoto ◽  
Tatsuya Saito ◽  
Fumiaki Seo
Keyword(s):  
2020 ◽  
pp. 233-248
Author(s):  
Marta Zambrzycka ◽  
Paulina Olechowska

The subject of the article is an analysis of the three aspects of depicting urban space of Eastern Ukraine, focusing specifi cally on the Donbass region and the city of Kharkov as depicted in the novels Voroshilovgrad (2010) and Mesopotamia (2014) by Serhiy Zhadan. The urban space of Eastern Ukraine overlaps with the most important values that shape a person’s personality and aff ect her or his self-identifi cation. The city space is also a “place of memory” and experiences of generations that infl uence current events. In addition to the historical and axiological dimension, the imaginative aspect of space is also important. This approach is used by the author to describe the urban space as a functioning imagination or stereotypes associated with it as opposed to its realistic depiction.


2016 ◽  
Author(s):  
Y V Yepanova ◽  
Oksana Zaporozhets ◽  
Ekaterina Georgievna Lapina-Kratasyuk

2021 ◽  
pp. 1-27
Author(s):  
Gabriel Otero ◽  
María Luisa Méndez ◽  
Felipe Link

2004 ◽  
Vol 58 (3) ◽  
pp. 343-356
Author(s):  
C. Wilson
Keyword(s):  

2021 ◽  
Author(s):  
Amanda Wasielewski

The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.


2019 ◽  
pp. 54-65
Author(s):  
Yu-Hsiang Chen
Keyword(s):  

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