Tonal-timbral based bicoherence analysis of a viola da gamba suite for wolf tone characterization

2020 ◽  
Vol 148 (4) ◽  
pp. 2750-2750
Author(s):  
Nicholas V. Scott ◽  
Sarah Jensen ◽  
Edward Maday
Keyword(s):  
Viola Da Gamba

Sonate fur Oboe (Flote), Cembalo und Viola da gamba (ad lib.), G-moll

Notes ◽  
1975 ◽  
Vol 32 (2) ◽  
pp. 383
Author(s):  
Albert Seay ◽  
Johann Sebastian Bach ◽  
Raymond Meylan ◽  
Johann Friedrich Fasch ◽  
F. Nagel
Keyword(s):  
Viola Da Gamba

"TOUS LES MATINS DU MONDE": POETRY OF FADING SOUND

2021 ◽  
Vol 1 (4) ◽  
pp. 100-107
Author(s):  
Yu. A. Finkelshtein ◽  
Keyword(s):  
Mass Culture ◽  
Film Industry ◽  
Historical Background ◽  
Present Moment ◽  
Feature Film ◽  
Viola Da Gamba ◽  
Emotional Perception ◽  
Baroque Music ◽  
The Aesthetic ◽  
True Values

The object of the article is Alain Corneau's feature film "All the Mornings of the World" ("Tous les matins du monde", 1991). The movie is considered as a work of art with strong postmodern tendencies. The director uses music written in the XVIIth century to create an image of the era. The image of the gambist de Sainte-Colombe is formed on the basis of the aesthetic and emotional perception of his works by the creators of the movie. The timbre of viola da gamba, one of the key features of which is rapid fading, defines the main philosophical idea of the film. The "disadvantage" of the instrument, which contributed to its short life in art, is perceived by the filmmakers as its original value. The rapidly fading sound becomes a metaphorical symbol of dying and rebirth, death and immortality being one. In addition, Baroque music performs the function of temporary "immersion". Using the music of ancient styles, the film industry gains a foothold in true values and an element of authenticity. In turn, by participating in cinema, it appropriates the features of mass culture: lightness, illusiveness, and easy accessibility. Such ambivalence is also characteristic of the plot, in which events that evoke completely modern feelings take place against a historical background far removed from the present moment.

The Viola Da Gamba Society of America

1963 ◽  
Vol 13 (4) ◽  
pp. 14-15
Author(s):  
Wendell Margrave
Keyword(s):  
Viola Da Gamba

9 Trio-Sonaten fur 2 Violinen und Cembalo (Piano), Viola da Gamba (Violoncello) ad lib., Op. 2

Notes ◽  
1955 ◽  
Vol 12 (2) ◽  
pp. 323
Author(s):  
Edwin Hanley ◽  
George Frederick Handel ◽  
Gustav Lenzewski ◽  
Franz Willms
Keyword(s):  
Viola Da Gamba

Vier Sonaten. For Treble Recorder (Transverse Flute or Violin) and Harpsichord (Or Piano), viola da gamba or Cello ad lib.

Notes ◽  
1960 ◽  
Vol 17 (3) ◽  
pp. 470
Author(s):  
Bernard Krainis ◽  
Robert Valentine ◽  
Hildemarie Peter
Keyword(s):  
Viola Da Gamba ◽  
Transverse Flute
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