Effect of orchestra absorption on the reverberation time in concert halls

2017 ◽  
Vol 141 (5) ◽  
pp. 3599-3599
Author(s):  
Sung Min Kim ◽  
Hyung Suk Jang ◽  
Jin Yong Jeon
Keyword(s):  
Reverberation Time ◽  
Concert Halls

Coupled Volumes: Secondary Room Reverberance and the Double-Sloped Decay of Concert Halls

2005 ◽  
Vol 12 (3) ◽  
pp. 165-173 ◽  
Author(s):  
Michael Ermann
Keyword(s):  
Volume Form ◽  
Aperture Size ◽  
Reverberation Time ◽  
Concert Hall ◽  
Highly Sensitive ◽  
Concert Halls

The coupled volume concert hall and its signature double sloped sound decay aim to partially reconcile the often-competing qualities of clarity and reverberance. A concert hall is conceived with a fixed geometric volume, form, and aperture size. A coupled volume is attached and its materiality is established as variable. Both statistical and geometric relative analyses suggest a highly sensitive relationship between the coupled volume reverberation time and the double-sloped condition.

Sound strength and reverberation time in small concert halls

2009 ◽  
Vol 70 (8) ◽  
pp. 1099-1110 ◽  
Author(s):  
Marc Aretz ◽  
Raf Orlowski
Keyword(s):  
Reverberation Time ◽  
Concert Halls

Sound strength and reverberation time in small concert halls

2008 ◽  
Vol 123 (5) ◽  
pp. 3908-3908
Author(s):  
Marc Aretz ◽  
Raf Orlowski
Keyword(s):  
Reverberation Time ◽  
Concert Halls

Interrelation of Architectural Concepts and Principles of Artificial Lighting in the Moscow Concert Hall Zaryadye

2019 ◽  
pp. 4-13
Author(s):  
Maria M. Ilyevskaya
Keyword(s):  
Concert Hall ◽  
Distinctive Features ◽  
Artificial Lighting ◽  
Building Type ◽  
Concert Halls ◽  
Architectural Language ◽  
The Creation ◽  
Architectural Planning ◽  
The Individual ◽  
Formal Features

The article is focused on the analysis of the Zaryadye Concert Hall building in Moscow in terms of the significance of artificial lighting for the creation of the imagery and perception of this facility within the typology of entertainment music-oriented buildings. Through the example of modern places of entertainment, the author reveals a number of formal features (typological attributes), which, being common to buildings of this function, constitute the basis of their image and become obvious due to the realized lighting concept. The interpretation of these attributes in the interaction of architectural planning and lighting concepts in the Zaryadye Concert Hall is traced. In conclusion, the distinctive features of the building under consideration are determined. At the same time, they reflect a new understanding of concert halls as a building type, the changes related to the overall development of architecture, as well as the elements of the individual architectural language.

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