scholarly journals Generation and analysis of an acoustic radiation pattern database for forty-one musical instruments

2017 ◽  
Vol 141 (2) ◽  
pp. 1246-1256 ◽  
Author(s):  
Noam R. Shabtai ◽  
Gottfried Behler ◽  
Michael Vorländer ◽  
Stefan Weinzierl
2017 ◽  
Vol 44 (19) ◽  
pp. 9672-9680 ◽  
Author(s):  
Arthur D. Jolly ◽  
Robin S. Matoza ◽  
David Fee ◽  
Ben M. Kennedy ◽  
Alexandra M. Iezzi ◽  
...  

2013 ◽  
Vol 133 (4) ◽  
pp. 2510
Author(s):  
Geoffrey C. Chick ◽  
Dewey L. Potter

Author(s):  
D. S. Jones

SynopsisFormulae are derived for the first two approximations to the radiation pattern of a penetrable body in the long wavelength limit. They are expressed in terms of a solution of Laplace's equation satisfying certain boundary conditions. Various inequalities and principles which help fix this solution are given.


2020 ◽  
Vol 10 (2) ◽  
pp. 641 ◽  
Author(s):  
Lamberto Tronchin ◽  
Massimiliano Manfren ◽  
Vincenzo Vodola

Among the studies of musical instruments, one important, sometime underestimated discipline, is represented by ethnomusicology. The acoustic analyses on ethnic musical instruments (M.I.) are much more infrequent if compared to those on classical M.I. This article deals with the vibro-acoustic analysis on one of the most unknown ethnic, Italian M.I., i.e., the carabattola (also called battola), which used to be played in Italy until the late 1960s during the Holy Thursday before Easter. The study includes modal analysis and Intensity of Acoustic Radiation measured on an original carabattola, which was played in the Romagna area until the early twentieth century. After a brief overview about the theory of acoustic and vibrational analysis on musical instruments, the Intensity of acoustic radiation and its correlation with modal analysis are recalled, based on previous studies. In the experimental part of the article, the measurements conducted on the carabattola are described. Afterwards, the results obtained both from modal analysis and IAR measurements are analyzed and compared with other measurements previously conducted on musical (particularly percussion) instruments and commented.


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