A mixed-order ambisonic scheme to improve performance for sound sources on the horizontal plane

2016 ◽  
Vol 140 (4) ◽  
pp. 3375-3376 ◽  
Author(s):  
Jiho Chang
Keyword(s):  
Horizontal Plane ◽  
Improve Performance ◽  
Sound Sources ◽  
Mixed Order

Doppler Illusion Prevails Over Pratt Effect in Risset Tones

Perception ◽  
2018 ◽  
Vol 47 (12) ◽  
pp. 1179-1195 ◽  
Author(s):  
Julián Villegas ◽  
Naoki Fukasawa
Keyword(s):  
Motion Perception ◽  
Horizontal Plane ◽  
Sagittal Plane ◽  
Vertical Plane ◽  
Coronal Plane ◽  
Auditory Motion ◽  
Sound Sources ◽  
Frequency Components

Changes in frequency such as those found in Risset tones have been associated with moving sound sources in the vertical plane (Pratt effect) and the horizontal plane (Doppler illusion). We investigated the reported origin and motion of unspatialized Risset tones presented monotically and diotically, and Risset tones simulated to be in the sagittal or coronal plane, approaching or receding, from above or horizontally. Independent of the artificial spatialization used (none, spatializing frequency components collectively or individually, elevated or not), upward glissandi were more likely to be judged as approaching than receding, and downward glissandi as receding than approaching, in most cases from the horizon. Glissandi associations with horizontal movements were more common in stimuli simulated on the sagittal plane than in stimuli simulated on the coronal plane. These findings suggest that the Doppler illusion is stronger than the Pratt effect, at least for Risset tones presented over headphones and simulated to be in the sagittal plane. These findings may contribute to better understanding of the association between auditory motion perception and changes in frequency.

scholarly journals Changes in Sound Localization Performance of Single-Sided Deaf Listeners after Visual Feedback Training in Azimuth

2020 ◽  
Author(s):  
Bahram Zonooz ◽  
A. John Van Opstal
Keyword(s):  
Visual Feedback ◽  
Horizontal Plane ◽  
Directional Hearing ◽  
Sound Sources ◽  
Feedback Training ◽  
Spectral Cues ◽  
Low Pass ◽  
Localization Performance ◽  
Multisensory Information ◽  
High Pass

AbstractChronic single-sided deaf (CSSD) listeners lack the availability of binaural difference cues to localize sounds in the horizontal plane. Hence, for directional hearing they have to rely on different types of monaural cues: loudness perceived in their hearing ear, which is affected in a systematic way by the acoustic head shadow, on spectral cues provided by the low-pass filtering characteristic of the head, and on high-frequency spectral-shape cues from the pinna of their hearing ear. Presumably, these cues are differentially weighted against prior assumptions on the properties of sound sources in the environment. The rules guiding this weighting process are not well understood. In this preliminary study, we trained three CSSD listeners to localize a fixed intensity, high-pass filtered sound source at ten locations in the horizontal plane with visual feedback. After training, we compared their localization performance to sounds with different intensities, presented in the two-dimensional frontal hemifield to their pre-training results. We show that the training had rapidly readjusted the contributions of monaural cues and internal priors, which resulted to be imposed by the multisensory information provided during the training. We compare the results with the strategies found for the acute monaural hearing condition of normal-hearing listeners, described in an earlier study [1].

scholarly journals Design, Control, and Evaluation of Mixed-Order, Compact Spherical Loudspeaker Arrays

2020 ◽  
Vol 44 (4) ◽  
pp. 60-76
Author(s):  
Stefan Riedel ◽  
Franz Zotter
Keyword(s):  
Horizontal Plane ◽  
Electroacoustic Music ◽  
High Frequencies ◽  
Horizontal Beam ◽  
Sound Beams ◽  
Mixed Order ◽  
Auditory Object ◽  
Analytic Models ◽  
Object Trajectories ◽  
Beam Patterns

Abstract Beamforming on the icosahedral loudspeaker (IKO), a compact, spherical loudspeaker array, was recently established and investigated as an instrument to produce auditory sculptures (i.e., 3-D sonic imagery) in electroacoustic music. Sound beams in the horizontal plane most effectively and expressively produce auditory objects via lateral reflections on sufficiently close walls and baffles. Can there be 3-D-printable arrays at drastically reduced cost and transducer count, but with similarly strong directivity in the horizontal plane? To find out, we adopt mixed-order Ambisonics schemes to control fewer, and predominantly horizontal, beam patterns, and we propose the 3|9|3 array as a suitable design, with beamforming crossing over to Ambisonics panning at high frequencies. Analytic models and measurements on hardware prototypes permit a comparison between the new design and the IKO regarding beamforming capacity. Moreover, we evaluate our 15-channel 3|9|3 prototype in listening experiments to find out whether the sculptural qualities and auditory object trajectories it produces are comparable to those of the 20-channel IKO.

Role of pinnae and head movements in localizing pure tones 1The authors would like to thank Mr. Remi Humbert for implementing the experiment in Turbo Pascal and for his further assistance.

1999 ◽  
Vol 58 (3) ◽  
pp. 170-179 ◽  
Author(s):  
Barbara S. Muller ◽  
Pierre Bovet
Keyword(s):  
Sound Source ◽  
Head Movement ◽  
Movement Analysis ◽  
Head Movements ◽  
Sound Sources ◽  
Localization Accuracy ◽  
Sound Effects ◽  
Posterior Quadrant ◽  
Localization Performance ◽  
Pure Tones

Twelve blindfolded subjects localized two different pure tones, randomly played by eight sound sources in the horizontal plane. Either subjects could get information supplied by their pinnae (external ear) and their head movements or not. We found that pinnae, as well as head movements, had a marked influence on auditory localization performance with this type of sound. Effects of pinnae and head movements seemed to be additive; the absence of one or the other factor provoked the same loss of localization accuracy and even much the same error pattern. Head movement analysis showed that subjects turn their face towards the emitting sound source, except for sources exactly in the front or exactly in the rear, which are identified by turning the head to both sides. The head movement amplitude increased smoothly as the sound source moved from the anterior to the posterior quadrant.

Replication of the Superstition and Performance Study by

2014 ◽  
Vol 45 (3) ◽  
pp. 239-245 ◽  
Author(s):  
Robert J. Calin-Jageman ◽  
Tracy L. Caldwell
Keyword(s):  
Task Difficulty ◽  
Statistical Power ◽  
Meta Analysis ◽  
A Priori ◽  
Significant Heterogeneity ◽  
Performance Study ◽  
Improve Performance ◽  
Research Designs ◽  
Series Of Experiments ◽  
And Performance

A recent series of experiments suggests that fostering superstitions can substantially improve performance on a variety of motor and cognitive tasks ( Damisch, Stoberock, & Mussweiler, 2010 ). We conducted two high-powered and precise replications of one of these experiments, examining if telling participants they had a lucky golf ball could improve their performance on a 10-shot golf task relative to controls. We found that the effect of superstition on performance is elusive: Participants told they had a lucky ball performed almost identically to controls. Our failure to replicate the target study was not due to lack of impact, lack of statistical power, differences in task difficulty, nor differences in participant belief in luck. A meta-analysis indicates significant heterogeneity in the effect of superstition on performance. This could be due to an unknown moderator, but no effect was observed among the studies with the strongest research designs (e.g., high power, a priori sampling plan).

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