Objective and perceptual assessment of the scattered sound field in a simulated concert hall

2015 ◽  
Vol 138 (3) ◽  
pp. 1485-1497 ◽  
Author(s):  
Louena Shtrepi ◽  
Arianna Astolfi ◽  
Sönke Pelzer ◽  
Renzo Vitale ◽  
Monika Rychtáriková
Keyword(s):  
Sound Field ◽  
Concert Hall ◽  
Perceptual Assessment

Prediction of subjective properties of a sound field in a concert hall with tenth‐scale model

1999 ◽  
Vol 105 (2) ◽  
pp. 1197-1197
Author(s):  
Koji Ishida ◽  
Kiyoshi Sugino ◽  
Hideki Tachibana
Keyword(s):  
Sound Field ◽  
Scale Model ◽  
Concert Hall

A Consideration on Acoustic Properties on Concert-Hall Stages

2011 ◽  
Vol 18 (3-4) ◽  
pp. 221-235
Author(s):  
Kanako Ueno ◽  
Hideki Tachibana
Keyword(s):  
Future Study ◽  
Experimental Studies ◽  
Three Dimensional ◽  
Sound Field ◽  
Acoustic Properties ◽  
Concert Hall ◽  
Field Simulation ◽  
Experimental Findings ◽  
Acoustic Conditions ◽  
The Relationship

This paper discusses acoustic properties that musicians experience on a concert hall stage; the discussion is based on the authors' experience gained from conducting experimental studies using a three-dimensional sound field simulation technique. First, the experimental findings on the relationship between the acoustic requirements of musicians and acoustic conditions such as early reflection and reverberation are reviewed. Second, the validity and problems of stage acoustic indices STearly, STlate, and EEL are addressed. In addition, unsolved issues with regard to musicians' requirements during their performance are considered and problems requiring future study are pointed out.

Sound field modeling and simulation of a concert hall

1988 ◽  
Vol 83 (S1) ◽  
pp. S50-S50
Author(s):  
T. Hidaka ◽  
K. Kageyama ◽  
S. Masuda
Keyword(s):  
Modeling And Simulation ◽  
Sound Field ◽  
Concert Hall ◽  
Field Modeling

scholarly journals Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices

2016 ◽  
Vol 40 (4) ◽  
pp. 14-34 ◽  
Author(s):  
Thibaut Carpentier ◽  
Natasha Barrett ◽  
Rama Gottfried ◽  
Markus Noisternig
Keyword(s):  
Wave Field ◽  
Computer Music ◽  
Sound Field ◽  
Higher Order ◽  
Software Architectures ◽  
Concert Hall ◽  
Design And Implementation ◽  
Spatial Composition ◽  
Wave Field Synthesis ◽  
Audio System

This article presents a report on technological and aesthetic practices in the variable-acoustics performance hall, Espace de Projection, at the Institut de Recherche et Coordination Acoustique/Musique. The hall is surrounded by a 350-loudspeaker array for sound-field reproduction using holophonic approaches such as wave-field synthesis and higher-order Ambisonics. First we present the design and implementation of the audio system and discuss the challenges of both hardware and software architectures. This is followed by a discussion of spatial composition techniques, aesthetic approaches, and methodologies for composing computer music for high-density loudspeaker arrays, explored through the paradigmatic examples of pieces produced by two artist-in-research residencies.

scholarly journals A sound field simulation system for the study of ensemble performance on a concert hall stage

2004 ◽  
Vol 25 (5) ◽  
pp. 373-378 ◽  
Author(s):  
Motoko Rokutanda ◽  
Takako Kanamori ◽  
Kanako Ueno ◽  
Hideki Tachibana
Keyword(s):  
Sound Field ◽  
Simulation System ◽  
Concert Hall ◽  
Field Simulation ◽  
Ensemble Performance
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