Capturing the acoustic response of historical spaces for interactive music performance and recording

2004 ◽  
Vol 116 (4) ◽  
pp. 2484-2484
Author(s):  
Wieslaw Woszczyk ◽  
William Martens
Keyword(s):  
Music Performance ◽  
Acoustic Response ◽  
Interactive Music

A Multimodal System for Gesture Recognition in Interactive Music Performance

2009 ◽  
Vol 33 (4) ◽  
pp. 69-82 ◽  
Author(s):  
Dan Overholt ◽  
John Thompson ◽  
Lance Putnam ◽  
Bo Bell ◽  
Jim Kleban ◽  
...  
Keyword(s):  
Gesture Recognition ◽  
Music Performance ◽  
Interactive Music ◽  
Multimodal System

Representing groove: Rhythmic structure in interactive music performance

1997 ◽  
Vol 102 (5) ◽  
pp. 3182-3182
Author(s):  
Vijay Iyer ◽  
Jeff Bilmes ◽  
Matt Wright ◽  
David Wessel
Keyword(s):  
Music Performance ◽  
Rhythmic Structure ◽  
Interactive Music

Wireless Body-worn Sound System for Dance and Music Performance

2015 ◽  
Vol 20 (3) ◽  
pp. 340-348 ◽  
Author(s):  
Felipe Otondo
Keyword(s):  
Full Range ◽  
Music Performance ◽  
Acoustic Response ◽  
Sound System ◽  
Acoustic Performance ◽  
Spatial Design ◽  
Concert Halls ◽  
Software And Hardware ◽  
Using Data

The role of spatial design in music has become more prominent in recent years, mostly because of the affordability of powerful software and hardware tools. Although spatial audio tools are widely used nowadays in studios and concert halls, there are only few examples of robust and comfortable wearable sound systems with a suitable acoustic response. A wireless body-worn loudspeaker prototype featuring original costume elements, a hybrid full-range loudspeaker array and an improved acoustic response was designed and implemented. The size, shape and acoustic performance of the prototype was optimised using data gathered from anechoic measurements and interviews with performers and audiences. Future developments of this project will consider the implementation of an extended multi-channel performance platform to explore sonic and spatial relationships created by several wearable devices on stage synchronised with a multi-loudspeaker diffusion system.

Interactivity for Mobile Music-Making

2009 ◽  
Vol 14 (2) ◽  
pp. 197-207 ◽  
Author(s):  
Georg Essl ◽  
Michael Rohs
Keyword(s):  
Theoretical Analysis ◽  
Mobile Phones ◽  
Design Space ◽  
Music Performance ◽  
Live Performance ◽  
Interactive Music ◽  
Interactive Performance ◽  
Music Making ◽  
Mobile Music

Mobile phones offer an attractive platform for interactive music performance. We provide a theoretical analysis of the sensor capabilities via a design space and show concrete examples of how different sensors can facilitate interactive performance on these devices. These sensors include cameras, microphones, accelerometers, magnetometers and multitouch screens. The interactivity through sensors in turn informs aspects of live performance as well as composition though persistence, scoring, and mapping to musical notes or abstract sounds.

scholarly journals Brain-Computer Music Interface for Music Expression

2020 ◽  
pp. 86-88
Author(s):  
Rafael Ramirez ◽  
Sergio Giraldo ◽  
Zacharias Vamvakousis
Keyword(s):  
Real Time ◽  
Emotional State ◽  
Music Performance ◽  
Computer Interface ◽  
Music Listening ◽  
Time System ◽  
Real Time System ◽  
Interactive Music ◽  
Eeg Data ◽  
Performance System

Active music listening is a way of listening to music through active interactions. In this paper we present an expressive brain-computer interactive music system for active music listening, which allows listeners to manipulate expressive parameters in music performances using their emotional state, as detected by a brain-computer interface. The proposed system is divided in two parts: a real-time system able to detect listeners’ emotional state from their EEG data, and a real-time expressive music performance system capable of adapting the expressive parameters of music based on the detected listeners’ emotion. We comment on an application of our system as a music neurofeedback system to alleviate depression in elderly people.

The Serial Collaborator: A Meta-Pianist for Real-Time Tonal and Non-Tonal Music Generation

Leonardo ◽  
2014 ◽  
Vol 47 (3) ◽  
pp. 260-261
Author(s):  
Roger T. Dean
Keyword(s):  
Real Time ◽  
Music Performance ◽  
Tonal Music ◽  
Interactive Music ◽  
Sequence Generation ◽  
Serial Music ◽  
Keyboard Music ◽  
Music Generation ◽  
Sequence Transformations

Serial music, which is mainly non-tonal, superimposes compositional freedom onto an unusually rigorous process of pitch-sequence transformations based on ‘tone rows’: a row is usually a sequence of notes using each of the 12 chromatic pitches once. Compositional freedom comprises forming chords from the sequences, and in multi-strand music, also in simultaneously presenting different segments of pitch-sequences. The present project coded a real-time serial music composer for automatic or interactive music performance. This Serial Keyboardist Collaborator can perform keyboard music which is impossible for a human to realize. Surprisingly, it was also useful in making more tonal music based on the same rigorous pitch-sequence generation.

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