Relation of vocal tract constriction location to identification of voiced stop consonants.

2009 ◽  
Vol 125 (4) ◽  
pp. 2569-2569 ◽  
Author(s):  
Brad H. Story ◽  
Kate Bunton
Keyword(s):  
Vocal Tract ◽  
Stop Consonants

scholarly journals Air Pressure Responses to Sudden Vocal Tract Pressure Bleeds During Production of Stop Consonants

2004 ◽  
Vol 47 (4) ◽  
pp. 784-801 ◽  
Author(s):  
David J. Zajac ◽  
Mark C. Weissler
Keyword(s):  
Vocal Tract ◽  
Linear Trend ◽  
Upper Airway ◽  
Air Pressure ◽  
Stop Consonants ◽  
Oral Pressure ◽  
The Face ◽  
Computer Controlled ◽  
Linear Manner ◽  
Respiratory Reflexes

Two studies were conducted to evaluate short-latency vocal tract air pressure responses to sudden pressure bleeds during production of voiceless bilabial stop consonants. It was hypothesized that the occurrence of respiratory reflexes would be indicated by distinct patterns of responses as a function of bleed magnitude. In Study 1, 19 adults produced syllable trains of /pʌ/ using a mouthpiece coupled to a computer-controlled perturbator. The device randomly created bleed apertures that ranged from 0 to 40 mm 2 during production of the 2nd or 4th syllable of an utterance. Although peak oral air pressure dropped in a linear manner across bleed apertures, it averaged 2 to 3 cm H 2 O at the largest bleed. While slope of oral pressure also decreased in a linear trend, duration of the oral pressure pulse remained relatively constant. The patterns suggest that respiratory reflexes, if present, have little effect on oral air pressure levels. In Study 2, both oral and subglottal air pressure responses were monitored in 2 adults while bleed apertures of 20 and 40 mm 2 were randomly created. For 1 participant, peak oral air pressure dropped across bleed apertures, as in Study 1. Subglottal air pressure and slope, however, remained relatively stable. These patterns provide some support for the occurrence of respiratory reflexes to regulate subglottal air pressure. Overall, the studies indicate that the inherent physiologic processes of the respiratory system, which may involve reflexes, and passive aeromechanical resistance of the upper airway are capable of developing oral air pressure in the face of substantial pressure bleeds. Implications for understanding speech production and the characteristics of individuals with velopharyngeal dysfunction are discussed. KEY WORDS: stop consonants, oral air pressure, subglottal air pressure, respiratory reflexes, velopharyngeal dysfunction

Compensatory Articulation Patterns of a Surgically Treated Oral Cancer Patient

1982 ◽  
Vol 47 (2) ◽  
pp. 154-159 ◽  
Author(s):  
Deborah A. Georgian ◽  
Jeri A. Logemann ◽  
Hilda B. Fisher
Keyword(s):  
Acoustic Analysis ◽  
Vocal Tract ◽  
Radical Neck Dissection ◽  
Acoustic Properties ◽  
Synthetic Speech ◽  
Stop Consonants ◽  
Surgical Closure ◽  
Vowel Context ◽  
Floor Of The Mouth ◽  
Computer Aided

Acoustic, physiologic, and perceptual data on the articulation of bilabial and alveolar stop consonants in CVC words spoken by a subject with a 20% glossectomy, 2/3-mandibulectomy and radical neck dissection, whose surgical closure was accomplished by suturing the tongue to the floor of the mouth and buccal mucosa are provided. Compensatory articulation patterns were identified from tracings of vocal tract shapes obtained by videofluoroscopy, Acoustic analysis was accomplished by means of computer-aided examination of the speech waveform. Compensatory for articulation of the stop consonants were characterized by varying degrees of labial protrusion and retraction, dependent on the vowel context. Distinction between the bilabial and tip-alveolar consonants was evidenced in lingual-velar closure vs. lingual-velar-palatal closure. These compensatory patterns are discussed in relation to the acoustic properties of the corresponding speech sounds obtained from synthetic speech samples and in relation to perceptual data obtained from trained listeners.

Contributions of Voice and Nonverbal Communication to Perceived Masculinity–Femininity for Cisgender and Transgender Communicators

2020 ◽  
Vol 63 (4) ◽  
pp. 931-947
Author(s):  
Teresa L. D. Hardy ◽  
Carol A. Boliek ◽  
Daniel Aalto ◽  
Justin Lewicke ◽  
Kristopher Wells ◽  
...  
Keyword(s):  
Fundamental Frequency ◽  
Sound Pressure Level ◽  
Sound Pressure ◽  
Vocal Tract ◽  
Presentation Mode ◽  
Pressure Level ◽  
Presentation Modes ◽  
Audiovisual Stimuli ◽  
Vocal Tract Resonance ◽  
Point Light

Purpose The purpose of this study was twofold: (a) to identify a set of communication-based predictors (including both acoustic and gestural variables) of masculinity–femininity ratings and (b) to explore differences in ratings between audio and audiovisual presentation modes for transgender and cisgender communicators. Method The voices and gestures of a group of cisgender men and women ( n = 10 of each) and transgender women ( n = 20) communicators were recorded while they recounted the story of a cartoon using acoustic and motion capture recording systems. A total of 17 acoustic and gestural variables were measured from these recordings. A group of observers ( n = 20) rated each communicator's masculinity–femininity based on 30- to 45-s samples of the cartoon description presented in three modes: audio, visual, and audio visual. Visual and audiovisual stimuli contained point light displays standardized for size. Ratings were made using a direct magnitude estimation scale without modulus. Communication-based predictors of masculinity–femininity ratings were identified using multiple regression, and analysis of variance was used to determine the effect of presentation mode on perceptual ratings. Results Fundamental frequency, average vowel formant, and sound pressure level were identified as significant predictors of masculinity–femininity ratings for these communicators. Communicators were rated significantly more feminine in the audio than the audiovisual mode and unreliably in the visual-only mode. Conclusions Both study purposes were met. Results support continued emphasis on fundamental frequency and vocal tract resonance in voice and communication modification training with transgender individuals and provide evidence for the potential benefit of modifying sound pressure level, especially when a masculine presentation is desired.

Assessment of Tongue Position and Laryngeal Height in Two Professional Voice Populations

2020 ◽  
Vol 63 (1) ◽  
pp. 109-124
Author(s):  
Carly Jo Hosbach-Cannon ◽  
Soren Y. Lowell ◽  
Raymond H. Colton ◽  
Richard T. Kelley ◽  
Xue Bao
Keyword(s):  
Vocal Fold ◽  
Vocal Tract ◽  
Current Knowledge ◽  
Acoustic Resonance ◽  
Contact Dynamics ◽  
Voice Disorder ◽  
Music Program ◽  
Tongue Position ◽  
Singer Groups ◽  
Professional Voice

Purpose To advance our current knowledge of singer physiology by using ultrasonography in combination with acoustic measures to compare physiological differences between musical theater (MT) and opera (OP) singers under controlled phonation conditions. Primary objectives addressed in this study were (a) to determine if differences in hyolaryngeal and vocal fold contact dynamics occur between two professional voice populations (MT and OP) during singing tasks and (b) to determine if differences occur between MT and OP singers in oral configuration and associated acoustic resonance during singing tasks. Method Twenty-one singers (10 MT and 11 OP) were included. All participants were currently enrolled in a music program. Experimental procedures consisted of sustained phonation on the vowels /i/ and /ɑ/ during both a low-pitch task and a high-pitch task. Measures of hyolaryngeal elevation, tongue height, and tongue advancement were assessed using ultrasonography. Vocal fold contact dynamics were measured using electroglottography. Simultaneous acoustic recordings were obtained during all ultrasonography procedures for analysis of the first two formant frequencies. Results Significant oral configuration differences, reflected by measures of tongue height and tongue advancement, were seen between groups. Measures of acoustic resonance also showed significant differences between groups during specific tasks. Both singer groups significantly raised their hyoid position when singing high-pitched vowels, but hyoid elevation was not statistically different between groups. Likewise, vocal fold contact dynamics did not significantly differentiate the two singer groups. Conclusions These findings suggest that, under controlled phonation conditions, MT singers alter their oral configuration and achieve differing resultant formants as compared with OP singers. Because singers are at a high risk of developing a voice disorder, understanding how these two groups of singers adjust their vocal tract configuration during their specific singing genre may help to identify risky vocal behavior and provide a basis for prevention of voice disorders.

Sign in / Sign up

Export Citation Format

Share Document