ULTRASOUND IMAGE PROCESSING TO RENDER THREE-DIMENSIONAL IMAGES FROM TWO-DIMENSIONAL IMAGES

2012 ◽  
Vol 131 (5) ◽  
pp. 4231
Author(s):  
Praveen Dala-Krishna
Keyword(s):  
Image Processing ◽  
Three Dimensional ◽  
Ultrasound Image ◽  
Two Dimensional ◽  
Ultrasound Image Processing ◽  
Three Dimensional Images ◽  
Two Dimensional Images

scholarly journals Visual Depth Perception of three dimensional images and two dimensional images

1990 ◽  
Vol 26 (Supplement) ◽  
pp. 248-249
Author(s):  
Am CHO ◽  
Kageyu NORO ◽  
Shinya KOSHIE ◽  
Atsuko HONDO ◽  
Sakae YAMAMOTO
Keyword(s):  
Depth Perception ◽  
Three Dimensional ◽  
Two Dimensional ◽  
Visual Depth ◽  
Three Dimensional Images ◽  
Two Dimensional Images

Shifting perspectives: method, media and the complex image

1998 ◽  
Vol 10 (1-3) ◽  
pp. 100-108 ◽  
Author(s):  
Alicia Colson ◽  
Ross Parry
Keyword(s):  
Image Processing ◽  
Three Dimensional ◽  
Geographical Location ◽  
Spatial Relationship ◽  
Two Dimensional ◽  
Dimensional Approach ◽  
Complex Image ◽  
Cultural Resonance

This article argues that the analysis of a threedimensional image demanded a three-dimensional approach. The authors realise that discussions of images and image processing inveterately conceptualise representation as being flat, static, and finite. The authors recognise the need for a fresh acuteness to three-dimensionality as a meaningful – although problematic – element of visual sources. Two dramatically different examples are used to expose the shortcomings of an ingrained two-dimensional approach and to facilitate a demonstration of how modern (digital) techniques could sanction new historical/anthropological perspectives on subjects that have become all too familiar. Each example could not be more different in their temporal and geographical location, their cultural resonance, and their historiography. However, in both these visual spectacles meaning is polysemic. It is dependent upon the viewer's spatial relationship to the artifice as well as the spirito-intellectual viewer within the community. The authors postulate that the multi- faceted and multi-layered arrangement of meaning in a complex image could be assessed by working beyond the limitations of the two-dimensional methodological paradigm and by using methods and media that accommodated this type of interconnectivity and representation.

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