Remarks about the local environmental correction for determination of the emission sound‐pressure level

In this paper, the problem of localization of noise sources of flow around a cylinder was considered on the basis of a computational experiment using a virtual 54-channel microphone array. Numerical simulation was performed using the computational fluid dynamics software ANSYS Fluent. Several spatial orientations of the cylinder were considered for the generation of dipoles with different directions. Simulation of a simplified two-microphone azimuthal decomposition technique (ADT) is performed to determine the sound pressure level of the generated dipoles at a vortex shedding frequency of 1450 Hz. A procedure of localization of the noise of the flow around a virtual cylinder was performed using monopole and dipole beamforming algorithms. It was found that the numerical simulation results are in good agreement with the data obtained by other researchers, both in terms of the sound pressure level and the results of the localization of dipoles in space.

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Unsteady Isentropic Flow through Ducts with Prescribed Sound Pressure Level Distribution

Journal of Vibration and Acoustics ◽

10.1115/1.2874448 ◽

1995 ◽

Vol 117 (3A) ◽

pp. 279-284 ◽

Cited By ~ 3

Author(s):

J. G. Cherng ◽

Tsung-Yen Na

Keyword(s):

Sound Pressure Level ◽

Unknown Parameter ◽

Sound Pressure ◽

Flow Speed ◽

Pressure Level ◽

Cross Sectional ◽

Isentropic Flow ◽

First Case ◽

Flow Through

An analytical method for the determination of the required shape of a duct for a prescribed sound pressure level distribution is presented in this paper. The physical model involves a sound wave propagating in an unsteady flow of compressible fluids through ducts. Two cases are considered. In the first case, the channel shape, F(X), is given as either an exponential function or a linear function of the distance along the axis with an unknown parameter in the expression for F(X). The unknown parameter is determined by the prescribed ratio of the sound pressure level at the exit section of the duct to that at the entrance. In the second case, the sound pressure level is specified at every point along the length of the duct, and the duct shape, F(X), is sought. The governing differential equations of the model are presented. The method of complex superposition is used to separate the real and the imaginary parts of the perturbation quantities. The results show that the cross-sectional area is sensitive to the flow speed and the frequency of the sound source. Furthermore, a convergent/divergent duct has to be used to achieve a linear sound pressure level distribution.

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Determination of thermal and acoustic comfort inside a vehicle’s cabin

E3S Web of Conferences ◽

10.1051/e3sconf/20183201002 ◽

2018 ◽

Vol 32 ◽

pp. 01002

Author(s):

Alexandra Ene ◽

Tiberiu Catalina ◽

Andreea Vartires

Keyword(s):

Thermal Comfort ◽

Air Temperature ◽

Sound Pressure Level ◽

Sound Pressure ◽

Pressure Level ◽

The Other ◽

Air Velocity ◽

Acoustic Comfort ◽

Comfort Parameters

Thermal and acoustic comfort, inside a vehicle’s cabin, are highly interconnected and can greatly influence the health of the passengers. On one hand, the H.V.A.C. system brings the interior air parameters to a comfortable value while on the other hand, it is the main source of noise. It is an intriguing task to find a balance between the two. In this paper, several types of air diffusers were used in order to optimize the ratio between thermal and acoustic interior comfort. Using complex measurements of noise and thermal comfort parameters we have determined for each type of air diffuser the sound pressure level and its impact on air temperature and air velocity.

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Contributions of Voice and Nonverbal Communication to Perceived Masculinity–Femininity for Cisgender and Transgender Communicators

Journal of Speech Language and Hearing Research ◽

10.1044/2019_jslhr-19-00387 ◽

2020 ◽

Vol 63 (4) ◽

pp. 931-947

Author(s):

Teresa L. D. Hardy ◽

Carol A. Boliek ◽

Daniel Aalto ◽

Justin Lewicke ◽

Kristopher Wells ◽

...

Keyword(s):

Fundamental Frequency ◽

Sound Pressure Level ◽

Sound Pressure ◽

Vocal Tract ◽

Presentation Mode ◽

Pressure Level ◽

Presentation Modes ◽

Audiovisual Stimuli ◽

Vocal Tract Resonance ◽

Point Light

Purpose The purpose of this study was twofold: (a) to identify a set of communication-based predictors (including both acoustic and gestural variables) of masculinity–femininity ratings and (b) to explore differences in ratings between audio and audiovisual presentation modes for transgender and cisgender communicators. Method The voices and gestures of a group of cisgender men and women ( n = 10 of each) and transgender women ( n = 20) communicators were recorded while they recounted the story of a cartoon using acoustic and motion capture recording systems. A total of 17 acoustic and gestural variables were measured from these recordings. A group of observers ( n = 20) rated each communicator's masculinity–femininity based on 30- to 45-s samples of the cartoon description presented in three modes: audio, visual, and audio visual. Visual and audiovisual stimuli contained point light displays standardized for size. Ratings were made using a direct magnitude estimation scale without modulus. Communication-based predictors of masculinity–femininity ratings were identified using multiple regression, and analysis of variance was used to determine the effect of presentation mode on perceptual ratings. Results Fundamental frequency, average vowel formant, and sound pressure level were identified as significant predictors of masculinity–femininity ratings for these communicators. Communicators were rated significantly more feminine in the audio than the audiovisual mode and unreliably in the visual-only mode. Conclusions Both study purposes were met. Results support continued emphasis on fundamental frequency and vocal tract resonance in voice and communication modification training with transgender individuals and provide evidence for the potential benefit of modifying sound pressure level, especially when a masculine presentation is desired.

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