scholarly journals A real‐time computer music synthesis system.

1991 ◽  
Vol 90 (4) ◽  
pp. 2336-2336
Author(s):  
Keith Lent
Keyword(s):  
Real Time ◽  
Computer Music ◽  
Synthesis System ◽  
Music Synthesis

Computer Music: Synthesis, Composition, and Performance

Notes ◽  
1986 ◽  
Vol 43 (1) ◽  
pp. 53
Author(s):  
R. K. ◽  
Charles Dodge ◽  
Thomas A. Jerse
Keyword(s):  
Computer Music ◽  
Music Synthesis ◽  
And Performance ◽  
Synthesis Composition

scholarly journals Sounderfeit: cloning a physical model using a conditional adversarial autoencoder

2018 ◽  
Vol 18 (1) ◽  
pp. 44-60 ◽  
Author(s):  
Stephen Sinclair
Keyword(s):  
Neural Network ◽  
Parameter Estimation ◽  
Real Time ◽  
Physical Model ◽  
Physical Modeling ◽  
Synthesis System ◽  
Bidirectional Relationship ◽  
Adversarial Training ◽  
Recorded Data

An adversarial autoencoder conditioned on known parameters of a physical modeling bowed string syn- thesizer is evaluated for use in parameter estimation and resynthesis tasks. Latent dimensions are provided to cap- ture variance not explained by the conditional parameters. Results are compared with and without the adversarial training, and a system capable of “copying” a given parameter-signal bidirectional relationship is examined. A real- -time synthesis system built on a generative, conditioned and regularized neural network is presented, allowing to construct engaging sound synthesizers based purely on recorded data. 

Accelerando: A Real-Time, General Purpose Computer Music System

1989 ◽  
Vol 13 (4) ◽  
pp. 54 ◽  
Author(s):  
Keith Lent ◽  
Russell Pinkston ◽  
Peter Silsbee
Keyword(s):  
Real Time ◽  
Computer Music ◽  
General Purpose ◽  
General Purpose Computer ◽  
Purpose Computer

Analysis of the Sound of the Kompang for Computer Music Synthesis

2006 ◽  
Author(s):  
Aswati Ismail ◽  
Salina Abd. Samad ◽  
Aini Hussain ◽  
Che Husna Azhari ◽  
Mohd Ridzuwary Mohd Zainal
Keyword(s):  
Computer Music ◽  
Music Synthesis

Hacking Choreography: Dance and Live Coding

2014 ◽  
Vol 38 (1) ◽  
pp. 31-39 ◽  
Author(s):  
Kate Sicchio
Keyword(s):  
Programming Languages ◽  
Real Time ◽  
Performance Practice ◽  
Computer Music ◽  
Computer Programming ◽  
Live Performance ◽  
Research Project ◽  
Transdisciplinary Approach ◽  
Performance Events ◽  
The Creation

This article explores the intersection of live coding and choreography, discussing the “practice as research” project Hacking Choreography. It examines the use of computer programming languages within dance scores, the creation of scores in real time, and the transparency of these scores to the audience during performance. Four pieces created by the author are discussed in terms of these elements and compared to live-coding practices for computer music. Through this, not only does live coding emerge as a performance practice related to sound or visuals, but it also continues its trajectory as a transdisciplinary approach to live performance events.

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