Combined tone generation on a single keyboard for an electronic musical instrument

1985 ◽  
Vol 78 (3) ◽  
pp. 1155-1155
Author(s):  
Ralph Deutsch ◽  
Leslie J. Deutsch
1984 ◽  
Vol 76 (6) ◽  
pp. 1878-1878
Author(s):  
Thomas A. Niezgoda ◽  
Carl P. Oppenheimer

2020 ◽  
Vol 31 (2) ◽  
pp. 81-86
Author(s):  
Wido Nager ◽  
Tilla Franke ◽  
Tobias Wagner-Altendorf ◽  
Eckart Altenmüller ◽  
Thomas F. Münte

Abstract. Playing a musical instrument professionally has been shown to lead to structural and functional neural adaptations, making musicians valuable subjects for neuroplasticity research. Here, we follow the hypothesis that specific musical demands further shape neural processing. To test this assumption, we subjected groups of professional drummers, professional woodwind players, and nonmusicians to pure tone sequences and drum sequences in which infrequent anticipations of tones or drum beats had been inserted. Passively listening to these sequences elicited a mismatch negativity to the temporally deviant stimuli which was greater in the musicians for tone series and particularly large for drummers for drum sequences. In active listening conditions drummers more accurately and more quickly detected temporally deviant stimuli.


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