Masker interaction in pure‐tone forward masking

1980 ◽  
Vol 68 (2) ◽  
pp. 475-479 ◽  
Author(s):  
Gregory P. Widin ◽  
Neal F. Viemeister
Keyword(s):  
Pure Tone ◽  
Forward Masking

The effect of pure‐tone forward masking on overshoot

1991 ◽  
Vol 90 (1) ◽  
pp. 228-230
Author(s):  
Michelle L. Hicks ◽  
Sid P. Bacon
Keyword(s):  
Pure Tone ◽  
Forward Masking

scholarly journals A notched-noise precursor affects both diotic and dichotic notched-noise masking

Acta Acustica ◽  
2021 ◽  
Vol 5 ◽  
pp. 43
Author(s):  
Felix Dymel ◽  
Monika Kordus ◽  
Ifat Yasin ◽  
Jesko L. Verhey
Keyword(s):  
Pure Tone ◽  
Forward Masking ◽  
Noise Masking ◽  
Binaural Cues ◽  
Level Difference ◽  
Masking Level Difference ◽  
Medial Olivocochlear

The present study investigates how diotic and dichotic masked thresholds, in a notched-noise masking paradigm, are affected by activation of the Medial OlivoCochlear (MOC) reflex. Thresholds were obtained for a 500-Hz pure tone diotic or a dichotic signal, S (S0 or Sπ respectively), in the presence of a simultaneous or forward diotic masker (bandpass noise with no notch or a 400-Hz notch). A diotic precursor sound (bandpass noise with a 400- or 800-Hz notch) was presented prior to the signal and masker to activate the MOC reflex. For simultaneous- and forward-masking conditions, the decrease in masked thresholds as a notch was introduced in the masker was larger for the diotic than for the dichotic condition. This resulted in a reduced binaural masking level difference (BMLD) for the masker with a notch. The precursor augmented these two effects. The results indicate that the effect of the precursor, eliciting the MOC reflex, is less pronounced when binaural cues are processed.

Short‐term spectral effects in pure‐tone forward masking

1979 ◽  
Vol 66 (2) ◽  
pp. 396-399 ◽  
Author(s):  
Gregory P. Widin ◽  
Neal F. Viemeister
Keyword(s):  
Pure Tone ◽  
Forward Masking ◽  
Short Term

scholarly journals Masker interaction in pure‐tone forward masking

1979 ◽  
Vol 65 (S1) ◽  
pp. S56-S56
Author(s):  
Gregory P. Width ◽  
Neal F. Viemeister
Keyword(s):  
Pure Tone ◽  
Forward Masking

Forward Masking of Dynamic Acoustic Intensity: Effects of Intensity Region and End-Level

Perception ◽  
10.1068/p7128 ◽  
2012 ◽  
Vol 41 (5) ◽  
pp. 594-605 ◽  
Author(s):  
Kirk N Olsen ◽  
Catherine J Stevens
Keyword(s):  
Pure Tone ◽  
Stimulus Presentation ◽  
Forward Masking ◽  
Intensity Change ◽  
Minimal Effect ◽  
Signal Delay ◽  
Acoustic Intensity ◽  
The Difference ◽  
Response Biases ◽  
Intensity Region

Overestimation of loudness change typically occurs in response to up-ramp auditory stimuli (increasing intensity) relative to down-ramps (decreasing intensity) matched on frequency, duration, and end-level. In the experiment reported, forward masking is used to investigate a sensory component of up-ramp overestimation: persistence of excitation after stimulus presentation. White-noise and synthetic vowel 3.6 s up-ramp and down-ramp maskers were presented over two regions of intensity change (40–60 dB SPL, 60–80 dB SPL). Three participants detected 10 ms 1.5 kHz pure tone signals presented at masker-offset to signal-offset delays of 10, 20, 30, 50, 90, 170 ms. Masking magnitude was significantly greater in response to up-ramps compared with down-ramps for masker-signal delays up to and including 50 ms. When controlling for an end-level recency bias (40–60 dB SPL up-ramp vs 80–60 dB SPL down-ramp), the difference in masking magnitude between up-ramps and down-ramps was not significant at each masker–signal delay. Greater sensory persistence in response to up-ramps is argued to have minimal effect on perceptual overestimation of loudness change when response biases are controlled. An explanation based on sensory adaptation is discussed.

Intensive and temporal effects in pure‐tone forward masking

1979 ◽  
Vol 66 (2) ◽  
pp. 388-395 ◽  
Author(s):  
Gregory P. Widin ◽  
Neal F. Viemeister
Keyword(s):  
Pure Tone ◽  
Forward Masking ◽  
Temporal Effects

Real-ear Masking Calibration for Portable Pure-Tone Audiometers

1984 ◽  
Vol 15 (4) ◽  
pp. 289-294
Author(s):  
Martin S. Robinette ◽  
Robert H. Brey
Keyword(s):  
Pure Tone ◽  
Broad Band ◽  
Resistive Network ◽  
Many Instruments

A transformer mixing network is described which allows the calibration of broad-band masking for portable audiometers that lack a built-in mixing network. For many instruments the transformer network is preferable to the resistive network previously published.

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