Pitch bending and glissandi on the clarinet: Roles of the vocal tract and partial tone hole closure

Jer-Ming Chen; John Smith; Joe Wolfe

doi:10.1121/1.3177269

Digital fabrication of vocal tract models from magnetic resonance imaging during expert pitch bending on the harmonica

The Journal of the Acoustical Society of America ◽

10.1121/1.4830563 ◽

2013 ◽

Vol 134 (5) ◽

pp. 3993-3993

Author(s):

John Granzow ◽

Peter Egbert ◽

David Barrett ◽

Thomas Rossing ◽

Lewis Shin

Keyword(s):

Magnetic Resonance Imaging ◽

Magnetic Resonance ◽

Vocal Tract ◽

Digital Fabrication ◽

Resonance Imaging ◽

Pitch Bending

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Contributions of Voice and Nonverbal Communication to Perceived Masculinity–Femininity for Cisgender and Transgender Communicators

Journal of Speech Language and Hearing Research ◽

10.1044/2019_jslhr-19-00387 ◽

2020 ◽

Vol 63 (4) ◽

pp. 931-947

Author(s):

Teresa L. D. Hardy ◽

Carol A. Boliek ◽

Daniel Aalto ◽

Justin Lewicke ◽

Kristopher Wells ◽

...

Keyword(s):

Fundamental Frequency ◽

Sound Pressure Level ◽

Sound Pressure ◽

Vocal Tract ◽

Presentation Mode ◽

Pressure Level ◽

Presentation Modes ◽

Audiovisual Stimuli ◽

Vocal Tract Resonance ◽

Point Light

Purpose The purpose of this study was twofold: (a) to identify a set of communication-based predictors (including both acoustic and gestural variables) of masculinity–femininity ratings and (b) to explore differences in ratings between audio and audiovisual presentation modes for transgender and cisgender communicators. Method The voices and gestures of a group of cisgender men and women ( n = 10 of each) and transgender women ( n = 20) communicators were recorded while they recounted the story of a cartoon using acoustic and motion capture recording systems. A total of 17 acoustic and gestural variables were measured from these recordings. A group of observers ( n = 20) rated each communicator's masculinity–femininity based on 30- to 45-s samples of the cartoon description presented in three modes: audio, visual, and audio visual. Visual and audiovisual stimuli contained point light displays standardized for size. Ratings were made using a direct magnitude estimation scale without modulus. Communication-based predictors of masculinity–femininity ratings were identified using multiple regression, and analysis of variance was used to determine the effect of presentation mode on perceptual ratings. Results Fundamental frequency, average vowel formant, and sound pressure level were identified as significant predictors of masculinity–femininity ratings for these communicators. Communicators were rated significantly more feminine in the audio than the audiovisual mode and unreliably in the visual-only mode. Conclusions Both study purposes were met. Results support continued emphasis on fundamental frequency and vocal tract resonance in voice and communication modification training with transgender individuals and provide evidence for the potential benefit of modifying sound pressure level, especially when a masculine presentation is desired.

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Assessment of Tongue Position and Laryngeal Height in Two Professional Voice Populations

Journal of Speech Language and Hearing Research ◽

10.1044/2019_jslhr-19-00164 ◽

2020 ◽

Vol 63 (1) ◽

pp. 109-124

Author(s):

Carly Jo Hosbach-Cannon ◽

Soren Y. Lowell ◽

Raymond H. Colton ◽

Richard T. Kelley ◽

Xue Bao

Keyword(s):

Vocal Fold ◽

Vocal Tract ◽

Current Knowledge ◽

Acoustic Resonance ◽

Contact Dynamics ◽

Voice Disorder ◽

Music Program ◽

Tongue Position ◽

Singer Groups ◽

Professional Voice

Purpose To advance our current knowledge of singer physiology by using ultrasonography in combination with acoustic measures to compare physiological differences between musical theater (MT) and opera (OP) singers under controlled phonation conditions. Primary objectives addressed in this study were (a) to determine if differences in hyolaryngeal and vocal fold contact dynamics occur between two professional voice populations (MT and OP) during singing tasks and (b) to determine if differences occur between MT and OP singers in oral configuration and associated acoustic resonance during singing tasks. Method Twenty-one singers (10 MT and 11 OP) were included. All participants were currently enrolled in a music program. Experimental procedures consisted of sustained phonation on the vowels /i/ and /ɑ/ during both a low-pitch task and a high-pitch task. Measures of hyolaryngeal elevation, tongue height, and tongue advancement were assessed using ultrasonography. Vocal fold contact dynamics were measured using electroglottography. Simultaneous acoustic recordings were obtained during all ultrasonography procedures for analysis of the first two formant frequencies. Results Significant oral configuration differences, reflected by measures of tongue height and tongue advancement, were seen between groups. Measures of acoustic resonance also showed significant differences between groups during specific tasks. Both singer groups significantly raised their hyoid position when singing high-pitched vowels, but hyoid elevation was not statistically different between groups. Likewise, vocal fold contact dynamics did not significantly differentiate the two singer groups. Conclusions These findings suggest that, under controlled phonation conditions, MT singers alter their oral configuration and achieve differing resultant formants as compared with OP singers. Because singers are at a high risk of developing a voice disorder, understanding how these two groups of singers adjust their vocal tract configuration during their specific singing genre may help to identify risky vocal behavior and provide a basis for prevention of voice disorders.

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Effects of a 6-Week Straw Phonation in Water Exercise Program on the Aging Voice

Journal of Speech Language and Hearing Research ◽

10.1044/2020_jslhr-19-00124 ◽

2020 ◽

Vol 63 (4) ◽

pp. 1018-1032

Author(s):

Chia-Hsin Wu ◽

Roger W. Chan

Keyword(s):

Acoustic Analysis ◽

Vocal Tract ◽

Exercise Program ◽

Analysis Of Covariance ◽

Elderly Subjects ◽

Control Group ◽

Perceptual Evaluation ◽

Positive Effects ◽

Aging Voice ◽

Before And After

Purpose Semi-occluded vocal tract (SOVT) exercises with tubes or straws have been widely used for a variety of voice disorders. Yet, the effects of longer periods of SOVT exercises (lasting for weeks) on the aging voice are not well understood. This study investigated the effects of a 6-week straw phonation in water (SPW) exercise program. Method Thirty-seven elderly subjects with self-perceived voice problems were assigned into two groups: (a) SPW exercises with six weekly sessions and home practice (experimental group) and (b) vocal hygiene education (control group). Before and after intervention (2 weeks after the completion of the exercise program), acoustic analysis, auditory–perceptual evaluation, and self-assessment of vocal impairment were conducted. Results Analysis of covariance revealed significant differences between the two groups in smoothed cepstral peak prominence measures, harmonics-to-noise ratio, the auditory–perceptual parameter of breathiness, and Voice Handicap Index-10 scores postintervention. No significant differences between the two groups were found for other measures. Conclusions Our results supported the positive effects of SOVT exercises for the aging voice, with a 6-week SPW exercise program being a clinical option. Future studies should involve long-term follow-up and additional outcome measures to better understand the efficacy of SOVT exercises, particularly SPW exercises, for the aging voice.

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