Interaction of reed and resonator by sound generation in a reed organ pipe

2006 ◽  
Vol 119 (5) ◽  
pp. 3121-3129 ◽  
Author(s):  
András Miklós ◽  
Judit Angster ◽  
Stephan Pitsch ◽  
Thomas D. Rossing
Keyword(s):  
Sound Generation ◽  
Organ Pipe

scholarly journals Aerodynamics of flue organ pipe voicing

2010 ◽  
Vol 1 (1) ◽  
pp. 162-173
Author(s):  
Dirk Steenbrugge ◽  
Patrick De Baets
Keyword(s):  
Sound Generation ◽  
Dimensionless Analysis ◽  
Current State ◽  
Aerodynamic Parameters ◽  
Organ Pipe

The objective of this paper is to investigate the possibility of giving useful interpretations of flueorgan pipe voicing practices in terms of the aerodynamical and aeroacoustical behaviour of the pipes. Anoverview is first given of the current state of the knowledge on sound generation in flue instruments. Afteran introduction into the limited literature on voicing an scheme is presented as a possible framework toclassify and characterize various voicing approaches. Use is made of dimensionless analysis to quantifythe specific properties of voicing methods in terms of aerodynamic parameters rather than geometric data.It is concluded that such an analysis might be a useful tool to be able to better document and understandhistoric instruments and their genesis in order to better conserve them.

Two interacting vortex ring pairs and their sound generation

AIAA Journal ◽  
2000 ◽  
Vol 38 ◽  
pp. 79-86 ◽  
Author(s):  
N. W. M. Ko ◽  
R. C. K. Leung ◽  
K. Lam
Keyword(s):  
Vortex Ring ◽  
Sound Generation

Correction: Dynamic Hybrid RANS/LES Assessment of Sound Generation and Propagation for Flow Over a Circular Cylinder

2018 ◽  
Author(s):  
Xiao Wang ◽  
Shanti Bhushan ◽  
Bukhari Manshoor ◽  
Edward A. Luke ◽  
Adrian Sescu ◽  
...  
Keyword(s):  
Circular Cylinder ◽  
Sound Generation ◽  
Dynamic Hybrid

The Baroque Clarinet and Chalumeau

2020 ◽  
Author(s):  
Albert R. Rice
Keyword(s):  
18Th Century ◽  
Clarinet Music ◽  
History Of ◽  
Organ Pipe

The second edition of The Baroque Clarinet (1992) is a history of the clarinet and chalumeau from antiquity to 1760 in six chapters: “Origins of the Chalumeau,” “Music for the Chalumeau,” “The Earliest Clarinets,” “Playing Techniques for the Baroque Clarinet,” “Music for the Baroque Clarinet,” and “Baroque Clarinet in Society.” There are five appendices: four checklists of extant chalumeaux, extant clarinets, chalumeau music and sources from 1694 to 1780, clarinet music and sources from about 1715 to 1760; and a fifth of chalumeau and clarinet concerts, rehearsals, and clarinets for purchase in newspaper advertisements from 1718 to 1760. The second edition has significant additions of makers, players, music, and iconography, that last in a chapter called “The Baroque Clarinet in Society.” Topics discussed include single-reed instruments in Egyptian antiquity and from the 10th through the 17th centuries; the mock trumpet; chalumeaux during the 17th and 18th centuries; Jacob Denner’s chalumeaux and clarinets; an organ pipe that sounds like a chalumeau; chalumeau players; chalumeau descriptions from the mid-18th century; later documented chalumeau makers; chalumeau reproductions; how and why Johann Christoph Denner improved the chalumeau and invented the clarinet, based on previous studies of mechanical inventions; chalumeau and clarinet music and composers; and the Baroque clarinet’s use by traveling musicians, in court and aristocratic music, church and civic music, and military music.

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