Music performance acoustics and room shape: An investigation employing an images model of room acoustics

1983 ◽  
Vol 74 (S1) ◽  
pp. S84-S84
Author(s):  
Nicholas A. Edwards
Keyword(s):  
Music Performance ◽  
Room Acoustics

The Influence of Room Acoustics on Solo Music Performance: An Empirical Case Study

2013 ◽  
Vol 99 (3) ◽  
pp. 433-441 ◽  
Author(s):  
Zora Schärer Kalkandjiev ◽  
Stefan Weinzierl
Keyword(s):  
Music Performance ◽  
Room Acoustics ◽  
Solo Music

Creative process and performance practice of interactive computer music: a performer's tale

2003 ◽  
Vol 8 (3) ◽  
pp. 289-296 ◽  
Author(s):  
MARI KIMURA
Keyword(s):  
Performance Practice ◽  
Creative Process ◽  
Computer Music ◽  
Music Performance ◽  
Interactive Systems ◽  
Room Acoustics ◽  
Interactive Music ◽  
Major Interest ◽  
And Performance ◽  
Musical Context

I have had a major interest in the performance practice issues in electronic and interactive systems over the years (see, for example, Kimura 1996). As a performer/composer often presenting pieces from the classical and other contemporary acoustic violin literature in traditional settings along with electronic works, and also as a teacher of interactive computer music performance at a conservatory where my students include highly trained performers, performance practice issues in computer music come up very frequently in association with the creative process. I tend to focus on creating MaxMSP patches that address a particular musical context or situation, rather than creating an elaborate versatile and reusable MaxMSP patch and then using that patch in a particular way to make music. This paper describes a few examples of my interest in this area: (i) System Aspects: Performance Practice Issues and Room Acoustics; (ii) ‘Pragmatic’ Programming and Performance of Interactive Music; and (iii) Creative Process and Interactive Computer Music.

Music Performance and Theories of Memory

2000 ◽  
Author(s):  
Steven A. Finney ◽  
Caroline Palmer
Keyword(s):  
Music Performance

Shared intentions in joint music performance

2009 ◽  
Author(s):  
Janeen D. Loehr ◽  
Rowena Pillay ◽  
Caroline Palmer
Keyword(s):  
Music Performance
Sign in / Sign up

Export Citation Format

Share Document