BOOK AND FILM REVIEWS: Order and Disorder in the World of Atoms

1968 ◽  
Vol 6 (5) ◽  
pp. 267-267
Author(s):  
A. I. Kitaigorodskiy ◽  
William H. Bessey
1972 ◽  
Vol 10 (4) ◽  
pp. 224-224
Author(s):  
R. Hulsizer ◽  
D. Lazarus ◽  
Richard A. Marble
Keyword(s):  

1970 ◽  
Vol 8 (4) ◽  
pp. 217-218
Author(s):  
John W. Stewart ◽  
C. A. Swenson
Keyword(s):  

2019 ◽  
pp. 168-184
Author(s):  
Fred Dallmayr

The chapter reflects a redemptive hope which is sometimes called a “grounded expectation” or chaosmos, which stresses the tension between order and disorder, concord and conflict. To explicate this conundrum, the chapter turns again to Heidegger as a thinker of “difference,” for whom chaos and cosmos both inhabit the “world,” triggering a transformative struggle. To exemplify the meaning of this struggle, the chapter invokes the task of “world-maintenance” upheld, in the Indian Bhagavad Gita, in the midst of an epic battle in the Mahabharata. In the Chinese tradition, world-maintenance involves the striving for a differentiated holism of “all under heaven,” in opposition to an imperially imposed “world order” from above, and urging the cultivation of mutual learning and understanding, fostering genuine mutual respect between cultures and peoples. Heidegger’s “being-in-the-world” from this angle means a wager in favor of a peaceful cosmopolis.


Author(s):  
J. P. Telotte

Abstract: Film, Francesco Casetti argues, provided a common “field of convergence for different dimensions” of the popular imagination in the early twentieth century. We can see evidence of the extent of that “convergence” in the sort of discourse that unfolded in various other internal features of the pulps. Editorials, readers’ letters, and film reviews converge to demonstrate a sense of enthusiasm about the ability of films to supplement the work of SF by visualizing or realizing the genre’s ideas for reshaping the world and the self. That enthusiasm would bring repeated calls for the film industry to produce more SF-themed films, even to adapt favorite stories from the pulps. But as reviews of SF films began to proliferate in the pulps, particularly in the late 1930s, they would increasingly attest to a frustration or dissatisfaction with the sense of reality that was being achieved by the SF film and point to a rift beginning between the films and the world of SF literature.


1970 ◽  
Vol 8 (7) ◽  
pp. 414-415
Author(s):  
Hal Hellman ◽  
Robert B. Lillich
Keyword(s):  

Mnemosyne ◽  
2003 ◽  
Vol 56 (3) ◽  
pp. 306-342
Author(s):  
Marlein Van Raalte

AbstractThe so-called theological excursus in the Arabic translation of Theophrastus' Meteorology shows a division between two kinds of causation that gives rise to serious doubts concerning the authorship of the passage. Whereas from the Metaphysics it may be inferred that Theophrastus was inclined to consider the mode of being of the cosmos, by its very essence consisting of both order and disorder, as good and divine, the excursus maintains that god is responsible only for the order in the world (which is good), whereas the nature of the world itself, with its plurality of causes, accounts for the disorder (which is bad). It is argued that those passages adduced as a parallel for the excursus (from the Metaphysics and De pietate in particular) do not bear out this claim, and that other Theophrastean texts and sources make it unlikely that Theophrastus is the author of the excursus in its present form.


1964 ◽  
Vol 2 (7) ◽  
pp. 340-340
Author(s):  
J. J. G. McCue ◽  
Kenneth W. Sherk ◽  
Louis R. Weber

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