Ghost images determination for the stereoscopic imaging channel of SIMBIOSYS for the BepiColombo ESA mission

2011 ◽  
Author(s):  
Vania Da Deppo ◽  
Gabriele Cremonese ◽  
Giampiero Naletto
Keyword(s):  
Stereoscopic Imaging ◽  
Ghost Images

Determination of ghost images for the wide angle camera of the Rosetta ESA mission

2012 ◽  
Author(s):  
Vania Da Deppo ◽  
Fiorangela La Forgia ◽  
Giampiero Naletto ◽  
Maria-Guglielmina Pelizzo ◽  
Cesare Barbieri
Keyword(s):  
Wide Angle ◽  
Wide Angle Camera ◽  
Ghost Images

Ghost Images and Gorgeous Mistakes

Drift ◽  
2018 ◽  
Author(s):  
Jeff Ferrell
Keyword(s):  
Made In ◽  
Ghost Images

Following from the argument made in the previous chapter, this final chapter opens with a consideration of ghost images. In a first sense, ghost images entail the problem of photographing ghosts and drifters and, with this, capturing the presence of absence and the visibility of invisibility. Here the photodocumentary tradition is recalled and reimagined and issues of photographic absence, intentionality, and surrealism are explored. In a second sense, the chapter argues, ghost images include those images that have become dislocated from their original contexts of production. Such images—a number of which the author has salvaged from trash cans and trash piles—again raise issues of lost intentionality, residual meaning, and subsequent alteration. The chapter ends by considering and advocating for gorgeous mistakes—for the magic of the accidental and the unexpected—and for mistakes as a kind of method adrift.

Principles of Binocular Stereoscopic Imaging

2014 ◽  
pp. 38-58
Author(s):  
Geoff Ogram
Keyword(s):  
Visual Perception ◽  
Depth Perception ◽  
Visual Cues ◽  
Stereoscopic Images ◽  
Stereoscopic Imaging ◽  
Recorded Image

The relation between visual perception and the recorded image is discussed in this chapter, emphasising the historical growth of the understanding of depth perception and its visual cues. The stereoscopic principle is explained in detail, and figures are given for comfortable viewing of stereoscopic images.

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