Practice of digital restoration in paleontology research and publicity

2021 ◽  
Author(s):  
Yan Guo ◽  
Xin Jia
Keyword(s):  
Heritage ◽  
2018 ◽  
Vol 1 (2) ◽  
pp. 289-305 ◽  
Author(s):  
Liberato De Caro ◽  
Emilio Matricciani ◽  
Giulio Fanti

The Veil of Manoppello is an icon of the face of Christ (Holy Face). Its particular characteristic is being semitransparent. The face is visible on both sides (front–back) and, depending on the lighting and observation conditions, shows some differences in the anatomical details. An analysis of this icon has allowed us to clarify some aspects of the possible physical mechanism underlying its unusual optical behavior. It is a linen fiber fabric consisting of very thin threads with a thickness of about 0.1 mm, separated by distances even double the thickness of the threads, so that about 42% of the Veil is empty space. The fibers constituting the linen threads may have been cemented by an organic substance of chemical composition similar to cellulose, presumably starch, eliminating the air between them. Such a structure causes the optical behavior of the medium to be intermediate between those of a translucent medium (thin cemented linen threads) and a transparent one (empty space between the threads). The problem of digital image restoration in spatial terms has also been tackled, since the Holy Face is deformed due to distortions of the meshes of the Veil, caused by the yielding of the very fine structure of the fabric.


2018 ◽  
Vol 178 ◽  
pp. 03013 ◽  
Author(s):  
Stergios Fragkos ◽  
Emanuel Tzimtzimis ◽  
Dimitrios Tzetzis ◽  
Oana Dodun ◽  
Panagiotis Kyratsis

The current paper demonstrates the digital recreation and 3D printing of a missing fragment of an ancient ceramic pottery following digitization using a three dimensional laser scanning. The resulting pointcloud of the laser scans was treated with a series of advanced software for the creation of surfaces and ultimately for a digital model. An analytical methodology is presented revealing the step by step approach, which is an innovative way of recreating a missing fragment. Such approach aims to demonstrate the level of contribution that the ever evolving computer based technologies and 3D printing could bring to cultural heritage. The reverse engineering method presented for the reconstruction of a ceramic pottery, which is a part of the larger field of digital archaeology, is believed to benefit a variety of interested parties including 3D CAD users and designers, archaeologists and museum curators.


Bibliosphere ◽  
2017 ◽  
pp. 101-104
Author(s):  
A. V. Shabanov

The article is devoted to manuscripts digital restoration of the Siberian holdings. First it describes the state of digital library «Book monuments of Siberia», and main steps of creating high-quality digital copies. Part of this library is available at www.spsl.nsc.ru/rbook. Then two examples of complex image processing - digital restoration - are given.


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