What do Unions Do? Media Framing of the Two-Faces of Labor

Resumo: Enquanto existem muitos estudos sobre a reprodução da teoria do “choque das civilizações” e do “mundo islâmico” como o “outro” do Ocidente em mídias ocidentais após os atentados de 11 de setembro de 2001, são extremamente escassos aqueles que analisam a presença dessa teoria nas mídias árabes. Quais são os discursos geopolíticos (re)produzidos nessas mídias com o objetivo de enquadrar e explicar os atentados? Qual é o papel da teoria do “choque das civilizações” e das representações do Ocidente que se manifestam nesse contexto? Este artigo procura responder essas perguntas a partir de uma perspectiva da geopolítica crítica, valendo-se do conceito de “geografias imaginativas”. Os principais jornais transnacionais árabes, al-Hayat, al-Quds al-Arabi e Asharq Al-Awsat, constituem o exemplo empírico. Este artigo mostra que a teoria do “choque das civilizações” – por sua vez duplamente assentada em regionalizações geográficas tradicionais e em uma construção binária entre Ocidente e mundo islâmico – é rejeitada nos jornais analisados. Em vez de se apoiar nessa teoria, os acontecimentos de 11 de setembro de 2001 e os atentados terroristas nos anos seguintes, bem como as geografias imaginativas do Ocidente reproduzidas nesse contexto, são enquadrados e formados por meio de um discurso multifacetado e profundamente pós-colonial. Palavras-chave: Geografias imaginativas. Geopolítica crítica. Mídia impressa árabe. Crítica pós-colonial. NO “CLASH OF CIVILIZATIONS”: AN ANALYSIS OF IMAGINATIVE GEOGRAPHIES IN ARAB PRINT MEDIA AFTER 9/11 Abstract: While many studies analyse the reproduction of the “clash of civilizations” theory and the “Islamic world” as the West’s “other” in Western media after 9/11, there are only few works dedicated to Arab media. What are the geopolitical discourses (re)produced in Arab media framing and explaining the attacks? What is the role of the “clash of civilizations” theory and the representations of the West in this context? This paper addresses these questions from the perspective of critical geopolitics using the concept of “imaginative geographies”. The transnational Arab newspapers al-Hayat, al-Quds al-Arabi e Asharq Al-Awsat serve as the empirical example. I argue that the theory of the “clash of civilizations” – which is based on traditional geographical regionalisations and a binary construction between the West and the Islamic world – is rejected in the analysed newspapers. Instead, 9/11 and other terrorist attacks in the subsequent years as well as the imaginative geographies of the West reproduced in this context are based on a multifaceted and profoundly post-colonial discourse. Keywords: Imaginative Geographies. Critical Geopolitics. Arab Print Media. Postcolonial Critique. AUCUN “CHOC DES CIVILISATIONS”: UNE ANALYSE DES GEOGRAPHIES IMAGINAIRES DANS LES MEDIAS ARABES IMPRIMES APRES LES ATTENTATS DU 11 SEPTEMBRE 2001 Resumé: Bien que de nombreuses études analysent la reproduction de la théorie du “choc des civilisations” et du “monde islamique” comme “l’autre” de l’Occident dans les médias occidentaux après les attentats du 11 septembre 2001, il y a peu de travaux consacrés aux médias arabes. Quels sont les discours géopolitiques (re)produits dans ces médias pour contextualiser et expliquer les attaques ? Quels sont les rôles de la théorie du “choc des civilisations” et de la représentation de l’Occident dans ce contexte ? Cet article tente de répondre à ces questions dans une perspective de géopolitique critique, en utilisant le concept de “géographies imaginaires”. Les principaux journaux transnationaux arabes, al-Hayat, al-Quds al-Arabi e Asharq Al-Awsat sont le matériau de l’enquête. Cet article montre que la théorie du “choc des civilisations” – elle-même basée sur les régionalisations géographiques traditionnelles et la construction opposant Occident et monde islamique – est rejetée dans les journaux analysés. Au lieu de cela, les événements du 11 septembre 2001 comme les attentats terroristes des années suivantes, ainsi que les géographies imaginaires de l’Occident reproduites dans ce contexte, sont façonnés par un discours à multiples facettes, profondément post-colonial. Mots-clés: Géographies Imaginaires. Géopolitique Critique. Médias Imprimés Arabes. Critique Postcoloniale.

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Female leaders as ‘Superwomen’: Post-global financial crisis media framing of women and leadership in investment banking in UK print media 2014–2016

Critical Perspectives on Accounting ◽

10.1016/j.cpa.2021.102307 ◽

2021 ◽

pp. 102307

Author(s):

Corina Sheerin ◽

Thomas Garavan

Keyword(s):

Financial Crisis ◽

Print Media ◽

Global Financial Crisis ◽

Investment Banking ◽

Media Framing ◽

Female Leaders ◽

Women And Leadership

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Before the summit: News media framing, scripts and the flag-raising at Iwo Jima

Media War & Conflict ◽

10.1177/1750635221990941 ◽

2021 ◽

pp. 175063522199094

Author(s):

Matthew Pressman ◽

James J Kimble

Keyword(s):

World War Ii ◽

Government Policy ◽

News Media ◽

News Coverage ◽

Media Framing ◽

Pacific Island ◽

World War ◽

The Pacific ◽

Cognitive Scripts ◽

New Interpretation

Drawing upon media framing theory and the concept of cognitive scripts, this article provides a new interpretation of the context in which the famous World War II photograph ‘Raising the Flag on Iwo Jima’ appeared. This interpretation is based primarily on an examination of American newspaper and newsreel coverage from the Pacific island battles prior to Iwo Jima. The coverage – especially the pictorial coverage – often followed a three-step sequence that showed US forces proceeding from a landing to a series of skirmishes, then culminating with a flag-raising image. This created a predictable cognitive script. That script, combined with other framing devices found in the news coverage (such as metaphors and catchphrases), conveyed the misleading message that the Allies’ final victory over Japan was imminent in early 1945. The Iwo Jima photo drove home that message more emphatically than anything else. This circumstance had profound implications for government policy at the time and, in retrospect, it illustrates the potency of media framing – particularly in times of crisis or war.

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Metaphors, Stories, and Media Framing of Crime: Response to Lithwick

Narrative and Metaphor in the Law ◽

10.1017/9781108381734.018 ◽

2018 ◽

pp. 269-288

Author(s):

L. David Ritchie

Keyword(s):

Media Framing

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The end of ‘Welcome Culture’? How the Cologne assaults reframed Germany’s immigration discourse

European Journal of Communication ◽

10.1177/02673231211012173 ◽

2021 ◽

pp. 026732312110121

Author(s):

Iris Wigger ◽

Alexander Yendell ◽

David Herbert

Keyword(s):

Sexual Harassment ◽

Multidimensional Scaling ◽

News Media ◽

Moral Panic ◽

Media Framing ◽

Refugee Crisis ◽

National Belonging ◽

Word Associations ◽

History Of ◽

New Year’S Eve

Controversy over immigration and integration intensified in German news media following Chancellor Merkel’s response to the refugee crisis of 2015. Using multidimensional scaling of word associations in reporting across four national news publications in conjunction with key event, moral panic and framing theories, we argue that reporting of events at Cologne station on New Year’s Eve 2015–2016 reframed debate away from terror-related concerns and towards anxieties about the sexual predation of dark-skinned males, thus racializing immigration coverage and resonating with a long history of Orientalist stereotyping. We further identify an increased clustering of ‘race’, gender, religion, crowd-threat and national belonging terms in reporting on sexual harassment incidents following Cologne, suggesting an increased criminalization of immigration discourse. The article provides new empirically based insights into the dynamics of news media reporting on migrants in Germany and contributes to scholarly debates on media framing of migrants, sexuality and crime.

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