scholarly journals Emotion elicitation during music listening: Subjective self‐reports, facial expression, and autonomic reactivity

2021 ◽  
Author(s):  
Nieves Fuentes‐Sánchez ◽  
Raúl Pastor ◽  
Miguel A. Escrig ◽  
Marcel Elipe‐Miravet ◽  
M. Carmen Pastor
1989 ◽  
pp. 204-221 ◽  
Author(s):  
Carlo Caltagirone ◽  
Pierluigi Zoccolotti ◽  
Giancarlo Originale ◽  
Antonio Daniele ◽  
Alessandra Mammucari

2020 ◽  
pp. 030573562090688
Author(s):  
Carolina Labbé ◽  
Wiebke Trost ◽  
Didier Grandjean

Mode and tempo are known to influence affective experiences during music listening. While mode (major/minor) is associated with emotional valence (positive/negative), tempo (slow/fast) is associated with emotional arousal (calm/excited). Heart rate (HR) and respiration rate (RR) are also thought to adapt (entrain) to the tempo, leading to emotion elicitation via afferent feedback mechanisms. Here, we tested the influence of mode, tempo, and entrainment on affective experiences by recording HR, RR, and self-reported subjective entrainment and affect measures while participants ( N = 20) listened to major and minor chords embedded in slow and fast isochronous, metrical, and random sequences. Though there was no effect of tempo on HR or RR, both were faster during major and metrically random chord sequences, respectively. Slower HR positively predicted visceral entrainment (VE) ratings, the extent to which one feels one’s internal rhythms changing, and fast tempo positively predicted motor entrainment (ME) ratings, the extent to which one feels like moving. Compared to minor chords, fast major chord sequences induced more feelings of vitality (positive, high arousal), while minor sequences induced more feelings of unease (negative, high, and low arousal). Both ME and VE positively predicted pleasantness ratings and positive emotions, and negatively predicted negative emotions.


First Monday ◽  
2016 ◽  
Author(s):  
Anja Nylund Hagen

In Norway music-streaming services have become mainstream in everyday music listening. This paper examines how 12 heavy streaming users make sense of their experiences with Spotify and WiMP Music (now Tidal). The analysis relies on a mixed-method qualitative study, combining music-diary self-reports, online observation of streaming accounts, Facebook and last.fm scrobble-logs, and in-depth interviews. By drawing on existing metaphors of Internet experiences we demonstrate that music-streaming services can make sense as tools, places, and ways of being. Music streaming as lifeworld mediation is discussed as a fourth framework for understanding online music experiences, particularly those arising from mobile and ubiquitous characteristics of contemporary Internet technology.


2020 ◽  
Author(s):  
Julia Merrill ◽  
Anna Czepiel ◽  
Lea Fink ◽  
Jutta Toelle ◽  
Melanie Wald-Fuhrmann

Music listening can lead to strong aesthetic experiences. However, to gain deeper insights into such experiences, more empirical research outside of laboratory settings is required. The current exploratory study measured aesthetic experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography and arousal measures) from 98 participants during three live concerts with a program of classical, romantic, and contemporary chamber music. One musical movement from the contemporary work was presented from a recording. Results firstly highlight two key components of the concert frame as influencing the aesthetic experience: a) the programming order led to a rise-and-fall trajectory of emotions with the less familiar contemporary work leading to higher negatively valenced emotions. Nonetheless, this experience was embedded in an overall highly appreciated concert, with b) the factor of liveness becoming apparent in lower engagement with the recorded than the live music. Secondly, the participants’ reactions gave insights into how the multi-movement works were perceived; opening and closing movements elicited higher positively valenced arousal, contrasting the characteristics of an inner section, which evoked lower arousal and mixed emotions. This scheme differed between the classical and the romantic works in the third movements, reflecting a different trajectory of tension and relaxation in the respective styles. Finally, we show relations between physiological responses and self-reports reflecting both positive and negative aesthetic experiences. Overall, we demonstrate that the ecological validity of the current study is particularly informative for theoretical approaches on the aesthetic experience, with the frame as a crucial component.


2011 ◽  
Vol 45 (8) ◽  
pp. 14
Author(s):  
SUSAN LONDON
Keyword(s):  

2006 ◽  
Vol 37 (3) ◽  
pp. 131-139 ◽  
Author(s):  
Juliane Degner ◽  
Dirk Wentura ◽  
Klaus Rothermund

Abstract: We review research on response-latency based (“implicit”) measures of attitudes by examining what hopes and intentions researchers have associated with their usage. We identified the hopes of (1) gaining better measures of interindividual differences in attitudes as compared to self-report measures (quality hope); (2) better predicting behavior, or predicting other behaviors, as compared to self-reports (incremental validity hope); (3) linking social-cognitive theories more adequately to empirical research (theory-link hope). We argue that the third hope should be the starting point for using these measures. Any attempt to improve these measures should include the search for a small-scale theory that adequately explains the basic effects found with such a measure. To date, small-scale theories for different measures are not equally well developed.


GeroPsych ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 17-30 ◽  
Author(s):  
Dane L. Shiltz ◽  
Tara T. Lineweaver ◽  
Tim Brimmer ◽  
Alex C. Cairns ◽  
Danielle S. Halcomb ◽  
...  

Abstract. Existing research has primarily evaluated music therapy (MT) as a means of reducing the negative affect, behavioral, and/or cognitive symptoms of dementia. Music listening (ML), on the other hand, offers a less-explored, potentially equivalent alternative to MT and may further reduce exposure to potentially harmful psychotropic medications traditionally used to manage negative behavioral and psychological symptoms of dementia (BPSD). This 5-month prospective, naturalistic, interprofessional, single-center extended care facility study compared usual care (45 residents) and usual care combined with at least thrice weekly personalized ML sessions (47 residents) to determine the influence of ML. Agitation decreased for all participants (p < .001), and the ML residents receiving antipsychotic medications at baseline experienced agitation levels similar to both the usual care group and the ML patients who were not prescribed antipsychotics (p < .05 for medication × ML interaction). No significant changes in psychotropic medication exposure occurred. This experimental study supports ML as an adjunct to pharmacological approaches to treating agitation in older adults with dementia living in long-term care facilities. It also highlights the need for additional research focused on how individualized music programs affect doses and frequencies of antipsychotic medications and their associated risk of death and cerebrovascular events in this population.


2008 ◽  
Vol 16 (3) ◽  
pp. 146-149 ◽  
Author(s):  
Meinrad Perrez ◽  
Michael Reicherts ◽  
Yves Hänggi ◽  
Andrea B. Horn ◽  
Gisela Michel ◽  
...  

Abstract. Most research in health psychology is based on retrospective self reports, which are distorted by recall biases and have low ecological validity. To overcome such limitations we developed computer assisted diary approaches to assess health related behaviours in individuals’, couples’ and families’ daily life. The event- and time-sampling-based instruments serve to assess appraisals of the current situation, feelings of physical discomfort, current emotional states, conflict and emotion regulation in daily life. They have proved sufficient reliability and validity in the context of individual, couple and family research with respect to issues like emotion regulation and health. As examples: Regarding symptom reporting curvilinear pattern of frequencies over the day could be identified by parents and adolescents; or psychological well-being is associated with lower variability in basic affect dimensions. In addition, we report on preventive studies to improve parental skills and enhance their empathic competences towards their baby, and towards their partner.


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