Image Consciousness, Movement Consciousness

2019 ◽  
Vol 44 (1) ◽  
pp. 48-69
Author(s):  
Jonathan Owen Clark
Keyword(s):  
Image Consciousness

scholarly journals Sobre a elaboração progressiva dos pensamentos de Husserl acerca da fantasia e da consciência de imagem através da escrita

Phainomenon ◽  
2019 ◽  
Vol 29 (1) ◽  
pp. 9-37
Author(s):  
Eduard Marbach
Keyword(s):  
The Status ◽  
Image Consciousness ◽  
Image Object

Abstract This paper consists in a study of the development of Husserl’s thought on the notions of phantasy and image consciousness. It shows how, following a first phase in which he still identified phantasy with image consciousness, Husserl gradually began to distinguish the two and define what is proper to each in an increasingly precise manner. The paper then shows how Husserl came to view pure phantasy as a modification of perception. Concerning image consciousness, it shows how the status of the image-object and the nature of its reference to the image subject evolved throughout Husserl’s thought. The problems raised by this model are also discussed, in particular when it comes to cases where there is no image subject, e.g. in theatre. Finally, the paper shows how the development of these concepts in Husserl’s work involves a new conception of the notion of “phantasm” – one that goes hand in hand with rejection of the ‘content of apprehension-apprehension’ scheme.

Creating and Sustaining America’s Game

2017 ◽  
Author(s):  
Travis Vogan
Keyword(s):  
Middle Class ◽  
Subsequent Development ◽  
American Football ◽  
Tourist Attraction ◽  
Professional Football ◽  
White Middle Class ◽  
Television Exposure ◽  
Image Consciousness ◽  
The 1960S ◽  
Nfl Films

This chapter charts the National Football League's (NFL) meteoric rise, thanks to NFL Films' unwavering designation of pro football as a unique and unifying reflection of America. Fueled by a combination of sport and media's increasingly profitable symbiosis and Commissioner Pete Rozelle's image-consciousness, the NFL enhanced its marketing efforts during the 1960s and began to diversify aggressively, creating branded products that reached out to audiences beyond the white, middle-class men who composed its typical fan base. The Rozelle-era NFL solidified its prominence in American culture through its merger with the American Football League and subsequent development of the Super Bowl. This chapter examines how the NFL made connections to as many potential fans as possible by establishing national television exposure, branding various items, organizing athletic events for kids, donating to charitable causes, and creating a tourist attraction. It looks at one production that codified NFL Films' signature aesthetic practices, They Call It Pro Football, and how it situates professional football as “the sport of our time.”

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