Nurses' perceptions and experiences of work role transitions: a mixed methods systematic review of the literature

2016 ◽  
Vol 72 (8) ◽  
pp. 1735-1750 ◽  
Author(s):  
Victoria Arrowsmith ◽  
Margaret Lau-Walker ◽  
Ian Norman ◽  
Jill Maben
2010 ◽  
Vol 83 (3) ◽  
pp. 695-715 ◽  
Author(s):  
Cornelia Niessen ◽  
Carmen Binnewies ◽  
Johannes Rank

2017 ◽  
Vol 24 (2) ◽  
pp. 81
Author(s):  
Rachel Dunn

As my PhD research is European focused, looking at knowledge, skills and attributes development in live client clinics, I wanted to find all the European literature relating to clinical legal education. The aim of this research was to find all of the European literature surrounding clinical legal education available to me, to explore the kind of research published and to identify any gaps in knowledge. With an explosion of literature within the field, and more research undertaken every year, finding the literature which related to my research was challenging. To help aid this work I embarked on a systematic review, building on work by Tribe Mkwebu,<a title="" href="file:///S:/Academic%20Library%20Services/Research%20Support%20Team/Scholarly%20Publications/OJS/International%20Journal%20of%20Clinical%20Legal%20Education/24-2%20files/4.%20dunn%20lit%20review.docx#_ftn1">[1]</a> systematically searching for peer reviewed articles. This research was initially presented at the European Network of Clinical Legal Education<ins cite="mailto:Jonny%20Hall" datetime="2017-04-20T12:31">’</ins>s Spring Workshop, 2015, Northumbria University.  This article highlights the journey through this literature. Firstly, it explains what a systematic review is and how it can be used within mixed methods research. It then goes on to outline the methodology used and the number of articles sourced, excluded and synthesised. The analysis shows the amount of papers published before 2015 and their basic content. Finally, I discuss my reflection on the systematic review, what I thought went well and what didn’t, explaining how it was received at the Workshop.


1984 ◽  
Vol 29 (2) ◽  
pp. 172 ◽  
Author(s):  
Nigel Nicholson

1989 ◽  
Vol 62 (4) ◽  
pp. 271-286 ◽  
Author(s):  
Michael West ◽  
Ruth Rushton

2017 ◽  
Vol 50 (8) ◽  
pp. 1716-1741 ◽  
Author(s):  
Alice Lam

This article examines how boundary-crossing careers influence creative knowledge combination by looking at a group of creative artists whose careers straddle professional arts and academia. Whereas previous research has treated individuals as vehicles for knowledge transmission across intertwined networks, this study emphasizes their active role as knowledge brokers. It examines how work role transitions trigger a dynamic interplay between actors and contexts, and brings about changes in the cognitive frames of individuals and their propensity to connect knowledge across contexts. The study employs Bhabha’s concept of the ‘third space of hybridity’ to denote the agency space where career actors construct hybrid role identities and engage in knowledge brokering. The analysis identifies two categories of hybrid with different boundary-crossing careers and shows how work role transitions influence the topology of the third space where knowledge brokering occurs. The ‘artist-academics’ whose careers span art and academia concurrently experience recurrent micro-role transitions. They are ‘organic’ hybrids operating at the ‘overlapping space’ where knowledge translation and integration occur naturally in everyday work. They are ‘embedded’ knowledge brokers. The ‘artists-in-academia’, who cross over from the art world to academia, experience more permanent macro-role transitions. They are ‘intentional hybrids’ who make conscious efforts to bridge two discrete work domains by creating a separate ‘transitional space’. Their knowledge brokering activities are instrumental in transforming both their own knowledge and that of their work context: they are transformative knowledge brokers. The study advances our understanding of career mobility as a mechanism that facilitates creative knowledge combination by highlighting actor agency and the underlying cognitive-behavioural mechanisms.


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