Experience with Company Unions and their Treatment under the Wagner Act: A Four Frames of Reference Analysis

2015 ◽  
Vol 55 (1) ◽  
pp. 3-39 ◽  
Author(s):  
Bruce E. Kaufman
Keyword(s):  
Frames Of Reference ◽  
Reference Analysis ◽  
Four Frames ◽  
Wagner Act ◽  
Company Unions

scholarly journals Navigating the Unprecedented: Leading Remotely Unexpectedly

EDIS ◽  
2020 ◽  
Vol 2020 ◽  
Author(s):  
Matthew Sowcik ◽  
Megan Stein
Keyword(s):  
Best Practices ◽  
Work Environment ◽  
Agricultural Education ◽  
Frames Of Reference ◽  
Remote Work ◽  
Social Distancing ◽  
Road Map ◽  
Four Frames ◽  
The World

Leaders tend to have a set of assumptions or ideas about how to do their job. As the world moves quickly to social distancing and remote work, leaders rely on their assumptions to navigate this new landscape. Different frames of reference can act as a road map allowing leaders to take the first steps into the unknown. This new 4-page article utilizes these Bolman and Deal's four frames addressing different aspects of leadership to provide best practices for leading in a remote work environment. Written by Matthew Sowcik and Megan Stein, and published by the UF/IFAS Department of Agricultural Education and Communication.https://edis.ifas.ufl.edu/wc354

Academe, Technology, Society, and the Market: Four Frames of Reference for Copyright and Fair Use

2003 ◽  
Vol 3 (2) ◽  
pp. 191-206 ◽  
Author(s):  
Amy Metcalfe ◽  
Veronica Diaz ◽  
Richard Wagoner
Keyword(s):  
Fair Use ◽  
Frames Of Reference ◽  
Four Frames

Review of Intelligence and Cognition: Contemporary Frames of Reference.

1989 ◽  
Vol 34 (2) ◽  
pp. 203-203
Author(s):  
No authorship indicated
Keyword(s):  
Frames Of Reference

‘Wheels have been set in motion’: Geocentrism and Relativity in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead

2018 ◽  
Author(s):  
Liliane Campos
Keyword(s):  
20Th Century ◽  
Film Adaptation ◽  
Frames Of Reference ◽  
Quantum Uncertainty ◽  
Galilean Relativity ◽  
Modern Physics ◽  
20Th Century Physics ◽  
Time Specific ◽  
Do So

By decentring our reading of Hamlet, Stoppard’s tragicomedy questions the legitimacy of centres and of stable frames of reference. So Liliane Campos examines how Stoppard plays with the physical and cosmological models he finds in Hamlet, particularly those of the wheel and the compass, and gives a new scientific depth to the fear that time is ‘out of joint’. In both his play and his own film adaptation, Stoppard’s rewriting gives a 20th-century twist to these metaphors, through references to relativity, indeterminacy, and the role of the observer. When they refer to the uncontrollable wheels of their fate, his characters no longer describe the destruction of order, but uncertainty about which order is at work, whether heliocentric or geocentric, random or tragic. When they express their loss of bearings, they do so through the thought experiments of modern physics, from Galilean relativity to quantum uncertainty, drawing our attention to shifting frames of reference. Much like Schrödinger’s cat, Stoppard’s Rosencrantz and Guildenstern are both dead and alive. As we observe their predicament, Campos argues, we are placed in the paradoxical position of the observer in 20th-century physics, and constantly reminded that our time-specific relation to the canon inevitably determines our interpretation.

“By Degrees”

2020 ◽  
Vol 75 (3) ◽  
pp. 265-293
Author(s):  
Paul Giles
Keyword(s):  
Eighteenth Century ◽  
World Literature ◽  
Local Realism ◽  
Frames Of Reference ◽  
Geographical Distance ◽  
Historical Time ◽  
Time And Space ◽  
Mansfield Park ◽  
Initial Analysis ◽  
Temporal And Spatial

Paul Giles, “‘By Degrees’: Jane Austen’s Chronometric Style of World Literature” (pp. 265–293) This essay considers how Jane Austen’s work relates to “World Literature” by internalizing a chronometric style. Examining the emergence of the chronometer in the eighteenth century, it suggests how Austen drew on nautical frames of reference to combine disparate trajectories of local realism, geographical distance, and historical time. The essay thus argues that Austen’s fiction is interwoven with a reflexive mode of cartographic mapping, one that draws aesthetically on nautical instruments to remap time and space. This style involves charting various fluctuations of perspective that reorder history, memory, and genealogy, while also recalibrating Britain’s position in relation to the wider world. Moving on from an initial analysis of Austen’s juvenilia and early novels, the essay proceeds in its second part to discuss Mansfield Park (1814) in relation to Pacific exploration and trade. In its third part, it considers Emma (1815) in the context of comic distortions and the misreadings that arise from temporal and spatial compressions in the narrative, a form heightened by the novel’s reflexive wordplay. Hence the essay argues that Austen’s particular style of World Literature integrates chronometric cartography with domestic circumstances, an elusive idiom that also manifests itself in relation to the gender dynamics of Persuasion (1817) and the unfinished “Sanditon,” as discussed in the essay’s concluding pages. This is correlated finally with the way Austen’s novels are calibrated, either directly or indirectly, in relation to a global orbit.

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