scholarly journals ON FORM AND FEELING: GERMAN DRAMA AND THE YOUNG WALTER SCOTT

2018 ◽  
Vol 71 (4) ◽  
pp. 395-414
Author(s):  
Michael Wood
Keyword(s):  
German Drama ◽  
Walter Scott

Walter Scott and Waterloo

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 266-277
Author(s):  
Graham Tulloch
Keyword(s):  
Media Coverage ◽  
Print Media ◽  
Walter Scott ◽  
British Press ◽  
Paul's Letters

Walter Scott responded very quickly to the defeat of Napoleon at Waterloo and within a few weeks he was at the site of the battle. Even before he left Britain, publicity about his projected poem The Field of Waterloo had appeared in the British press and it was soon followed by publicity for his prose account, Paul's Letters to his Kinsfolk. Faced with a battle quite unlike anything he had written about before, Scott tried, with mixed success, to find a new way of writing about this new kind of warfare. Media coverage of the poem was extensive but most critics disliked the poem and believed he should stick to medieval topics. Paul's Letters were also covered extensively in the print media but were well received, partly because they looked forward to new ways of memorialising war which would dominate the remembering of Waterloo for the coming century.

History's Rank Stew: Walter Scott, James Mill, and the Politics of Time

Romanticism ◽  
2015 ◽  
Vol 21 (1) ◽  
pp. 59-71
Author(s):  
Padma Rangarajan
Keyword(s):  
Walter Scott

Ancestral Piles

2018 ◽  
pp. 519-541
Author(s):  
Sean Moreland
Keyword(s):  
Eighteenth Century ◽  
Mary Shelley ◽  
Sir Walter Scott ◽  
Charles Brockden Brown ◽  
William Godwin ◽  
Ann Radcliffe ◽  
Horace Walpole ◽  
Architectural Model ◽  
Walter Scott

This essay examines Poe’s conception and use of the Gothic via his engagements with the work of earlier writers from Horace Walpole through Ann Radcliffe, William Godwin, Charles Brockden Brown, Mary Shelley, and E. T. A. Hoffmann. Poe’s uses of the Gothic, and his relationship with the work of these writers, was informed by his philosophical materialism and framed by his dialogue with the writings of Sir Walter Scott. Tracing these associations reveals Poe’s transformation of the idea of “Gothic structure” from an architectural model, the ancestral pile of the eighteenth-century Gothic, to one of energetic transformation, the electric pile featured in many of Poe’s tales.

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