Iris Murdoch, privacy, and the limits of moral testimony

2021 ◽  
Author(s):  
Cathy Mason
Keyword(s):  
Iris Murdoch ◽  
Moral Testimony

Remembering Iris Murdoch

2013 ◽  
Author(s):  
Jeffrey Meyers
Keyword(s):  
Iris Murdoch

‘Strangers to themselves’: Ageing, the Individual, and the Community in the Fiction of Iris Murdoch, John Banville, and John McGahern

2018 ◽  
Vol 48 (2) ◽  
pp. 202-218
Author(s):  
Heather Ingman
Keyword(s):  
Social Experiences ◽  
Iris Murdoch ◽  
Female Protagonist ◽  
John Banville ◽  
The Individual

Irish literary gerontology has been slow to develop and this article aims to stimulate discussion by engaging with gerontologists' assertions that ageing in a community of peers is enriching. Juxtaposing the experience of ageing individuals in the novels of Iris Murdoch and John Banville with the more social experiences of John McGahern's protagonists, the article finds parallels between Murdoch's The Sea, The Sea (1978) and Banville's fiction with its emphasis on the ageing individual, invariably male, who attempts to fashion a coherent identity through narration. By contrast, McGahern's The Barracks (1963), is focused through the eyes of a female protagonist whose final months are shaped by interaction with the society around her, while in That They May Face the Rising Sun (2002) ageing is experienced through an entire community.

Beauty, Morality, and the Promise of Happiness

2017 ◽  
Author(s):  
Sarah Stewart-Kroeker
Keyword(s):  
Human Life ◽  
Iris Murdoch ◽  
Fundamental Feature ◽  
The Way

This chapter takes up the themes of Chapter 3—loving beauty’s formative power—in a dialogue with contemporary philosophers Alexander Nehamas and Elaine Scarry, as well as with (to a lesser extent) Iris Murdoch. It explores the nature of love, beauty, and morality through a dialogue across historical–contemporary, theological–philosophical lines. A number of prominent modern criticisms of Augustine focus on a fundamental feature of his thought: that everything in human life is ordered towards the promise of heavenly happiness. This chapter shows some of the resources Augustine offers contemporary discussions of aesthetics by arguing that the way he links beauty and morality accounts for the ethical demands of love elicited by attraction to beauty.

Oxford Studies in Agency and Responsibility Volume 6

2019 ◽  
Keyword(s):  
Moral Responsibility ◽  
New Orleans ◽  
Moral Philosophy ◽  
Moral Agency ◽  
Self Control ◽  
Moral Testimony ◽  
Quality Of Will ◽  
Wide Range ◽  
Standing To Blame

This is the sixth volume of Oxford Studies in Agency and Responsibility. The papers were drawn from the fourth biennial New Orleans Workshop in Agency and Responsibility (NOWAR), held November 2–4, 2017. The essays cover a wide range of topics relevant to agency and responsibility: the threat of neuroscience to free will; the relevance of resentment and guilt to responsibility; how control and self-control pertain to moral agency, oppression, and poverty; responsibility for joint agency; the role and conditions of shame in theories of attributability; how one might take responsibility without blameworthy quality of will; what it means to have standing to blame others; the relevance of moral testimony to moral responsibility; how to build a theory of attributabiity that captures all the relevant cases; and how thinking about blame better enables us to dissolve a dispute in moral philosophy between actualists and possibilists.

scholarly journals Dementia and literature

2003 ◽  
Vol 9 (6) ◽  
pp. 439-445 ◽  
Author(s):  
Christopher A. Vassilas
Keyword(s):  
Scar Tissue ◽  
First Person ◽  
Iris Murdoch ◽  
The Public ◽  
The Arts ◽  
Jewish Migration ◽  
Two Generations ◽  
Four Books ◽  
Person Account ◽  
The Uk

As we doctors are beginning to understand more and more about dementia, the public has become increasingly aware of the condition and in turn this has been reflected in the arts. This article discusses four books whose main focus is the experience of dementia, each written from an entirely different perspective: a novel giving a first-person account of dementia by the Dutch writer J. Bernlef; a biography of the famous novelist Iris Murdoch by her husband John Bayley; Linda Grant's account of her mother's multi-infarct dementia (which also describes Jewish migration to the UK two generations ago); and Michael Igniateff's autobiographical novel Scar Tissue. Such accounts, offering insights into how patients and carers feel, cannot but help make us better doctors.

An Interview with Iris Murdoch

1977 ◽  
Vol 18 (2) ◽  
pp. 129 ◽  
Author(s):  
Michael O. Bellamy ◽  
Iris Murdoch
Keyword(s):  
Iris Murdoch

scholarly journals Platão e Iris Murdoch

2019 ◽  
pp. e02603
Author(s):  
Flavio Williges
Keyword(s):  
Iris Murdoch

Desde a publicação, em 1958, do famoso artigo A Filosofia Moral Moderna de G. E. M. Anscombe estabeleceu-se uma espécie de consenso em torno da necessidade de as teorias ético-filosóficas contemporâneas ampliarem sua agenda de análise para além das noções de dever e obrigação. Esse movimento conduziu à redescoberta de concepções morais antigas ligadas à constituição de um caráter virtuoso e da conquista da felicidade ou bem-viver, especialmente a ética de Aristóteles e dos filósofos estoicos. Nesse artigo eu mostro que a filósofa e escritora britânica Iris Murdoch participou desse movimento de redescoberta da ética das virtudes antiga, localizando na filosofia de Platão, e não na filosofia de Aristóteles ou dos estoicos, um instrumento de crítica às teorias morais de seu tempo, uma crítica caracterizada pela substituição da noção tipicamente moderna da vontade racional do agente por noções profundamente vinculadas à filosofia platônica, como o “amor” e “atração” pelo Bem, entendidos como constituintes de um modelo de orientação moral objetiva. Diferente de Platão, no entanto, o Bem e seu poder de engajamento e atração, é explorado como uma fonte ético-metafísica com um significado psicológico muito particular. Ele é caracterizado, em termos da psicologia moral de base psicanalítica por ela adotada, como um olhar amoroso do outro e como um desejo de ver a realidade, entendido como um desejo pessoal de sermos justos e bons, o que dá um sabor psicológico-naturalista à sua reinvindicação da filosofia platônica.

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