scholarly journals Estimating individualized treatment regimes from crossover designs

Biometrics ◽  
2019 ◽  
Vol 76 (3) ◽  
pp. 778-788
Author(s):  
Crystal T. Nguyen ◽  
Daniel J. Luckett ◽  
Anna R. Kahkoska ◽  
Grace E. Shearrer ◽  
Donna Spruijt‐Metz ◽  
...  
Keyword(s):  
Individualized Treatment ◽  
Crossover Designs ◽  
Treatment Regimes

scholarly journals Tree-based methods for individualized treatment regimes

Biometrika ◽  
2015 ◽  
Vol 102 (3) ◽  
pp. 501-514 ◽  
Author(s):  
E. B. Laber ◽  
Y. Q. Zhao
Keyword(s):  
Individualized Treatment ◽  
Treatment Regimes

The “individual” in Johann Friedrich Overbeck’s and Franz Liszt’s Seven Sacraments

2013 ◽  
Vol 54 (4) ◽  
pp. 339-356
Author(s):  
Dolores Pesce
Keyword(s):  
Nineteenth Century ◽  
Franz Liszt ◽  
Individualized Treatment ◽  
Sacred Art ◽  
The Individual ◽  
Individual Voice ◽  
Emotional Effects ◽  
The Church

In the preface to his Septem sacramenta (1878–1884), Franz Liszt acknowledged its stimulus — drawings completed in 1862 by the German painter J. F. Overbeck (1789–1869). This essay explores what Liszt likely meant by his and Overbeck’s “diametrically opposed” approaches and speculates on why the composer nonetheless acknowledged the artist’s work. Each man adopted an individualized treatment of the sacraments, neither in line with the Church’s neo-Thomistic philosophy. Whereas the Church insisted on the sanctifying effects of the sacraments’ graces, Overbeck emphasized the sacraments as a means for moral edification, and Liszt expressed their emotional effects on the receiver. Furthermore, Overbeck embedded within his work an overt polemical message in response to the contested position of the pope in the latter half of the nineteenth century. For many in Catholic circles, he went too far. Both works experienced a problematic reception. Yet, despite their works’ reception, both Overbeck and Liszt believed they had contributed to the sacred art of their time. The very individuality of Overbeck’s treatment seems to have stimulated Liszt. True to his generous nature, Liszt, whose individual voice often went unappreciated, publicly recognized an equally individual voice in the service of the Church.

Individualized treatment for chronic hemorrhoids

2018 ◽  
Vol 0 (3) ◽  
pp. 88-90
Author(s):  
V. S. Andriyets ◽  
V. I. Smovzhenko ◽  
S. O. Symonenko ◽  
I. V. Khmelyar ◽  
I. P. Lukyancuk ◽  
...  
Keyword(s):  
Individualized Treatment
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