scholarly journals Northern comfort: geographical scale, locality and the evolution of networks in the Finnish metal music genre

Area ◽  
2015 ◽  
Vol 47 (3) ◽  
pp. 334-340 ◽  
Author(s):  
Teemu Makkonen
Keyword(s):  
Metal Music ◽  
Geographical Scale ◽  
Music Genre

scholarly journals Cultural stereotyping of emotional responses to music genre

2018 ◽  
Vol 47 (3) ◽  
pp. 342-357 ◽  
Author(s):  
Marco Susino ◽  
Emery Schubert
Keyword(s):  
Heavy Metal ◽  
Hip Hop ◽  
Emotional Responses ◽  
Assessment Process ◽  
Japanese Culture ◽  
Metal Music ◽  
Expression Of Emotion ◽  
Heavy Metal Music ◽  
Cultural Stereotyping ◽  
Music Genre

This study investigated whether emotional responses to a music genre could be predicted by stereotypes of the culture with which the music genre is associated. A two-part study was conducted. Participants listened to music samples from eight distinct genres: Fado, Koto, Heavy Metal, Hip Hop, Pop, Samba, Bolero, and Western Classical. They also described their spontaneous associations with the music and their spontaneous associations with the music’s related cultures: Portuguese, Japanese, Heavy Metal, Hip Hop, Pop, Brazilian, Cuban, and Western culture, respectively. Results indicated that a small number of specific emotions reported for a music genre were the same as stereotypical emotional associations of the corresponding culture. These include peace and calm for Koto music and Japanese culture, and anger and aggression for Heavy Metal music and culture. We explain these results through the stereotype theory of emotion in music (STEM), where an emotion filter is activated that simplifies the assessment process for a music genre that is not very familiar to the listener. Listeners familiar with a genre reported fewer stereotyped emotions than less familiar listeners. The study suggests that stereotyping competes with the psychoacoustic cues in the expression of emotion.

scholarly journals Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy?

2020 ◽  
Vol 06 (01) ◽  
pp. 221-242
Author(s):  
Camile Migeon-Lambert
Keyword(s):  
French Text ◽  
Foreign Language ◽  
Contemporary Music ◽  
Literary Works ◽  
Metal Music ◽  
French Speaking ◽  
Music Genre ◽  
French Poetry ◽  
The Many

This study examines how metal musicians appropriate Baudelaire’s poetry, one of the favorite sources of metal lyrics’ intersemiosis. We will consider several levels of intersemiosis, from the reference to the literal quotation, including the music inspired by Baudelaire’s life, inquiring what metal music, which is both counter-cultural and popular, does to a great classic of French poetry. Moreover, we intend to look closer at Baudelairean intersemiosis in the work of non-French-speaking metal musicians. When they retain the original French text, the lyrics reflect the vocalist’s relation to the foreign language. Eventually, the translation processes are all brought together in those cases involving an adaptation into the band’s own language. Some of the songs we analyze belong to the most extreme genres of metal. Given the French post-Romantic poet’s controversial reception and his sense of scandal, this partiality is far from being surprising. We propose using Baudelaire’s theory of correspondences to explain the adaptation of his verses into weighty, violent notes, and sounds. Finally, the case of Baudelaire’s reception allows us to analyze the many translations at stake when a contemporary music genre such as metal incorporates literary works into its lyrical material.

Musical Mayhem: The Effects of Music Genre on Levels of Anger and Aggression

2001 ◽  
Author(s):  
Lauren E. Bozzardi ◽  
Nathan Doerr ◽  
Rachel Hoback ◽  
Kristina Kersting
Keyword(s):  
Music Genre

Preferred Music Genre: The Influence of Major Personality Factors

2008 ◽  
Vol 13 (3) ◽  
pp. 140-147
Author(s):  
Lindsay G. Higdon ◽  
Eric C. Stephens
Keyword(s):  
Personality Factors ◽  
Music Genre

2018. gada latviešu metālmūzikas albumi

2020 ◽  
pp. 185-200
Author(s):  
Ingars Gusāns
Keyword(s):  
Heavy Metal ◽  
Metal Music ◽  
Knowing That ◽  
Music Scene ◽  
Digital Format ◽  
First Impression ◽  
The World ◽  
The Common

The aim of the study is to describe metal music albums of the year 2018 from the genre, textual and artistic aspects, looking for the common and diverse in the Latvian metal music world. It is recognised that there is still no unified collection of Latvian rock and metal music resources, and that makes the researcher’s work more interesting. Even though only ten metal albums came out in 2018, their metal styles are quite wide-ranging from symphonic metal and through thrash, groove, industrial metal to classic heavy metal, which is also played in an acoustic format. Album designs, in the author’s opinion, are classic but qualitative and do not damage the first impression, especially designs of those albums that were released on physical media. Because physical media is becoming an exclusive case, the trend continues to sell albums only in digital format (at least at first); this has been done by the bands “Revelation Attic”, “Yomi”, “Seira”, “NUVO”. Perhaps knowing that Latvia is too small to live on music only, as well as wishing to expand their audience and be noticed abroad, the 5 of the albums in question are recorded in English. The debuts of several newly formed bands (“Seira”, “Revelation Attic”, “Māra”) confirm the unlost interest in metal music and also show the attempts of these groups to build their way to Latvian and the world metal music scene, which manifests in their search for a strange sound (“NUVO”) or a strong female vocal use (“Oceanpath”, “Seira”, “Māra”). In general, Latvian metal music representatives continue the world’s metal music traditions, where it is extremely difficult to surprise because the number of existing bands is so large that it is almost impossible to be original, while the population of the planet is so big that many bands can access the listener so that each band also searches for its audience, both online and in concerts.

Predominant Vertical Location of Benign Vocal Fold Lesions by Sex and Music Genre: Implication for Pathogenesis

2021 ◽  
Author(s):  
Mayu Hirosaki ◽  
Takeharu Kanazawa ◽  
Daigo Komazawa ◽  
Ujimoto Konomi ◽  
Yu Sakaguchi ◽  
...  
Keyword(s):  
Vocal Fold ◽  
Benign Vocal Fold Lesions ◽  
Vertical Location ◽  
Music Genre

scholarly journals Web-Based Music Genre Classification for Timeline Song Visualization and Analysis

IEEE Access ◽  
2021 ◽  
Vol 9 ◽  
pp. 18801-18816
Author(s):  
Jaime Ramirez Castillo ◽  
M. Julia Flores
Keyword(s):  
Web Based ◽  
Genre Classification ◽  
Music Genre ◽  
Music Genre Classification
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