Not Hollywood: Independent Film at the Twilight of the American Dream by Sherry B. Ortner.

2014 ◽  
Vol 116 (3) ◽  
pp. 692-693
Author(s):  
Colleen Ballerino Cohen
Keyword(s):  
American Dream ◽  
Independent Film

Not Hollywood: Independent Film at the Twilight of the American Dream

Screen ◽  
2014 ◽  
Vol 55 (1) ◽  
pp. 155-158 ◽  
Author(s):  
Y. Tzioumakis
Keyword(s):  
American Dream ◽  
Independent Film

Breakthrough: Wendy and Lucy

2018 ◽  
Author(s):  
E. Dawn Hall
Keyword(s):  
Hurricane Katrina ◽  
American Dream ◽  
Lower Class ◽  
Close Reading ◽  
Third Wave ◽  
Independent Film ◽  
Working Classes ◽  
Disaster Victims ◽  
Women’S Representation ◽  
Political Statement

This chapter is a close reading of Wendy and Lucy, a film loosely based on the depictions of disaster victims and the perceived governmental failing to provide and protect those affected by Hurricane Katrina. It is Reichardt’s political statement about being homeless and female in America. Highlighting distribution details, the chapter explores the necessity of a micro-budget that dictate and contribute to many independent filmmakers’ aesthetics. The chapter discusses her use of “slow cinema,” ecofeminism, and the rejection of a capitalistic and patriarchal “American Dream.” Reichardt highlights the overlooked or marginalized in America: women, the working classes, and the poverty stricken. Influenced by the Italian Neorealists of the 1940s, the film addresses current issues of poverty juxtaposed with consumerism in America. Finally building on work of Anita Harris and Sherry Ortner’s analysis of lower class women’s representation in independent film, the chapter situates Wendy and Lucy in relation to post-feminist and third wave feminist concerns.

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