Gentrification and Blight: Relationship to Involuntary Displacement

2020 ◽  
Vol 79 (2) ◽  
pp. 541-557
Author(s):  
Rick Rybeck
Author(s):  
Peter Gatrell

The English writer and critic John Berger regarded the twentieth century as ‘the century of departure, of migration, of exodus, of disappearance: the century of people helplessly seeing others, who were close to them, disappear over the horizon’.1 Berger’s characterisation of ‘helplessness’ invites us to consider not only how people were rendered liable to sudden and involuntary displacement, but also how those processes were represented at the time and subsequently. Global conflicts, revolutions and civil wars have played a major part in these processes of movement and loss, exposing combatants and non-combatants to personal risk. Civilians have frequently been the chief actors in the dramas of ‘departure’ and ‘disappearance’. Massive displacement has not necessarily entailed movement across state borders, although it is only relatively recently that policy-makers have taken into account the large numbers of internally displaced persons in different parts of the world....


2021 ◽  
pp. 162-185
Author(s):  
Ron J. Popenhagen

The rise of Fascism in Europe and its aftermath rest ever in the background of Chapter Six and its collection of ‘Disfigured Bodies’. The face and gaze of Antonin Artaud best characterises the tone of this series of violent destructions, lost ones and the isolated (like Picasso in occupied Paris). Amid ‘Veiled and Displaced Faces’ and ‘Empty Gazes’, involuntary displacement and sensory deprivation haunt representations of the human form. The head and human figures presented here are almost unrecognisable when re-conceived by a metteur en scène like Étienne Decroux or a sculptor like Alberto Giacometti. Marc Chagall, in exile, invents fantasy forms that masquerade the figures of opera and ballet performers with colourful, cushioned exteriors in magical scenographic spaces. Experimentation with actor as object manipulator or manipulacteur, like the scenographic, dynamic form in some of Jacques Lecoq’s work, displace dynamic expression to ‘things’ outside of the body form itself. In Chapter Six, some non-verbal performers search for statements beyond language: texts in the materiality of space itself. The abstracted silhouette speaks as depersonalised, masquerading image.


2015 ◽  
Vol 46 (1) ◽  
pp. 15-25
Author(s):  
Igor Pietkiewicz ◽  
Małgorzata Wójcik ◽  
Katarzyna Popiołek ◽  
Augustyn Bańka

Abstract Studies show that involuntary displacement often creates various threats for the community and individuals. To reduce these risks, Environmental and Social Impact Assessment, Health Impact Assessment, and Social Assessment are recommended. Whereas assessments focus mostly on the community level and studies describe cases of large population displacements, there is a lack of empirical evidence about how individuals cope with involuntary displacement and what factors contribute or hinder their successful adaptation in the target location. This study uses semi-structured interviews with 21 people about their experience of resettlement due to a mine collapse in Bytom, Poland, that led to involuntary displacement of 560 people. Data was analyzed according to the constructivist grounded theory principles. Results show that this case illustrates a mixture of post-disaster and development-induced displacement. Various factors and resources that affected coping strategies were analyzed, including: material and legal status, health and age, communication skills, and relocation experience. Our findings suggest that, when circumstances allow, an individual resources assessment should also be conducted to counteract impoverishment and further marginalization of the disprivileged and vulnerable individuals.


Sign in / Sign up

Export Citation Format

Share Document