Comparative survey analysis on interleaving techniques in IDMA systems

Based on a comparative survey conducted in 2016, this article explores the social actions of young people in Taiwan, Hong Kong, and Macao from the perspective of social injustice and social frustration as advanced by Gurr (2011). Applying a two-dimensional model of perceptions of social and individual fairness, it is found that young people in Taiwan and Hong Kong have higher levels of frustration and show greater tolerance and acceptance towards radical confrontational approaches than those in Macao. Furthermore, in Hong Kong, young people with a higher level of both social and individual unfairness display more interest in local politics, are more likely to take part in social movements, and are more inclined to agree to a radical confrontational approach.

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Acid aspiration prophylaxis in obstetrics in France: a comparative survey of 1998 vs. 1988 French practice

European Journal of Anaesthesiology ◽

10.1017/s0265021504002029 ◽

2004 ◽

Vol 21 (2) ◽

pp. 89-94 ◽

Cited By ~ 1

Author(s):

J.-P. Tourtier ◽

M. Compain ◽

F. Petitjeans ◽

T. Villevieille ◽

J.-F. Chevalier ◽

...

Keyword(s):

Acid Aspiration ◽

Comparative Survey

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U.S. Department of Transportation Releases Survey Analysis Showing Young People Are Least Likely to Speak Up About Distracted Driving as Passengers

PsycEXTRA Dataset ◽

10.1037/e562262012-001 ◽

2012 ◽

Keyword(s):

Young People ◽

Distracted Driving ◽

Department Of Transportation ◽

Survey Analysis ◽

Speak Up

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A Comparative Survey of the RF-amide Peptide Superfamily

10.3389/978-2-88919-730-9 ◽

2015 ◽

Keyword(s):

Comparative Survey

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The 1-Bit Instrument

Journal of Sound and Music in Games ◽

10.1525/jsmg.2020.1.1.44 ◽

2020 ◽

Vol 1 (1) ◽

pp. 44-74

Author(s):

Blake Troise

Keyword(s):

Pulse Width ◽

Pulse Width Modulation ◽

Interleaving Techniques ◽

Sonic Environment

The 1-bit sonic environment (perhaps most famously musically employed on the ZX Spectrum) is defined by extreme limitation. Yet, belying these restrictions, there is a surprisingly expressive instrumental versatility. This article explores the theory behind the primary, idiosyncratically 1-bit techniques available to the composer-programmer, those that are essential when designing “instruments” in 1-bit environments. These techniques include pulse width modulation for timbral manipulation and means of generating virtual polyphony in software, such as the pin pulse and pulse interleaving techniques. These methodologies are considered in respect to their compositional implications and instrumental applications.

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