Speech planning of an anthropomorphic talking robot for consonant sounds production

2003 ◽  
Author(s):  
K. Nishikawa ◽  
A. Imai ◽  
T. Ogawara ◽  
H. Takanobu ◽  
T. Mochida ◽  
...  
Keyword(s):  
Speech Planning ◽  
Consonant Sounds

Auditory Perception of Rhyming in Kindergarten Children

1973 ◽  
Vol 16 (3) ◽  
pp. 482-487 ◽  
Author(s):  
June D. Knafle
Keyword(s):  
Sex Differences ◽  
Auditory Perception ◽  
Kindergarten Children ◽  
Different Types ◽  
Consonant Sounds

One hundred and eighty-nine kindergarten children were given a CVCC rhyming test which included four slightly different types of auditory differentiation. They obtained a greater number of correct scores on categories that provided maximum contrasts of final consonant sounds than they did on categories that provided less than maximum contrasts of final consonant sounds. For both sexes, significant differences were found between the categories; although the sex differences were not significant, girls made more correct rhyming responses than boys on the most difficult category.

Methodological issues in assessing perceptual representation of consonant sounds in Thai

2012 ◽  
Author(s):  
Charturong Tantibundhit ◽  
Chutamanee Onsuwan ◽  
P. Phienphanich ◽  
Chai Wutiwiwatchai
Keyword(s):  
Perceptual Representation ◽  
Methodological Issues ◽  
Consonant Sounds

A speech planning network for interactive language use

Nature ◽  
2022 ◽  
Author(s):  
Gregg A. Castellucci ◽  
Christopher K. Kovach ◽  
Matthew A. Howard ◽  
Jeremy D. W. Greenlee ◽  
Michael A. Long
Keyword(s):  
Language Use ◽  
Speech Planning

An Audio-Visual Test for Evaluating the Ability to Recognize Phonetic Errors

1965 ◽  
Vol 8 (3) ◽  
pp. 281-290 ◽  
Author(s):  
Ruth Beckey Irwin ◽  
Ivan Paul Krafchick
Keyword(s):  
Motion Pictures ◽  
Answer Sheet ◽  
Experienced Teachers ◽  
Speech Pathology ◽  
Visual Test ◽  
Accurate Identification ◽  
Sound Track ◽  
Phonetic Errors ◽  
Consonant Sounds ◽  
Better Than

An audio-visual test was developed for ascertaining ability inrecognizing misarticulations. Two films, each with a different set of 23 words representing 23 initial and 20 final sounds, were produced. Each test included 138 consonant sounds in phrases, 276 in isolated words, and 144 in trios of words. An empirical “correct” answer sheet was prepared by two experienced clinicians after repeated viewings of the films. Six children with misarticulations presented stimuli in the films. One-hundred-fifty subjects included speech clinicians with five or more years of experience, graduating senior majors in speech pathology, and experienced teachers. Each subject took three tests: Film A (audio-visual), Film B (audio-visual), and the sound-track of Film A presented without motion pictures (audio only). Correctly identified misarticulations, falsely identified misarticulations, and total correct responses were tabulated. Both forms of the audio-visual test were considered valid since the clinicians and students were significantly better than the teachers in identifying misarticulations. Satisfactory reliability was also established, since Films A and B were not significantly different in the accurate identification of sounds in words. Performance was significantly better for audio-visual representation than for audio only; and identification of misarticulation was best with isolated words and worst with phrases. Experienced teachers did not identify 12 of the sounds as accurately as experienced clinicians.

On Consonant-Sounds

1899 ◽  
Vol 22 ◽  
pp. 219-247
Author(s):  
R. J. Lloyd
Keyword(s):  
A Priori ◽  
Human Speech ◽  
Successive Change ◽  
The Difference ◽  
Consonant Sounds

The prime object of the following paper is to assist in deciphering the irregular traces which represent the consonants in a phonographic record, by investigating a priori, from the causes which create the consonant, the elements which probably lie entangled in the tracing to be interpreted. Accurately speaking, the difference between vowel and consonant is not one of nature, but of function. To define either vowel or consonant, it is necessary first to define a syllable. All human speech proceeds in rapid alternations of louder and softer, more sonorous and less sonorous. These alternations vary considerably in energy; any one of them may be twice as long, or twice as loud, or twice as sudden in its rise or in its fall as its next neighbour. They seem, in fact, to tend both in duration and in form and in energy rather to a successive change than to any regularity; but each of them is a syllable. A syllable, then, is a wave of sonority, one climax of sound, with its accompanying rise and fall. Accurately speaking, this climax is a subjective one.

scholarly journals English Vowels and Consonants Mispronunciation of the Seventh President of Republic of Indonesia in His Official English Speeches and Its Influencing Factors

2018 ◽  
Vol 2 (2) ◽  
pp. 113
Author(s):  
Ambalegin Ambalegin ◽  
Tomi Arianto
Keyword(s):  
Mother Tongue ◽  
Educational Background ◽  
Sound System ◽  
British English ◽  
Factors Influencing ◽  
English Vowels ◽  
Environmental Background ◽  
Observation Method ◽  
Received Pronunciation ◽  
Consonant Sounds

This research aimed to find out the mispronunciation of English vowels and consonants of the seventh president of Republic of Indonesia, Mr. Joko Widodo in his official English speeches based on the standard of British English Received Pronunciation (RP) and the factors influencing his English vowels and consonants mispronunciation. This research is a descriptive qualitative research. In collecting data, the researchers used observation method with non-participatory technique (Sudaryanto, 2015). In analyzing the data, the researchers used articulatory identity method (Sudaryanto, 2015). It was found that the consonant sounds /θ/, /ð/, /v/, /z/, /ʃ/ were pronounced incorrectly, the vowel sounds/ə/, /ɒ/, /ɛ/, /i/, /e/, /ɪ/ were pronounced inconsistently, and the diphthong sounds /ɪə/, /eɪ/, /əʊ/ and /aʊ/ were pronounced incorrectly. The consonant sound /l/ in the middle of the word was not pronounced. The consonant sound /j/ in the middle of the word is omitted. The consonant sounds /g/, /tʃ/, and /r/ were pronounced the same as the spelling. The consonant sounds /t/, /s/, /k/ at the end of the words were omitted. The letter y sounded /ɪ/ at the end of the word was pronounced as /e/. The diphthong sounds /ɪə/, /eɪ/, /əʊ/ and /aʊ/ were pronounced as /ɪ/, /ʌ/, /ɛ/, /ə/, /e/, and /ͻ/. The factors influencing the mispronunciation of English vowel and consonant sounds were mother tongue interference, sound system differences between Indonesian and English, the influence of spelling on pronunciation, educational background, and environmental background.

scholarly journals Struktur dan Fungsi Pantun Tradisi “Palang Pintu” Sanggar Bang Bens di Rawa Belong Jakarta Barat

2021 ◽  
Vol 1 (1) ◽  
pp. 104
Author(s):  
Muhamad Dwi Juniarto
Keyword(s):  
Social Functions ◽  
The Social ◽  
And Function ◽  
Consonant Sounds

This article is about Sturucture and Function of Pantun at Betawi tribe in Rawa Belong West Jakarta. The choice of this topic departs from the author's interest in the form and structure of Betawi rhymes. The formulation of the problem is focused on two things. First, the structure of the Betawi rhyme and the social functions of the rhyme for the Betawi people. The theory used is the theory of structural strata norm of Roman Ingarden and the theory of function of Alan Dundes and William R. Bascom. The method used is to listen and record with the technique of Listening Free Libat Cakap. Analysis of Betawi rhymes shows variations in structure that are different from conventional rhymes and rhymes from other regions. Layers of sound Assonance or repetition of vowels dominated by vowel e {?}, Alliteration or repetition of consonant sounds dominated by ng {?}, rhyme dominated by {er-er} continuous rhyme and cross rhyme {an-i-an}. Euphemism, sarcasm and hyperbole in rhymes are found and dominate. The function as a means of coercion and supervisor of norms in society is very thick in Betawi rhymes. The discovery of the intensity of the entertainment function in words that form distinctive stanzas and rhymes

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